Showing posts with label Holocaust. Show all posts
Showing posts with label Holocaust. Show all posts

1.22.2016

In a Scattergood world


PURE SOUND
                              i.m. Robert Treuer

Back East, in Rhode Island, the big snow
coming.  Thinking of William
Blackstone, hermit-pilgrim – the
one who went to live with Miantonomi

& the other red-men.  To the House
of 4 Pines – under
cartouche of Little Bear,
North Star.  Out of Nazi Austria

sped a peregrine, by grace of God
& pity of strange braves
(Scattergood saviors,
anonymous donors... meek just good).

To a tree farm he fostered (in remote
forest).  Led into circle
of silent First People,
tending ashes (sitting shiva).  Little

prow of acacia, rocking near Itasca-
Nile... your upside-down
fire-drill will drown its
candle in stony Minnehaha.

Sigh, winging out into grey sound
(b-flat at midnight).
The musicologist
from Florence mutters back to ground

just so – back to the pigeon-clay
of primordial, steadfast
Bee (until the last
dragon of Sheol fades away).

1.22.16

1.20.2016

The Hiawatha


SMOKE-SIGNUM

I carry Sophie through the snow
to the summit of Tower Hill.
She says, It’s magical
(prodigal 2-yr-old). & so

it is.  That conical moss-green
Witch’s Hat crowns
a Yeatsian limestone
keep (prehistoric submarine

barnacled with biomorphic
hieroglyphs).  Isis
the octopus gathers
her segmented sea-worm (limbic

bronze phosphorus monarch child)
in streams of time – before
the 9th planet was born,
or knowledge-tree known (wild

afterthought of smoke-signum).
Chicago Hiawatha
arrowed here, truer
than rue – trained consummation,

like soft carnation in Quaker lapel
(hexagonamatrix).  Rule,
Scattergood Friends School
your West Branch harbor (charitable

agape) a hostel in a hostile time.
Justice for orphan, widow,
refugee.  Praise be, grey
catenary icon (9-twined lime).

1.20.16

Tower Hill (Prospect Park, Minneapolis)

5.15.2007

Finished Suite Francaise. Moving, beautiful, heart-rending. Tremendous. Goes into "metafiction", as at the end you read her journal entries, in which she plans new sections of the novel (fascinating entry into compositional process), & comments with searing clarity, insight, irony, on the situation in France and her own impending doom (she was murdered, as was her husband, in Auschwitz). Astonishing story of this book's survival.

(Interesting to read this after having read H.L. Hymes' Underground City.)