Indomitable busker

It's a mystery to me (a mystery for which I'm grateful) how these long pilgrimage-de-Henri sagas adjust themselves to my own contingencies.  They round themselves up in their own good time.  We are told art is practice practice practice, & maybe that's what it is.  "There's a divinity that shapes our ends, / Rough-hew them how we will" (Hamlet).

For example : I'm moving to Minnesota in a matter of days.  It's been a roller-coaster year, yet this Ravenna Diagram thingum has persisted, kept on keepin' on.  Now - a few days before we leave, & in the midst of much pack-up anxious biz - the fourth chapter of the poem, and a big structural cornice, draws to a close, seemingly in a fairly-fitting fashion (how can I know).

I'm thankful for the poem time.  I'm thankful for the moonshine of this little Ocean State.

EARTHY TAVERN

This polished late October light.

Burnishes each diamond

of the backyard iron

fence.  One survivor-cricket

churrs behind spruce (indomitable

busker).  Over the rail

a wave of clematis still

surfs; the massive parasol

of luminous russet dogwood leaves

still braces (on its sturdy

mast) against a gusty

autumn breeze.  Halloween in the eaves.

I’m leaving very soon.  The golden

spider packs his poison-

bag, curls (frozen)

in a thread-vortex.  I be beholden

to my Ariadne.  In her hazel eye

the gold lambswool, yellow

Corn Maid poncho flow

into one clay design – pendentive sigh

of wild oats panicle (brown

dangling bird-feet

elegant & neat

as many-rimmed Ravenna urn).

My host is flown.  Like Stella Maris

over the ridge, at Swan

Point – pivoting on équinoxe

de printemps (April 12 it was

                    *

this year)... like Beatrice’s Florence,

born le 4 Juillet – or taut

Francesca, by her net

of Inca wool... ou sont les neiges,

maintenant?  They’ll ride my splintered

coracle back home.

Or (gone threadbare) roam

my prairie west – O mulish cowherd

wind-wag, tickled to Frisco Bay!

Morning Star, look homeward

kind upon yon way-weird

son.  Apollinaire, with calumet...

the wars is over, anyway

– wars in my old heart.

Ravenna’s where we start

again (light brdftprnt of Dante).

Motif of a sacrifice.

Eternity turned

ice-cold (solid,

absolute).  Not nice –

unless you reckon yet again.

The dogwood mast is creaking

in the slanting afternoon;

winter will be coming soon

for Hen, who gathers everyone

into his earthy tavern

(like a Grecian urn)

across far distances... (American).

10.23.15

dogwood (& spruce) on Fisher St.