7
Around the synagogue in the evening light
the houses cluster in their modest drab integrity.
Walking through their vocations (under blight
of a voracious contracting whirlpool city)
the humble continue. . . gathering on holiday
outside the bronze double doors of their temples.
The writer (an unnoticed bystander) crumples
a scrap of crosshatched paper and throws it away.
And the wind lifts a corner of the scribbled page,
not yet finished with the end of the universe.
Over the brilliant dome a small cloud of rage
disguises the sun – cries: I will immerse
in tears – I will burn with fire – I will erase. . .
(– pretending once more deep within heaven
not only to destroy all creation and then
again rebuild the whole cracked edifice
but to do all this in the manner of a scribe
with one hand at his aching brow and one eye
peering at a mossbound, moldy parchment –)
and Lord, we have deserved your diatribe.
The parched earth groans for a comet's finality.
Your mortified heart stretches through space and
swelling spreads (ubiquitous) the fiery ointment
of your love, of your forgiveness, of your peace.
3.26.97
9.26.2003
I think the remarks in previous blog post (on Mandelstam's Redemption/free-play symbiosis) run parallel to some of WH Auden's discoursing. Also, I think the following excerpt from a poem titled "One Evening (Early Spring)" (which appeared in the Jacket interview) illustrates some of Paul Lake's comments on fractal-recursive order in poetry:
Labels:
Auden,
interviews,
Jacket magazine,
Mandelstam3,
play,
redemption,
Temple Emanu-el
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