Good Friday in Wales

MEDITATION ROOM

My mother’s late twin watercolor

(Bardsey Island, 2002).  Dark

room, light room.  Look

through the window to the cemetery –

crumbled walls in Wales, a stony cross.

Pale green as early April

outside the infirmary – still,

fresh, frail.  Her final brush with grass,

her hopeful air.  The Boanerges

were the Sons of Thunder –

redheads, most likely – Dioscuri

in their scarlet robes – woodpeckers,

Thunderbirds (like my two redhead brothers).

Dakota found him on the earth

near Red Wing – red-feathered

Thunder-Birdman (portent for Little Crow).

Thunder-&-lightning were one mighty Bird –

a firebird, roaring crimson.

Fire-flinging wingèd one –

a Persian peacock (Rhody Red?)

or Phoenix, soaring like a rainbow

from gray winter ash.

Woodpecker, with his calabash

tap-tapping oaks for golden honey-glow

Morse codes the closing of an Iron Age

& restoration of that Paradise

the Son of Davy Jonah scries

from his doom-rood.  Just turn the page,

                    *

he cries.  Along this feathered spine

where all the leaves are bound,

your legend of Twin-Town –

refuge for sacred monsters (in a pine

grove, under Ariadne’s Crown,

northward of everywhere).

The holy child of Mary

is such a singularity.  Scapegoat-twin,

divine-human, he will dethrone the kings

with goldenrod of charity;

rise from his bed of cruelty

with flames of sunflower – with Easter wings.

Just beyond my mother’s watercolor

David Jones grotto, I glimpse

tall flickering cave-nymphs…

a moonlit retina (of temple vault, pillar).

Twin rooms, of light & dark, enclosed

(like matryoshka dolls) inside

each other.  Casket-scaffold

for a model ship, perhaps?  Micòl's

canoe?  A meditation room

for mourning Magdalen.

Through tears of rage… vision.

A ragged almond tree, coming to bloom;

immense pressure of gravity, around a shell;

the coracle of wounded heart

lifting as purple columbine – a spurt

from humming bird-nest (thunder-sky-well).

4.10.20

looking out a window

HER STATUE

I’m getting older, while the day’s

becoming lighter.  As

in Mary Gould’s last

watercolor (Bardsey Island, Wales) –

looking out a window from brown shade

of cave-like room, toward

April greensward.

Frail hand... pale grass, overlaid

with stone outcrop... old walls, old cross

(Romano-Celtic maze).

Delicate spring promise

from an ancient vault (Natasha’s

limping that way now, with me).

Her temple’s labyrinth –

sea-goddess, Amaranth –

only a sheep-door, west of Galilee;

only this frozen winterworld

all thatched with foot-

prints (near that ice-hut

where Henry’s burr-man hurled

like a cedar waxwing to mistaken ice).

Crabapple food for golden

beaks... spiritual gates, folding

for abject mortals (Minnesota nice)

into a paper bird from Paris, maybe –

Apollinaire’s turban

or Marianne’s tricorn

mayhap – dancing a crane-dance (starry

                    *

sacrifice) with shuttle-pagination.

Ariadne on the golden floor

rhyming with Morning Star

east of Cahokia – her crown of corn

lifting like Liberty (or Spirit

of St. Louis) for a

constellation (Columbia) –

gray-winged Jonah of an old planet

molting to Thunderbird out of the new.

Each Troy-town so will show

her Julia, Iulus, Juno –

or Sophie, prancing here and now

across the parapet of innocence

like dew upon the brow

of childhood’s rainbow –

O bright helm of human sentience!

Behold a Union, fused in fire & light

of soul-transfiguration –

future-human-nation

people, ever-living, stony-bright!

You see that Gate as through an old

& shady window, in a bed-

sit somewhere (in the Hebrides?).

Old stones, light green, grass-emerald...

sprung out of the eternal vault

like Livingstone out of jungle,

where fiery spirits mingle

in a playful dance... – her statue, Walt!

12.27.17