I want an immaculate, difficult, Pushkinian poetry : smooth, refined, powerful, serene, limpid... and rhythmically, syntactically, lexically, rhetorically, thematically, conceptually perfect. Capable of absorbing and reflecting and refining every other social discourse. Utterly School of Quietude, certainly.
Fascinating article in New Yorker this week about the art of the conductor. (In "Conversation About Dante" Mandelstam relates poetic composition to conducting.)
I'm going to Minnesota this afternoon, until the 27th. See you all when I get back.