Showing posts with label Ernst Kantorowicz. Show all posts
Showing posts with label Ernst Kantorowicz. Show all posts

8.17.2015

Don't ask me

Not much to say about this, except that it's part of a series, and that Stephano and Nunzio are father & son from Sicily (my regular haircut here in Providence).  "Agnes" is Agnes Eizenberger, from Vienna, my Uncle Jim's onetime companion.  (Also thinking of another icon-maker & diagram artist, Agnes Martin.)

VIENNA VEINS

Klimt was a kind of crooked wicket
out on a creaky limb
in Cricket City (rim
of Rimini, Parisian rivulet).

Gold.  Vienna veins of Ravlin
violins (we were there,
Agnes).  Do not compare.
It’s only an American Robin

Redbreast, hooded, yodeling...
he’s calling out your name.
Not Stephano (fair game
for Fame) nor Nunzio (clipping

the locks that flood across your face)
– though they are near.  The Boot
strides on.  The man is moot.
Your Crown is Everwhirr – mesh-lace

of spy-veil, ambling the source...
a poverty of materials
in a land of burials
& sunshine (Italy, of course).

Klimt limns the anguish in your eyes.
Through vales of Solomon
or Sheba, all the broken
kingdoms, poppy-fields (Grandpappy’s

ripe Epiphany).  Pain circulates
through straitened means
somehow – corny Earth-scenes
beyond our ken (Thanksgiving plates).

8.17.15

Gustav Klimt, Portrait of Adele Bloch-Bauer (1907)

8.14.2015

Sunk too deep for publication

Still here in Providence, for now... still on the poem (Ravenna Diagram).

The "mule" who appears in Verona has been noted by the bona fide historian Ernst Kantorowicz (legend has it the "foal of an ass" Jesus rode into Jerusalem on Palm Sunday somehow ended up there... where of course Romeo & Juliet takes place... Juliet being also the name of my cousin...)

Sail on, Rolando...

ROLAND WAVES

She hides now, like a bit of clay
dissolved in the Pacific.
& you hear my heartsick
braying, like that sovereign Sunday

mule – foalish, stubborn, somehow
barnless in Verona
(down the trail from Dante
à Ravenna – è finit).  How now,

Ariel?  Where to, Joachim?
At the end of the third aevum
crowned with the cosmic hum
of a trillion honeybees (Love’s hymn)?

There’s some empyreal raisin
soleil, raison d’état
in my four-legged squat –
stray goose-honks trying a bassoon

for the implicate symphony to come.
Maestro di colori, turtle-
dove monarch of universals...
flame-whisper, omnivagrant kingdom-

Sikh of butterflies... Vladimir’s
Veracruz (shy
brown bird, swampy sigh
of cedars).  Single yarn (gray hair).

Grey sea.  Matière de Bretagne.
Whole whorl in curl
of eyelash (salty pearl) –
Roland waves (to Charlemagne).

8.14.15