a grain of truth

Vladislav Khodasevich; portrait by Valentina Mikhailovna Khodasevich

BLUE EYES

Vladislav Khodasevich,

past master of style

felt that truth, not style

unites the beautiful with Uglich

& art with life (so much ongoing

sordidness & light).

& if the heart is upright,

somehow… even pain might sing

as honest witness to the memory

of what was loved, back then.

My mother, once again

so firm in her infirmary

looks in my face with such solemnity

I have to shift my gaze

from stern blue eyes –

your aching isolation of senility

since I remember just how quick

you sprang for joy (sheer

giddiness of being here)! 

Now you’ve forgotten how to walk.

Maybe we’ll limp along in spirit, then –

as once Natasha with Osip,

Anna, Nadezhda… slip

the chains of boring gravity one

Leap Day!  Deep in snow & sunlight

not much different from Siberia

or Voronezh, syestra-Columbia –

imaginary friend… (wings’ wavy flight).

                                                      2.29.20

grain in the hold in the Boundary Waters

Mary (Elvira) Ravlin Gould, Jan. 2020

BRIGHT ANCHOR

I was wheeling my mother Mary around

the old people’s home yesterday.

We came upon the Ash Wednesday

service, by chance, & rolled on in.

The genial priest lifted up the Book

& prayed for us all

& traced a cross of charcoal

on our brows (despite my mother’s look

of wary puzzlement).  & we rolled on.

Her father was an engineer.

Master of grain elevator

& sewage plant, he built his own

brick house along the Mississippi

back in 1929, or so –

Barnett & Record Co.

John H. Ravlin (everlastingly).

Granddad, your fathers came from Dublin

whirled by coracle & shamrock

to Vermont.  By hard knock

grace & cornucopia, they ventured in

to the interior.  You heard violins

of Verdi… Elvira

(some serene Barber adagio)

& in great lofty mountainous grain bins

of full, deep faith, one mustard seed

of your stern secret mother

glints – compassionate anchor

for Milky Way (ark’s cornerstone, indeed).

2.27.20

John H. Ravlin in the Boundary Waters Canoe Area (1940s)

mini-Mississippi meditation

WINDY CURRENT

They found a body in the broken ice

upstream from Franklin Bridge.

Nearby, JB leapt the edge

50 Epiphanies ago.  Minnesota Nice

reminder of mortality, this cold

Ash Wednesday.  & who

shall rescue me from this

body of death?  You, Lord?

Let each one find you, mighty to save.

My own keeled-over Mardi Gras

diversions end Mid-Barataria.

O rheumy battery of barratry – behave!

Half-sunk, in debt to fraud… Old Ironsides,

our near-abandoned Constitution

drifts toward Mars Lagoon –

graveyard of hulking Liberties, Columbias…

I heard Brad Barth, & maybe Latrobe

have shaped a mini-Mississippi

en masse.  Delta recovery

with restoration of the entire globe

– at 1/65th scale, using simulated sand –

in view.  Musk-earthy angel

of Odetta, oversing y’all

sluiceways – my diversions too; your hand

stroking the banjo-strings, your voice…

one grain of sand.

Let not Pharaoh’s demand

deter you from your bitter cross

                    *

– a better choice, for man nor woman

noir nor blank, there be nought

but this flashing pivot –

fiery chariot, all-bearing, San Franciscan

stigma tattoo – all-loving happy ghost

& live-oak everlasting shade

reconciling all things made

& unmade (windy current, whirling host).

Water currents, pressure & flow

(scale-model of congregated

clover coracle, 200’ x 70’)

up to the Chapel of Eternal Now.

You just want to get in & start playing

with it.  We can (she sings)

no longer accomplish things

by damming things off.  What saying,

Great Spirit?  Hwæt?  There was silence

for about six hours

(prelude to thunderblast)

when ailing Alighieri, heart gone quiet as

a babe, asleep upon her mother’s breast

gazed up into the rainbow dome

at Sant’Apollinare.  You come

to me gliding, from Sabbath rest

in your almond canoe, Jessie-Jesu…

out of the gemstone casket

where 4 streams exit

like the Nile, from Ethiopia… O Hallelu.

2.26.20

from G. Ronald Murphy, S.J., Gemstone of Paradise, p. 187

dream song for Mardi Gras

WIDE SWINGS

In the remote silence of your dream

little Ojibwa cowboy,

every word, every sigh

your lips would bend to the birch beam.

Each syllable would lift up smoothly

like wing or wave, to join

the sarabande procession

flashing tiny stars in their night-cloud sky.

The piety of Aeneas or of Abraham

is tinctured with the same

topaz humility; the fame

of Black Elk flares no different requiem;

& Hobo’s yearning in the Bottomland

& Henry’s striving at the source

obey the same bone-flute discourse –

to verify one sweet-tempered command.

& like a low B-flat trombone bass line

out of some Delta funeral-song

the aura of her Don’t-be-long

with magnetism of her Love, B-mine

goes rippling counter-clockwise, from St.-J

to D.C. piles of masonry

& back to Lake Itasca –

& like mustard monarch or viceroy

lifts tender, glancing & reflective wings

to meet your own, brave

Jessie-Isis – clear sea-wave.

Peace pipes over the Golden Gate, wide swings.

2.25.20

up in Montrose Park

PINE-SMOKES

The war to end all wars was done.

On May 29th, 1919

Sir Arthur Eddington

tested heavy light, suspended

in a thread around the moon-black sun;

so gravity bent clay

toward refining accuracy.

Black Elk extends to six directions

silent gratitude & recognition,

just as an icon speaks

in speechless pine-smokes

or a painting glows with valedictory

emotion.  Around the summer solstice

rose-phosphorus sunset

seals the monuments’ regret

in Washington – western promise

magnifies & coalesces, in a microcosm

(up in Montrose Park,

at Avon Place, by River R).

That armillary zodiac, or star-prism

revealing violence, imperial dominance

(diagonal to its redeeming

countersign) – entangling

mn-mutter, amid all circumstance…

sweet Angel, levitant above the cancer

of the Capital; fleet-

footed Evening Star, bright

Pocahontas (waterlogged Delta, triangular).

2.24.20

at edge of Gulf, at Mardi Gras

MUSTARD TEAR

So ancient Carnival-time creaks around

Hobo, at winter’s nadir –

up & down the copper

serpent-river, ice to Gulf, from underground.

Seigneur Latrobe & son (masonic

architects) glide on

into their slanted lichen

tombs, below the levee.  Chronic

exploitations, born of lordly guile

condemn brother & sister

to the poorhouse – maybe

forever (never God’s will).  Meanwhile

Mardi Gras Indians from Cajun swamps

tiptoe, sauntering in beads &

feathers, vaunting weeds

beside Big Muddy… spin their vamps,

magnanimous & happy-go-lucky!

As Frazer phrased it once,

the Oak-King was dunce

for a day, scapegoat – to bind three

realms, to decorate the grim

reality of king-dom

(manacled to thrum

of male plumage, sly rhythm

of greed).  Meanwhile us tramps lie in our camps

the ciphered segregation

of a riven nation –

the politic paralysis of frozen clamps

                *

unbroken for a generation

yoking partisans

of limited taxation

with particles of airy explanation.

Yet lo, Hobo! the sleepy sleepwalker

still reigns under the rain…

King Virbius in blue vervain,

Osiris-man of verby us (dumb talker)!

One lone mustard tear of Isis

flowing down the dream;

knit-wit of Union, seam-

by-seam… Columbia, thy hum he is!

& out of one immense unspoken heart

on its wheel of suffering

flies this foam… a sparkling

shield of steely martyrdom – cart

of churl & Charlemagne, Big Bear,

Charles’ Wain – iron hinge

of Milky Way!  Melange

of pipesmoke sacrificial princes, there!

Martin, & Jack, & Abraham…

William & James… lights

winking from Astraea’s height –

sea-foam & flotsam of the cosmic Lamb!

At the edge of the Gulf, at Mardi Gras

Hobo floats to sea, to see…

out of wrath & misery

lamps of justice, liberty – her wings, Noah!

2.23.20

sketch by Benjamin Latrobe

on your dark retina

SEA-FROTH

The soft touch of watercolor

like a moist afterthought

on your dark retina.

The comeliness of ballet dancer

uprightness of innocent angel

her glance prematurely sad

– unfolding her fan of mustard

gold (butterfly wings on purple balsa)

beneath rough branches of jack pine

& beside the air conditioner,

a sunless window (in its lunar

TV efflorescence).  With her fine

naiad brow, brimming with thought

& the dignity of her wings

like a daughter of Memphis king

or mother… Isis or Hathor (Thoth

merging with dappled river pattern

yet again).  & in upper

right-hand corner a minor

violet cloud, a miniature icon –

Notre Dame (unburnt as yet?) – or

Statue of Liberty?  Unclear,

inchoate… like right now, here

in this charcoal-smoky, somewhere-

possible America – suffering glare

of phosphor-bomb campaigns

& camouflage engines –

blind canvas (some cimetière

                  *

marin) of noon.  & as the sun descends

west of the granite capital

& you sense (as the ineffable

arc of those feathers, wafting, bends

to rose Pacific horizon) the limpid

gloom of freedom’s evening

then she will be gathering

fragment-limbs of her beloved…

Isis, young dark dancer by the Nile.

Shades of live oaks,

holm oaks, holly oaks…

green Acorn Kings of Hollywood… will

stay awhile.  The restoration of the earth

will be a Morris dance –

as (in his happy trance)

the young king will relight the hearth

under the aegis of that Providence

kind Williams’ hand held forth

over the sea-froth

chasm of an Ocean State (whence

every liberty proceeds).  I mean

the heart’s imagination

of dove-divination,

when prancing St. Jeanne rose again

from dusty repetition of revenge

into a coracle of Union –

her canoe of sun-flotation,

Hobo’s freeway cloverleaf (Stonehenge).

2.21.20

love is a subtle mode of gravity

PEACEABLE REPLY

Love?  Love is a subtle mode

of gravity, persuading

everything into its ring

via reverse-magnetic motherlode.

Implicit ground of adoration –

centered in that other

sprouting up like heather,

unaccountable (& yet akin).

The Petersburg raznochinets

who wrote, maybe

we are Hagia Sophia

with a million eyes… completes

that Galilean one, who said

you are light of the world

& so like sheep into fold

he goes, smiling into Ya-Neku.

So like that sonorous Adagio

building gradually upward

on frail threads, the sad

clown walks into her thundercloud

shadow.  Like Mary Magdalen

she follows the mild voice

of one who mediates

all force with dove-modulation –

her cooing sing-song tilt of wing-

span balancing the red

& blue with a rusty rod

of iron – his wand out of Sing-

                   *

Sing, his foot-pedal, bruised purple

as small Rhode Island

violet (one grain in hand

touching the resonant key of small people).

She bears the crux of all martyrdom

across the political spectrum

like Mater Dolorosa on some

Syrian plateau of desolate Rom;

yet every child’s candle flickers yet

on the anniversary of statehood

& Providence, in the law-code

charted for Restoration Day (kismet).

When Rome fell, & sheep scattered

into milky constellations,

whirling light-grains

penetrating countless catastrophic

neighborhoods of pitch-black space.

In the darkest of Dark Ages

the ratio on parched pages

scratched by severed stump of Maximus

shone like Einstein intuition –

Man is imago of your Divine

infinite plenitude… sign

lofted into deepest void-perdition;

there is no sovereignty like this.

To be the peaceable reply

to every trumped-up tyranny –

we all God’s children, sang the Empress.

2.20.20

snowflakes on Presidents' Day

SPLINTER-WORD

George III was buried yesterday

200 years ago.

The mad King Bluster-Tyro

pressed New England into granite liberty.

Ceremonies of the royal tomb

reverberate across a nation

scarred by assassination.

Abraham, Jack… William, Jim…

framed by wide wings of Martin

(& Bobby too).  They stand

elongate, with palm frond –

archangels in a nave-cavern

of fluted oaks.  Stone tears well

from republican cenotaphs

when that Ant-Leader laughs

who foments red-black wars (from home

to hell).  So long waves coalesce

magnificent Pharaoh & Osiris

in theopolitical impasse

with alien slave throngs – witness

the fissure of Red Sea by their God!

Tyrant & people, king

& kin… a knotty kenning;

Agnes Martin might trace a grid

to simplify ratios of power & myth.

A single snowflake amid crows

of winter, in the beginning was

the splinter-word.  Her spark was in the pith.

2.17.20

like a small town playground

LIGHT GOLD

The restoration of all things…

what’s it about this phrase

corrals my shifty gaze?

Some infant stimulus it brings?

As at the source of vast rivers

(Mississippi, Danube)

a baby spring’s hubbub

purls out of ground… shimmers

in bitter February air & light.

The restoration of a truth

too plain, too clear, to booth

as Peter would (its glare so bright).

Universal constant, Einstein’s measure;

flexible cinch-thread

of muttering light gold

sent to bind man, through rose embrasure.

Power’s byzantine – but truth Franciscan.

Peaceable polity

is founded in equality

chaste as a child’s eye (Petersburgian).

The restoration of the human world

is like a small town playground,

where the rusty sound

of an ancient iron swing is curled

within your inner ear.  You heard it

years ago, once… now,

again.  No one knows how

the goldfinch’s tricolor obsignat.

2.16.20

dimensions of Pacific promise

IRON ROOT

It’s possible we understand the common good,

since we are human beings

blessed with intellect, & feelings.

Might we live in the old neighborhood

again?  The narrow streets of Providence

for example – haunted by ghosts

of Roger Williams & his hosts

Canonicus & Miantonomi (his friends,

working out in late-night conferences

the immemorial foundations

of good government).  Nations

& peoples, grounded in the ancient senses

of those words (Pax, Libertas, Justitia)

sustained, beyond the bite

of Mammon (greed & spite)

into a vivid substance of reality –

dream-songe of every poet ever born.

Yea, Henry Acorn King

will of foundations sing,

laid deep before the civil wars began –

of Edw. Coke, bent over Magna Carta

(constitution of our civil rights

before the king, his knights,

were born); of Williams, apple of his eye

& visionary of our liberty

who felt the fiery seed

of conscience, freed

from all coercion, was the key

                  *

that opens up a box of keys –

the iron root of human

dignity (since we are one

with goodness only as we choose

to be).  & how distinct this innocence

from those manipulations

of the Mammonites, evasions

of sadistic Minotaurs!  The silence

of compassionate stars rebukes Caesar

& all his empires, murmurs

Hobo.  His abode blurs

river-mud with gravity (cold graveyard

avatar).  All density of stone

compacted into black hole

rings your somber footstool,

Everyman – refining stokehold of the sun!

& indistinguishable from hopeless hell

until the graceful whisper

of Columbia, your dove-sister,

thunders like lilting from a light-filled well –

like those Latrobes, who journeyed down to Delta

après shaping simple mansions

for America; or Hart’s dimensions

of Pacific promise… Ocean harmonies (selah).

So Hobo’s heart lingers (below the sweep

of salty galaxies, just off

the bridge).  His brooding strophe

coos from orange shadows… azure keep.

2.15.20

O for a muse of fire

YOUR VALENTINE

From your Valentine, scratched the prisoner

in Rome, young martyr-to-be.

To daughter of Asterius – maybe

a Morning Star? – love to configure

with philosophy, so (269 a.d.).

Skull crowned with flowers

along with more & divers

relics (Santa Maria in Cosmedin)

– & some of them in Dublin, too

(Whitefriar St.).  Ante-

dating troubadours & Dante

with his severed head & body (rue

the day with smoke of juniper, acacia)

he died young, for liberty

of conscience – thought is free;

fled upon wind, Asterius (Astraea).

The epileptic heart dances offbeat.

Dante & Beatrice

found simplest way

to unity – their cosmos whole, complete

in charity.  So ran my Yeatsian effusion

from the green island;

these pipes, my steely friend

summon her countertop restoration

in the green night of Dante’s neighborhood

where phosphorus gleams

amid Franciscan tombs

like camouflaged green acorn (woo’d

                        *

from wood) to be kingdom come

in your creaky dreambed

Ophelia (Juliet, Cordelia…)

– O rondure of love’s gentle realm!

& poetry burbles of it night & day

to multitudes in their sleep

compartments, while the creep

of despotism creeps from sordid victory

to victory (absolutism corrupts

& empowered absolutism

corrupts with most extreme

prejudice).  So the public servant sups

alone in his cold cell, & the journalist

languishes for speaking truth

in cellars of Pharaoh Badnooth

& enemies of human happiness request

your presence in the Furious Throne Room

where kids die miserably

every day, for lack of liberty

& prison sing-song will pronounce your doom.

O for a muse of fire, cried Hen’s herald –

who solders every soul

with mettle from the molten

whole.  Who clears the air, to yield

a solidarity of understanding

in the sheepfolds of Jerusalem

& Greece… Gregorian hymn

with ocarina harmony (Cahokian thing).

2.14.20

so in such straits

GOLD FLEECE

In the blank depths, at nadir of winter.

An acid stain of turpentine.

Peto’s absinthe green

in the still life; drumbeats in the mirror.

Lincoln & Kennedy… Kennedy & King.

Black silk around the photographs.

Time, summarized in epitaphs –

a rocket glare that freezes everything.

& traitors cluster in a mortis-ring

about great Yggdrasil,

composing lizard doggerel

with fangs of trumpery & sting

of fraud.  Shaping a lattice for a type

of self-enclosing anti-Christ,

whose mesmerism none resist –

Rumored Injustice To Be Smashed By Hype.

So in such straits we huddle round the mast.

No longer measure progress

by the steam pipe’s hiss

& whistle of alarms.  It’s in the past,

a memory of island buoyancy

elliptical & calm

we’ll find that palm;

amid light’s brilliance, a transparency

as if an eye looked down from azure dome

as acorn witness for an apple kingdom –

as if the citizens of heaven-home

were you & I… gold fleece of human freedom.

2.12.20

in the Grand Army of the Republic

CLEAR BREEZE

Hank limps onward, like a lost private

in the Grand Army of the Republic

through swamps above Nilotic

Memphis – or plug of gneiss granite

broken loose from Superior shoreline

(euphoric azure of sea air

lifting over the spare

curves of rusted railroad iron).

We carry so much indifferent amnesia,

sleepwalking across Earth.

A measureless unplumbed worth

overshadows our shadows (ecclesia

del girasole… sunflower’s rotation

in the silence of Ravenna

backwater).  Antenna-

headed cave figures, in Papillon

foreshadow these elongate, lantern-

eyed hierarchs of grace –

a shadow ladder, on a base

of basalt (box-within-a-box of Lincoln

logs).  A matryoshka puzzle toy

from Kiev, or Constantinople;

an emerald imago of all people

in mild irises of Maximus (old boy-

martyr).  Matrix, crosshair lens –

vertigo of San Francesco

whorled to the point of zero,

razor-sharp.  Star of St. Stephen’s,

                  *

or the sea.  Is shadow-hero

of millions of shadows, round-

about… perceptible ground

or incarnation of your own heart’s

broken-down ego (melted to music).

Is Jonah of your ocean,

Columba… is feminine

Adonai of Morning Star (mystic

bloom, afloat over Cahokia).  Is

Gateway steel of your

clear breeze, Superior –

Osiris to your adamantine Isis

(Psyche-Amor).  In Ford Theatre

the violence comes to a head.

A Service of the Dead

melds Abraham to one frail butterfly-

phantom – one solidarity of soul.

Whim’s monarch, hoboing

from Mexico, to spring

the news… Pinetop’s True-Loving Honor Roll.

In the heart of the heart of hearts

where all the waters start,

we’re no longer apart –

little acorn coracle sea-charts

mark the almond center of the diagram.

Here the luminous shadow

smiles out of clay wheelbarrow,

& love never ends (warbling I AM).

2.11.20