Un Coup de Des Jamais N'Abolira le Hasard
Antithetical memes of the blogosphere strike again. Oftentimes when I ponderifurcate laboriously on the roots of my praxismo literario, if then I gallumph over to here, there is somebody, somebody goin' in the opposite dierection.
Just a coupla russian Gorby dolls - dolls-within-dolls, that is. Or two bowling pins, bobbling on their bases, simultaneous-like.
RS sez it helps to know what you're dealin' with - like applied mechanics (linguistics). I have no problem with this, except that, as RS Crane teacheth (Language of Criticism & Structure of Poetry), we work within different frameworks.
RS lays out a genetics of langpo going back by way of Russian Formalism & Russian Futurism to a new & true-blue re-do of Modernism (Habermas). Poetic language (& all language) is a kind of 6-sided die, turning & revolving one side or another (addressor/addressee, signifier/signified, contact/code).
So inside the Russian doll of understanding poetry via linguistics sits the littler doll of understanding langpo via formalism/futurism/modernism.
Language is a throw of the dice, or a twist of the facets, based on the game plan of the neo-Modern avantistadora. The duality here is between the renovating motive of the modernist, and the functional matrix of the neutral langue-parole. The primary divide, the locus of artistic action-praxis, is between a revocable past and the avanti!-future.
Here I interpose my difference.