shade of fig trees

OAKEN ARK

I remember the tall shade of fig trees

on Observatory Hill

in Sydney, their colossal

spread feet lifting leafy memories.

The diamond hologram glinting

upstairs – the Southern Cross

a silver doubleness,

a micro-mirror (winking, hinting).

Dante in Ravenna, on the coast

of swamps & tamaracks

the scars of Whites & Blacks

scorching his palm (a sulfur-host)

felt a light flute-breeze ruffle

his conch-shell ear

whispering draw near –

beheld Matilda waltz the Buffalo

(an aboriginal design

painted on granite

for Woodpecker-flight

framing two Thunder-twins benign)

& plumbed the gravity of clay

that wheels so slowly

through mortality

toward candescent kiln-fired Day

of Jubilee   the metamorphoses

of starfish realms to stars

the green & gold pillars

of corn & wheat   Georgina’s

laughter in the new-mown fields.

So her green-almond eyes

drew Alighieri to Vitale’s

arc of Paradise (welds

souls into an infant baptistery,

a fan of everlasting

life).  Interesting,

murmurs iconoclast Henry

Hobo   but I would bend the lens

slightly   enfold the ray

into a Bay of Biscay

alphabet soup   Beguine begin-agains

based on an anchored oaken ark

of milky bread & wine

the whole human communion

in the sun of mnWmn (spark

from a Galilean jewel of light).

Inside the delicate crystal

gently circling... still

potter’s whirl from infinite night

around the whisper gallery

Twine Monastery

pregnant humble glory

of Francesca (Piero’s poverty)

leaves mutter in the sea-breeze

just beyond the orange

bridge   Georgina’s Grange

the dusty gardeners   Maria sees

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