GREEN MOUND
I met the surviving Saarinen,
Eric (from California)
at the local cinema,
showing his film about those Finns –
Eero, Eliel – who competed
to complete a monument
at navel of a continent.
Congratulations E. Saarinen, stated
the telegram. Nobody knew
which one had won...
uniting father & son
in gratifying mystery. Eric, too –
the latecomer, the odd man out.
Hurt psyche of a boy
forsaken for his father’s toy,
dream, rest. Took roundabout
lifetime to ravel up & down
that furious steel arc.
Papa went into the dark
before the triumph of its dawn
upsoaring vault over St. Louis;
yet the late film follows the
mammal-forms – waves, hollows –
Eero spread across that Fifties
U.S. gridscape, breathing curves
& ribs so delicately
bearing gravity
they lift the heart out of its grooves
*
toward self-transcending levity –
high tensile alcoves
where swirly flocks of doves
shape octave-looping solidarity –
a wider vista of the whole
concordant cosmic good –
a brother & sisterhood
of green, rose red & lilac soul.
Her intricate diamond quipu knot
rays out in six directions.
An acorn salience,
an Oklahoma holm-oak plot.
An atom from a honey-bole.
A seed rooted in sky.
(Suzuki harmony
sounds deep Hiroshima bell-toll.)
Wayfaring Eric, leftover grandson
remembers his abandoned
mother, at the end
of the reel. Displaced... the unknown
child. Sculptor of turtleshell
glide-shelters... curling
strands of hair, unfurling
chords of clay (who softly swells
a lightweight matrix). Tender tower
of color, glowing through
the fading film of you
& me... green mound, light-freckled bower.
9.27.17
No comments:
Post a Comment