Deep into Geoffrey Hill. It will take me months, if not years, to come up with an adequate written response, if ever.

Thinking about the multiplex ironies of American-British mutual influences & oppositions. The difficulties in interpreting "contextual" (cultural-historical) problems. Tones, motives.

Hill is like our Eliot, in reverse. Except no one is listening (as they listened to Eliot). Because we inhabit what is, for Hill, a national Romanticism - a self-enclosed universe of (poetic) discourse - Stevens on one end, Olson on another.

But I'm getting ahead of myself. & the analogy doesn't really work.

Hill is like another (Anglican) Auden who, in extremity (of alienation), has become an Eliot... (who sounds like Pound).

I'm getting way ahead of myself.