Showing posts with label maxims. Show all posts
Showing posts with label maxims. Show all posts
7.29.2003
7.18.2003
Jordan writes:
"Poetry in English maybe has a future, but that future will come from solitary hard labor," says Henry. I am guessing he means a hard labor that often appears to be abstracted lazy gazing out the train window.
Productive daydreaming is a different issue, probably the most worthwhile activity in the universe but not what I was talking about.
I don't say Talk is bad; I'm just playing up its difference from Poetry.
The hard labor I have in mind has to do with every good poet's unique understanding of precision.
Architecture is frozen music; poetry is silent music.
"Musicien du silence"
Crane in The Bridge called Dickinson, "Silencer".
The imagination approaches the Real as silence approaches music.
The silence before a poetry reading is only the prologue to poetic silence.
The Talker is a time-thief. Time-theft is white-collar crime, the talker gratified by light sentences & cushy cell. The Poet, sentenced to hard labor, is uneasy about doing time.
"Poetry in English maybe has a future, but that future will come from solitary hard labor," says Henry. I am guessing he means a hard labor that often appears to be abstracted lazy gazing out the train window.
Productive daydreaming is a different issue, probably the most worthwhile activity in the universe but not what I was talking about.
I don't say Talk is bad; I'm just playing up its difference from Poetry.
The hard labor I have in mind has to do with every good poet's unique understanding of precision.
Architecture is frozen music; poetry is silent music.
"Musicien du silence"
Crane in The Bridge called Dickinson, "Silencer".
The imagination approaches the Real as silence approaches music.
The silence before a poetry reading is only the prologue to poetic silence.
The Talker is a time-thief. Time-theft is white-collar crime, the talker gratified by light sentences & cushy cell. The Poet, sentenced to hard labor, is uneasy about doing time.
Labels:
daydreams,
imagination,
maxims,
reality,
talk
7.17.2003
5.16.2003
5.08.2003
1.02.2003
HG TREATISE # 12235b ON HALOS
"Poetry IS like unto a halo, in that
b. it encircleth back unto itself much like a riddle of the Sphinx or the destiny of Oedgar Alley (d'd) Puss;
d. thus its magnitude is bothy enrichethed by its consequent danger (like unto that which faceth and embodieth yon Narcissus
q. or other yon self-regarding tragique incestuousities;
a. all of the above;
#12 (center) and what quoth Socrates maketh Poetry to encircleth back unto itself? Why, he says to himself, it be the marriage of sound and sense, belike; that which pleaseth & entranceth in the very sound of the volubles; the mindlesse mutteringes of the streame's ongoingnessiveness, not That for whence it cometh or goeth, as t'would any a Reasonable intelligence. Therefore get thee hence O Babbler Brooke, outside, beyond yon Serial walles of Athens!"
O, Socky.
"Poetry IS like unto a halo, in that
b. it encircleth back unto itself much like a riddle of the Sphinx or the destiny of Oedgar Alley (d'd) Puss;
d. thus its magnitude is bothy enrichethed by its consequent danger (like unto that which faceth and embodieth yon Narcissus
q. or other yon self-regarding tragique incestuousities;
a. all of the above;
#12 (center) and what quoth Socrates maketh Poetry to encircleth back unto itself? Why, he says to himself, it be the marriage of sound and sense, belike; that which pleaseth & entranceth in the very sound of the volubles; the mindlesse mutteringes of the streame's ongoingnessiveness, not That for whence it cometh or goeth, as t'would any a Reasonable intelligence. Therefore get thee hence O Babbler Brooke, outside, beyond yon Serial walles of Athens!"
O, Socky.
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