Shakespearean marzipan

THREE BEARS

Behind fine axe-hewn basalt

of the Incan hive, an eye

like Aaron Siskind, maybe –

quick, delicate, alert.

Mortised ramparts of any state

mark its mandala-border;

stone blooms of order

warp twisters of love & hate.

Only this human heart of flesh

harbors invisible diamond –

petal-scent of almond,

marzipan snowstorm (baked fresh).

Imagine one simplified snowflake

in three dimensions, spinning

like a gyroscope (one wing,

one leg) after one thunder-shake

of glassy dome – Will’s trident, maybe

in a late romance (Blackfriar’s

globe).  King Henry sires

trouble for himself – falls into sea

pursued by Bear.  Near Normandy,

flagship goes down – she’s lost,

it seems – until at last

Hermione steps forth, sleepy...

La Paix (familial, civil, global)

breathes yet, to dance once more.

It was Sir Thomas More,

lapped in bearskin, at the North Pole

                 *

who played the bear, who played the fool;

who played Disoriented Lamb

bleating I am, I am,

who flit the snowflake (melting soul);

his mother (Everywoman, from

Mulberry Street) wept

for the shame; she slept,

& it was glory in the end.  Hum

flickers (pictures in a whisper gallery).

The cranium of Unknown

Soldier wears the crown.

Empires of high frozen sophistry

shudder beneath an infant’s smiling

gaze.  It’s not the wise

who find the way (surprise!)

but every lovey-dovey Sing-Sing

resident – repentant heart, meek

mule.  Chaste planetary

hearth, Psyche-egalité –

bright thunder-akme... slant, oblique

world-pirouette... Hagia Sophia

in a peacock’s fan.  Tango,

barefoot kid’s fandango

under the sky-vaults in Ravenna –

light of my light & yours,

Waltz of Three Bears

by Mendelssohn.  Flares

Franciscan, by Pacific shores.

6.14.17