I've circled around these little problems all my life. But sitting out in the backyard, reading a tanned paperback of an old Eric Ambler novel (ca. 1937: Background to Danger), it occurred to me once again, that I've never changed, I've always been a slightly effete bookworm, a reader, not a doer, while my whole family is predicated on doing, doing, doing, and this is, in fact, the secret of a mens sano corpore whatever.
Hamlet & A La Recherche du Temps Perdu (did I get that right?) & Don Quixote - perhaps the greatest literary works of all. & what are they about? Sickly writer types, who "lose the name of action". Frustrated dreamers.
Dynamic symmetry, golden section... the new spring growth of Nature... applies to this narcissism-mirror-problem too.
Mim-mim-mim-Mom & Sis-mimesis. the ultimate st-st-stutter.
Showing posts with label Ambler. Show all posts
Showing posts with label Ambler. Show all posts
5.07.2004
Labels:
Ambler,
bookworm,
psyche,
self-reflexive
3.28.2003
reading: Eric Ambler, Epitaph for a Spy
Sayyid Qtub, Milestones
(stopped reading Kwinter also)
thinking of novel to be called Chronicle of Jehan.
Thinking there must be more to be thought about origin of poetry at the threshold of adulthood, when childhood is already a memory, & fictions are subject to disenchantment. Moment of premonition. intimations of (im)mortality.
sense that the artist has one song, subject to endless variation. inimitable. not so much a style as a moment of stillness, awareness, premonition. not mechanical surrealism ("fancy"), but still off the edge because emerging from so far down in the brain or heart. hobo song. duende.
song as swelling of the heart & premonition of death. feeling of fate. amor fatum(?) nothing to be done, only celebrate what you sense to the end. Auden's inner landscape that every poet carries around.
ultimate disenchantment. time only a moment & every person a world. the singer standing there singing, while fictions crumble & dissolve.
Sayyid Qtub, Milestones
(stopped reading Kwinter also)
thinking of novel to be called Chronicle of Jehan.
Thinking there must be more to be thought about origin of poetry at the threshold of adulthood, when childhood is already a memory, & fictions are subject to disenchantment. Moment of premonition. intimations of (im)mortality.
sense that the artist has one song, subject to endless variation. inimitable. not so much a style as a moment of stillness, awareness, premonition. not mechanical surrealism ("fancy"), but still off the edge because emerging from so far down in the brain or heart. hobo song. duende.
song as swelling of the heart & premonition of death. feeling of fate. amor fatum(?) nothing to be done, only celebrate what you sense to the end. Auden's inner landscape that every poet carries around.
ultimate disenchantment. time only a moment & every person a world. the singer standing there singing, while fictions crumble & dissolve.
Labels:
adolescence,
Ambler,
fate,
Hobo/hobos,
song
3.11.2003
I myself am not that ideal critic, of course.
Ron is more responsive than I am:
I can't read the stuff most of the time, it makes me feel sick.
Give me an old Eric Ambler pulp any day.
I'm just another glib pretentious poet, and this is my blog, hgpoetics.
Ron is more responsive than I am:
I can't read the stuff most of the time, it makes me feel sick.
Give me an old Eric Ambler pulp any day.
I'm just another glib pretentious poet, and this is my blog, hgpoetics.
Labels:
Ambler,
criticism2,
Ron Silliman2
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