Showing posts with label dogwood. Show all posts
Showing posts with label dogwood. Show all posts

7.10.2017

musing on time passing


OPEN SEA

Hobo lingers in his old hideout,
musing on Time passing
inexorable, unceasing.
Even that Son of Man, no doubt,

is subject to the steady stream.
That He rose from the dead
after the carmine dogwood
petals bled... is like a dream –

when broken Magdalen beheld
Him, held Him tight
as she lay, hid by night
stone still, in sleep – felled

by the noon nightmare upon the hill.
It is a mystery
too deep for Hobo, or for me.
Jesus submitted to the Father’s will –

not on Golgotha, but with every beat
of that red pulsing wheel
of Ocean River (waxy seal
for human honeycomb – complete

sweet sign of infinite benevolence).
My yellowing maroon
& off-white leaf-pontoon...
my Hobo raft snaking past violence,

my dogwood octagon, shaved off
by Time into a simple
convex fish-vessel...
my melting hexagon, snow-staff

                *

of almond blooms, shading a well
in Palestine... stone skiff
leaping Gennesaret – if
only all these metaphors knot in one spell!

The spiral of a fingerprint
in limestone sea-cave
might unfurl a concave
hour-glass – etch kind intent

in pregnant sheets aslant the wind.
Each step taken, each
wave-slap on the beach
will glance to faceted perfection – find

ripe summa in a planetary plan;
the ants have theirs, Hobo
his role to play – go
find her, who unveils the sun of Man!

Magnanimous dome (Emanu-el’s)
on Morris Avenue,
your turtleshell (blue
arc of sky over her Book of Kells)

circumferences a shady tree
of leafy ladders (Jacob’s,
Jonah’s... Honest Abe’s).
We climb together, you & me,

through thunderclouds of poetry –
counting the heartbeats
as we rise... fleets
thread the Gate, to open sea.

7.10.17

10.23.2015

Indomitable busker

It's a mystery to me (a mystery for which I'm grateful) how these long pilgrimage-de-Henri sagas adjust themselves to my own contingencies.  They round themselves up in their own good time.  We are told art is practice practice practice, & maybe that's what it is.  "There's a divinity that shapes our ends, / Rough-hew them how we will" (Hamlet).

For example : I'm moving to Minnesota in a matter of days.  It's been a roller-coaster year, yet this Ravenna Diagram thingum has persisted, kept on keepin' on.  Now - a few days before we leave, & in the midst of much pack-up anxious biz - the fourth chapter of the poem, and a big structural cornice, draws to a close, seemingly in a fairly-fitting fashion (how can I know).

I'm thankful for the poem time.  I'm thankful for the moonshine of this little Ocean State.

EARTHY TAVERN

This polished late October light.
Burnishes each diamond
of the backyard iron
fence.  One survivor-cricket

churrs behind spruce (indomitable
busker).  Over the rail
a wave of clematis still
surfs; the massive parasol

of luminous russet dogwood leaves
still braces (on its sturdy
mast) against a gusty
autumn breeze.  Halloween in the eaves.

I’m leaving very soon.  The golden
spider packs his poison-
bag, curls (frozen)
in a thread-vortex.  I be beholden

to my Ariadne.  In her hazel eye
the gold lambswool, yellow
Corn Maid poncho flow
into one clay design – pendentive sigh

of wild oats panicle (brown
dangling bird-feet
elegant & neat
as many-rimmed Ravenna urn).

My host is flown.  Like Stella Maris
over the ridge, at Swan
Point – pivoting on équinoxe
de printemps (April 12 it was

                    *

this year)... like Beatrice’s Florence,
born le 4 Juillet – or taut
Francesca, by her net
of Inca wool... ou sont les neiges,

maintenant?  They’ll ride my splintered
coracle back home.
Or (gone threadbare) roam
my prairie west – O mulish cowherd

wind-wag, tickled to Frisco Bay!
Morning Star, look homeward
kind upon yon way-weird
son.  Apollinaire, with calumet...

the wars is over, anyway
– wars in my old heart.
Ravenna’s where we start
again (light brdftprnt of Dante).

Motif of a sacrifice.
Eternity turned
ice-cold (solid,
absolute).  Not nice –

unless you reckon yet again.
The dogwood mast is creaking
in the slanting afternoon;
winter will be coming soon

for Hen, who gathers everyone
into his earthy tavern
(like a Grecian urn)
across far distances... (American).

10.23.15

dogwood (& spruce) on Fisher St.

10.05.2015

Your Persian paradise


LOST PHOTO

Spotty grackles swarm the dogwood,
chatty starlings nibbling
scarlet berries, quibbling
around each drooping leaf (old

ruddy father).  They traipse a happy
nonsense o’er the remnant
garden.  Sir Thomas Browne,
strum softly til I end my Rhody

nap (it won’t be long).  Your Persian
paradise (precisely drawn)
will do for Gödel, Dante –
not so simple to sketch that Abyssinian

abyss, encircling the human plow
through history.  Your soul
is touched by lost photo
whose courteous artist limns her now –

an April child glimpsed through November
shades (All Souls, Grandpa).
One unicorn grace, selah.
O woe to me, that scarred the moon (her

face still gleams from autumn grass).
A soft Franciscan Rimini
rhymes in the memory
of your basilica (on ne passe pas).

Dear evening Matilda, 1-3-2...
(Beethoven, fowled & quartered –
decussation – weathered
sprite).  All shall be well, hums Manitou.

10.5.15

laundry line, old lilac, light Brownian diamond

Rhody backyard I must leave ere long

9.29.2015

The mast is dogwood too

The long poem is a curious thing, just going along one can find oneself both inside and outside, like those M.C. Escher reversible mirror-steps.  Step by step I stumble down my wheaty way.  Moving back to Minnesota soon - thinking about the limestone there, & Adrian Stokes' ideas about carving in art, how it merges the figure with the limestone ground, brings them into a watery-stony symbiosis...

FERRARA MIRROR

If I fade into the low relief
of Minnesota limestone
hedgerow cliffs – a zone
of Ice Age gypsy moths (brief

lives of dashing hummingbirds
& wingèd Peacock Angels
fixed in river-angled
banks of sediment) – my words

would bend into the grain, grow
rude & wooden – like
that bridge or flood-dike
scored by slashing Viking prow...

you’ll read about it in the paper.
World events (Pope
Francis Whirring Hopeful
WingsBlood Moon a Rusty Copper

PennyPutin Barricades
Himself in Alabama)
refract in your Ferrara
mirror (juvenescent shades

of gaiety & heartbreak, green
& bronze between twin cypress
ribs).  My wilderness
a Mendelssohn continuum (scene

from the window of a Roman train).
The mast is dogwood too,
MamaI made it for you
all by myself.  The rain in Spain...

9.29.15

Erica's "Ferrara" cabinet