I left out the most basic "structural analogy" between poetic language and theism : the fact that a poem or work of art is a "creation from nothing" : somewhat autonomous and complete-in-itself.

Thinking unsystematically (that's for sure) past few days about these issues. Keith Ward leaves out feminist perspective. The maleness of the Trinity (at least in most of its representations, which admittedly are only representations, but same are powerful).

Theology of Dante, pivoting cosmos on his memory of girlfriend Beatrice. Joyce in Ulysses & FW.

The poet, the artist, seeks happiness(?) in state of equilibrium which only creative process itself provides. And this process hinges on emotional resonances, love & desire, which are at least as much feminine as masculine.

Jesus (imagined) from psychological perspective. Man without an "earthly" father. Orphan.

(Presence, role of "J" or "Juliet" in Forth of July.)

"Enarees" were the effeminate soothsayers of the Scythians (cf. Herodotus).

Effeminate image of "poets" in American culture.

(Giving birth to a poem. The 3rd vol. of Forth of July is titled July.)