Just another quick response to Jonathan. He writes:
"There is no set of cultural references presumed to be shared by all educated readers.
Eliot's notes to the Waste Land already posit the end of a common Victorian culture of
reading. Pound takes this a step further. So I don't think that Henry Gould can say that
there is a common, mainstream Eliotic tradition that we ignore at our peril."
But if I think of "tradition" specific to poetry, I don't think of the set of cultural references. I think of poetry as a characteristic, unique activity. & I think there are traits of poetry-making which are pretty timeless & global. "Poetry is avant-garde because it doesn't change much." (quoting himself) & I try as many have before me to get at that peculiar activity in some places on this blog ("metaform", "event", etc).
The healthy thing about Eliot's awareness of tradition - whether we agree or not with the specific qualities he chooses to emphasize - is that it counters the parochial, polemical mirror-world of oppositional poetics, where claims & counter-claims for value or importance are always made in the context of opposing some OTHER poet or poem or style. . .
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