Likeable post from Robert Archambeau today, via John Peck, on Pound's & Olson's differing syntax. Daniel Albright (in Quantum Poetics) also covers the way ol' Ez would sideline the subject of his sentences & promote the verb (in a letter to someone, EP re-did the opening of the Gospel of John as "In the beginning was the Verb"). (Mandelstam wrote once that he'd like to live in the "future perfect conditional case" [hope I've got that right]. Probably means something completely different in Russian.)
I practice the harmonica walking to work these days. Learning from Sonny Terry again : less is more. You focus on the tiny shifts here & there. This is what such attention to the texture of a poet's diction does - leads to new possibilities, new pleasures too.
[huh. synchronicity. Hotel man wrote about harmonica-playing today too.]