The thing about imagination & war has, obviously, been with poetry from the beginning. The nobility & vanity of the Homeric heroes. Rilke's poem about the dead cavalryman's beautiful shako.
We want history to conform to a child's dream of heroism. The youthful perception of beauty incorporates all kinds of disparate elements. The focus in the Gospels on the power of childish (imaginative) vision. "They behold their Father's face."
Blake, of course, was into this...
A happy childhood forecasts the doom of the world.
Showing posts with label war2. Show all posts
Showing posts with label war2. Show all posts
12.09.2005
Labels:
Blake,
childhood,
heroism,
imagination,
war2
8.03.2005
In the Red Zone. This blogging journalist was just murdered in Basra.
Labels:
blogs,
Iraq2,
journalism,
war2
1.31.2005
A good day in Iraq yesterday, I'd say. Hope it goes forward. Jonathan Schell's book The Unconquerable World provides some interesting historical context. I think perhaps somebody in the Bush administration has been reading it, though the particular mixture of violence, realpolitik & popular will there is not exactly like any of the historical examples (Vietnam, the US civil rights movement, Soviet Eastern Europe, etc.) Schell studies.
The Iraq "occupation" and "insurgency" seem to display Schell's panorama in a reverse mirror : here the occupation is aligned with the majority; here the army, rather than the insurgency, loses every battle, but wins the war.
Schell, of course, looks beyond the arms market and the security state - seeing popular nonviolent democracy movements as the hope of the future. His keynote theme is the paradoxical power of mass nonviolence. Something of that was visible yesterday, in the photos of Iraqis bravely holding up their ink-stained voting fingers. Power to the people.
The Iraq "occupation" and "insurgency" seem to display Schell's panorama in a reverse mirror : here the occupation is aligned with the majority; here the army, rather than the insurgency, loses every battle, but wins the war.
Schell, of course, looks beyond the arms market and the security state - seeing popular nonviolent democracy movements as the hope of the future. His keynote theme is the paradoxical power of mass nonviolence. Something of that was visible yesterday, in the photos of Iraqis bravely holding up their ink-stained voting fingers. Power to the people.
Labels:
Iraq2,
Schell,
Unconquerable World,
war2
3.22.2004
This one's a little better, maybe. [To illustrate earlier comments today: note how (not really so) archaic setting plays into archaizing style.]
THE CRUSADER'S LAMENT
Dispatched to save a fruitful farming town
resembling those of our own lovely shires
assaulted by fierce nomads, like to drown
their dry-baked jealousies in others' tears
I sent for reinforcements to its chief
who answered me, “Thy master is delayed
(by falconry) from bringing swift relief:
I can do nought: may God come to thine aid!”
Now raging shadows all around my tent
merge with my shadow and the nightly dark
and terror and indifference are blent
in my own blood. Lordly denials dent
my helmet, and the skull beneath... O mark
thee, saint and infidel – here’s devil’s work!
Labels:
Dove Street2,
sonnets,
war2
2.21.2004
more Dove Street:
3
Omnia enim universalia, generalia atque specialia in
te Iuliano iulianizant [All universals, generalities, and
specifics julianize in you, Giuliano]
– Nicolaus Cusanus
A faint gray pencil-sketch my mother made decades ago
floats in a blue corner: two redhead brothers like twins
almost an octave Guillem & Giacomo sit parallel
each sketching (right-handed) intent upon blank white
& Gong Xian abandoned the field and the fugue of war
(a change of ancient dynasties Ming for Shang)
trailing retreat transmuting each desire
(only flickers of black horsehair)
the Yellow Mountain was left to your imagination
in grey-black flecks and war and peace the blank
spaces the crooked lightning paths left up to you
(your willing hand your loving heart your sight)
Leonardo drew (lefty, mancino) the faintest of red lines
beneath the leaning eyes of Mary bending down
(seraphic) toward the babe: his notes
a kind of mirror-writing (all’ebraico) with “tired hand”
And in the wintry womb the gray-black limbs
iterate (tired, crooked) against the snow a backward trail
or trial a coiled, cold metal spring or trapper’s guile
(elusive prey grey shadow fleeting glimmering)
low cooing from a frozen eave or looking-glass
intones an octave twinned in unison (some mournful-
silver marriage rite): a thread of golden lightning
through an ocarina to a painted ear (and scandalized)
announces stormy weather thunderstorms and thaw
across the mountains where waterfalls rush
past banks of cedars, reeds (your brush with
fate by horsehair led you here)
2.20.04
Labels:
Chinese painting,
Cusanus2,
Dove Street2,
Goulds,
horses,
mother,
ocarina,
painting2,
self-reflexive,
war2
5.08.2003
Joe writes:
"Henry, if what you say is true, it is an even more cynical view of the administration than the one I've been advancing. It is the lie calculated & perfected. If it is true I expect to wake up tomorrow morning & discover that I have become a large insect."
Well, it's probably not true. (& for your sake, I hope not, Gregor.) Our exchanges are impelling me to look more closely at the neo-Straussians et al. There must be a worldview for American politics & foreign policy which is not so elitist & reactionary (in the sense of reacting against threats to dominance).
Have been reading Sir Thos. Browne, Religio Medici. Certainly not a political thinker. An amateur religious philosopher & essayist who meditates on the meanings of mortality, faith, salvation. Curious paradox comes to mind, reading him : there is no path to the betterment of world conditions without unworldliness.
How so? I guess it must be a medieval outlook - which differentiates it from the classicist worldliness of the powermongers. What is this medieval outlook? Awareness of human fallibility & mortality. Life in this world an illusory stage-play. Only relief is the paradoxical gift of eternal life through the project of soul-salvation. (This is a meaningless absurdity to many, and I hesitate even to post it here. You have to see it, recognize it in the fabric of reality, inwardly, to believe it.)
So the common good is balanced on a vanishing point : a Lenten awareness of our limitations on earth and our hope in eternity. The stereotypifying (Renaissance) critique of this medieval perspective is that unworldliness leads to fatalism & disinterest in world improvement. But there's another aspect to it : the same awareness leads individuals to moderate their pride, fear, vanity, ambitions and passions to a transcendent, charitable end.
So, enough sermonizing for today. Browne is a lovable writer, inimitable stylist. Makes me ready to read Donne's essays & Geo. Herbert. Boy do I sound like Ol Possum today. Maybe it's spring rain outside. Providence is full of flowering trees.
"Henry, if what you say is true, it is an even more cynical view of the administration than the one I've been advancing. It is the lie calculated & perfected. If it is true I expect to wake up tomorrow morning & discover that I have become a large insect."
Well, it's probably not true. (& for your sake, I hope not, Gregor.) Our exchanges are impelling me to look more closely at the neo-Straussians et al. There must be a worldview for American politics & foreign policy which is not so elitist & reactionary (in the sense of reacting against threats to dominance).
Have been reading Sir Thos. Browne, Religio Medici. Certainly not a political thinker. An amateur religious philosopher & essayist who meditates on the meanings of mortality, faith, salvation. Curious paradox comes to mind, reading him : there is no path to the betterment of world conditions without unworldliness.
How so? I guess it must be a medieval outlook - which differentiates it from the classicist worldliness of the powermongers. What is this medieval outlook? Awareness of human fallibility & mortality. Life in this world an illusory stage-play. Only relief is the paradoxical gift of eternal life through the project of soul-salvation. (This is a meaningless absurdity to many, and I hesitate even to post it here. You have to see it, recognize it in the fabric of reality, inwardly, to believe it.)
So the common good is balanced on a vanishing point : a Lenten awareness of our limitations on earth and our hope in eternity. The stereotypifying (Renaissance) critique of this medieval perspective is that unworldliness leads to fatalism & disinterest in world improvement. But there's another aspect to it : the same awareness leads individuals to moderate their pride, fear, vanity, ambitions and passions to a transcendent, charitable end.
So, enough sermonizing for today. Browne is a lovable writer, inimitable stylist. Makes me ready to read Donne's essays & Geo. Herbert. Boy do I sound like Ol Possum today. Maybe it's spring rain outside. Providence is full of flowering trees.
Labels:
common good,
Duemer,
Iraq,
neo-medieval,
Sir Thomas Browne,
war2
5.07.2003
OK Joe, finished the Hersh article. Interesting resonance between the business about Plato & Strauss ("the noble lie"), and your earlier remarks on Joseph Conrad. Plato didn't care much for democracy, did he?
But again, it seems to me that Hersh is sidestepping the factor of Saddam in this whole game. It's my guess that before they went to the UN, the Pentagon people & others in the Admin. had assessed a number of different outcomes very carefully. & the decision to overstate the WMD issue, the decision to seemingly deliberately waffle in their presentation to the UN of rationales for going to war (I'm saying it seemed almost deliberately weak, in shuffling from one justification to another) - these were messages designed not to persuade the US public in favor of war, so much as a disinformation strategy directed at Saddam himself. This was the trap they laid : allow the UN to fibrillate; present obviously weak & sloppy evidence (the British stuff drawn from magazine articles, etc.); waffle in your rationales; let Saddam think he was getting away with it, encourage him in his intransigence. It worked like a charm, both with the French & Germans & Russians, and with Saddam. As I say, he fell right into it. We have to remember there was something of a precedent for this, in the lead-up to the Gulf War. Whether or not the US ambassador was deliberately leading him on, in that fateful meeting just before the invasion of Kuwait, it was an obvious example of Saddam's tendency to read ambivalence or signs of weakness as a go-ahead to follow his own grandiose schemes.
Did they have to do it that way? Well, Saddam was given his chance. He could have come clean starting with the massive report on his weapons programs in December 2002, which Blix declared far from complete or accurate. But he remained in character. And it may be ironic, if my scenario here is accurate, that this psychotic master of deceit was himself finally brought down by a Venus fly-trap of diplomatic illusions.
But again, it seems to me that Hersh is sidestepping the factor of Saddam in this whole game. It's my guess that before they went to the UN, the Pentagon people & others in the Admin. had assessed a number of different outcomes very carefully. & the decision to overstate the WMD issue, the decision to seemingly deliberately waffle in their presentation to the UN of rationales for going to war (I'm saying it seemed almost deliberately weak, in shuffling from one justification to another) - these were messages designed not to persuade the US public in favor of war, so much as a disinformation strategy directed at Saddam himself. This was the trap they laid : allow the UN to fibrillate; present obviously weak & sloppy evidence (the British stuff drawn from magazine articles, etc.); waffle in your rationales; let Saddam think he was getting away with it, encourage him in his intransigence. It worked like a charm, both with the French & Germans & Russians, and with Saddam. As I say, he fell right into it. We have to remember there was something of a precedent for this, in the lead-up to the Gulf War. Whether or not the US ambassador was deliberately leading him on, in that fateful meeting just before the invasion of Kuwait, it was an obvious example of Saddam's tendency to read ambivalence or signs of weakness as a go-ahead to follow his own grandiose schemes.
Did they have to do it that way? Well, Saddam was given his chance. He could have come clean starting with the massive report on his weapons programs in December 2002, which Blix declared far from complete or accurate. But he remained in character. And it may be ironic, if my scenario here is accurate, that this psychotic master of deceit was himself finally brought down by a Venus fly-trap of diplomatic illusions.
Labels:
Hersh,
Iraq,
Joseph Conrad,
Leo Strauss,
war2
Joe, no, I hadn't read the Hersh article. I started it this morning. Yes, the circle of influence from Chalabi & his group to Intelligence & on to policy is weird & scary. But Hersh doesn't emphasize the Saddam factor. If, as the defector-brothers claimed, all the anthrax etc was destroyed before the 1st inspections, why did Blix himself continue to say that Saddam was stonewalling (in 2002-3)? Why not just produce the evidence detailing how & when the material was destroyed? But Saddam didn't want to do that. He clung to his secrets to the end & thought he could play the UN off against the US. Even if most of the stuff was destroyed by then, he wanted to preserve his autonomy - the OPTION to start up again as soon as the heat was off. That was a very bad choice on his part. I find him more weird & scary than Chalabi & Wolfowitz et al., & I'm glad he's gone (I understand that more than a few Iraqis feel the same).
5.06.2003
Joe Duemer writes:
"There is a tremendous gap between what the administration said were the reasons for invading Iraq & the actual reasons on which they acted. Apparently, the purpose of this war was rhetorical--to demonstrate American willingness to project power preemptively without regard to previous international agreements. I take this to be a radical revision of America's role in the world. In the imperfect would we inhabit, which evil would be worse, to have left Saddam in power a little longer (while working for his downfall), or trashing the reputation of the US among our allies & even our enemies?"
As the man said, Joe, it's a matter of emphasis. You're being rhetorical yourself here, by reducing the Iraq war to "making a statement". The administration is serious about sponsoring democratic reform in Iraq as part of a strategy to push the Middle East toward much-needed democratization & liberalization on many fronts. I disagree about the "tremendous gap" you allege. As I said previously, the parameters of the Bush war on terrorism were made perfectly clear months before the US even went to the UN for a new resolution. & I believe they will find legitimate & serious evidence of WMD development and alliances with terror networks. There was very good reason to secure the oil fields, no matter who benefits from them. The failure to protect cultural sites was a huge mistake, but not evidence of massive bad faith or deceit. The argument that "because there are lots of dictatorships we're not bothering with, it's inconsistent to attack Iraq on that basis" is faulty logic, & makes no strategic sense in the context of a struggle against a fearsome terror adversary rooted in Middle Eastern networks & ideology (al Qaeda et al.).
Well, we are not going to agree on this issue. I think the position of total condemnation of the late war is rather weak. As I outlined toward the end of my last post, I think a stronger & more productive viewpoint could be developed, which accepts the reality of, & necessity for, a global war against terrorism, and which supports the project of confronting & holding to account both rogue dictatorships & terrorist networks, while at the same time closely analysing how the Republican Party is shaping that necessity for its own partisan ends (primarily, by putting the US on a perpetual war footing, "creating" useful enemies as a replacement for missing & formerly-useful Cold War antagonists, in the context of a go-it-alone global posture emphasizing military dominance). Democratic & other opposition parties could frame the war on terrorism within a different set of priorities, including global economic development, new diplomatic strategies, and an emphasis on social justice, civil rights & economic opportunity here in the US.
"There is a tremendous gap between what the administration said were the reasons for invading Iraq & the actual reasons on which they acted. Apparently, the purpose of this war was rhetorical--to demonstrate American willingness to project power preemptively without regard to previous international agreements. I take this to be a radical revision of America's role in the world. In the imperfect would we inhabit, which evil would be worse, to have left Saddam in power a little longer (while working for his downfall), or trashing the reputation of the US among our allies & even our enemies?"
As the man said, Joe, it's a matter of emphasis. You're being rhetorical yourself here, by reducing the Iraq war to "making a statement". The administration is serious about sponsoring democratic reform in Iraq as part of a strategy to push the Middle East toward much-needed democratization & liberalization on many fronts. I disagree about the "tremendous gap" you allege. As I said previously, the parameters of the Bush war on terrorism were made perfectly clear months before the US even went to the UN for a new resolution. & I believe they will find legitimate & serious evidence of WMD development and alliances with terror networks. There was very good reason to secure the oil fields, no matter who benefits from them. The failure to protect cultural sites was a huge mistake, but not evidence of massive bad faith or deceit. The argument that "because there are lots of dictatorships we're not bothering with, it's inconsistent to attack Iraq on that basis" is faulty logic, & makes no strategic sense in the context of a struggle against a fearsome terror adversary rooted in Middle Eastern networks & ideology (al Qaeda et al.).
Well, we are not going to agree on this issue. I think the position of total condemnation of the late war is rather weak. As I outlined toward the end of my last post, I think a stronger & more productive viewpoint could be developed, which accepts the reality of, & necessity for, a global war against terrorism, and which supports the project of confronting & holding to account both rogue dictatorships & terrorist networks, while at the same time closely analysing how the Republican Party is shaping that necessity for its own partisan ends (primarily, by putting the US on a perpetual war footing, "creating" useful enemies as a replacement for missing & formerly-useful Cold War antagonists, in the context of a go-it-alone global posture emphasizing military dominance). Democratic & other opposition parties could frame the war on terrorism within a different set of priorities, including global economic development, new diplomatic strategies, and an emphasis on social justice, civil rights & economic opportunity here in the US.
5.05.2003
Pondering, while dawdling around pretty Fox Point (all the trees & flowers flow'ring), how to respond to Joe D.'s comments.
Not that anybody besides Joe & Anastasios is interested, but anyway.
Joe. Your statements coalesce around 3 points, among some others:
1) confronting "the lie" (ala Heart of Darkness);
2) the evasions of the Bush position before the latest war;
3) the relation between speech, dialogue & ethics.
I respond in reverse order:
3) In an ideal world, all problems will be resolved through peaceful dialogue & negotiation. But let's remember that in a non-ideal world, NOT ONLY do we witness the prevalence of the use of force & violence to serve selfish interests; we also witness the futility of language. We see false dialogue and timeserving debates carried on not just by the affected parties in a situation, but by 3rd parties taking advantage of crises by self-serving obfuscation & abuse of language. Sometimes "consensus" is impossible when you have the opposing interests of 2 or 3, meddled with by 15 other interested or "neutral" parties. For example, to read what happened at the UN before the latest war as simply a morality tale about US arrogance, is quite reductive; I think it is hard to deny that the stress of the crisis pressed France & Germany into hypocritical, self-serving positions, which underwrote Saddam's crazed intransigence.
2) I disagree with you that Bush Administration behavior leading up to this war was rendered ambiguous & murky by lies & hidden agendas. You seem to have 2 sides to your position : 1st, that Bush et al. have a hidden agenda(s); 2nd, that their vaunted "moral clarity" is in reality verbal cover for the unilateral use of force.
I think they have been pretty clear & forthright about their agenda. After 9/11, a global war on terror was declared; regimes engaging in terror, harboring terrorists, or unlawfully dealing in WMDs, would be considered enemies of the US and subject to attack. They had a difficult case in attempting to align the UN for war against Iraq, for lack of specific evidence of immediate threat; but I think their overall position was strong and convincing. The sanctions arrangement was a brutal failure; Saddam & his criminal mafia had ejected weapons monitors back in 1998; Saddam refused to comply fully with resolution 1441 (the 12000 pp document was a joke). It is clear in the aftermath that Saddam chose intransigence & self-defeating delusion, because his entire regime was built on oppression, lies & violence; he had no fallback position.
I think the second part of your argument (moral clarity as verbal cover), is more interesting, and leads to a consideration of your point #1): the supreme value in confronting "the lie".
There was an interesting article in the Week in Review section of the Sunday Times, about the genealogy of the Bush neo-cons from philosopher Leo Strauss. Somehow, when disciples of Strauss like Wolfowitz & Perle move into power positions, the philosophical notion that ethical absolutes are just that, and were outlined clearly for our civilization by the ancient Greeks, gets elided or translated into a concept of political "realism", wherein power or force can be projected in an aggressive way as long as the moral purpose or aim is clear and correct. This is not that different from the traditional "realists" of foreign policy, except that the latter were maybe more circumspect about projecting arrogance along with power.
The whole situation seems extremely new & complex, & doesn't lend itself to snap judgements or finger-pointing from any side. There is some truth in the analogy between the challenge represented by Islamic fundamentalist terrorism & state tyranny (Iraq, Iran, N. Korea) combined with weapons dealing, on the one hand, and the challenge represented by totalitarianism in the previous century, and I think that those self-righteous ones who don't want to sully their moral platitudes or their knee-jerk hatred of the US government with considerations of historical reality, are not really engaging in any useful activity in the realm of foreign policy. Another side of the equation, however, is the imbalance throughout the world between stable & rich 1st-world democracies, and the poverty-stricken regions of the Middle East, Asia, Latin America & Africa. Here is where the severe limitations of moral self-righteousness and a concept of national security based solely on military might become very clear. It's mirrored in a domestic policy which has found a way to equate "moral realism" with social darwinist individualism and laissez-faire.
& this leads me to a third aspect of this whole situation that interests me, and get's at the notion of your point #1 (confronting "the lie"). I think it might be good to look at the Straussian world-view of the power-playing neo-cons, not in isolation, but as an element of Republican party politics. In other words, it's USEFUL to develop an aggressive, power-projecting foreign policy grounded in the "moral clarity of Western democratic tradition" - since it provides a raison d'etre for a national party with a somewhat narrow demographic base, in the absence of Cold War stringencies.
Maybe I'm moving here in the direction of a John Kerry : attempting to combine a forthright attitude toward terrorism & dictatorship, on the one hand, with a demystification of a (partisan) politics based solely on glorified "force projection", on the other.
Not that anybody besides Joe & Anastasios is interested, but anyway.
Joe. Your statements coalesce around 3 points, among some others:
1) confronting "the lie" (ala Heart of Darkness);
2) the evasions of the Bush position before the latest war;
3) the relation between speech, dialogue & ethics.
I respond in reverse order:
3) In an ideal world, all problems will be resolved through peaceful dialogue & negotiation. But let's remember that in a non-ideal world, NOT ONLY do we witness the prevalence of the use of force & violence to serve selfish interests; we also witness the futility of language. We see false dialogue and timeserving debates carried on not just by the affected parties in a situation, but by 3rd parties taking advantage of crises by self-serving obfuscation & abuse of language. Sometimes "consensus" is impossible when you have the opposing interests of 2 or 3, meddled with by 15 other interested or "neutral" parties. For example, to read what happened at the UN before the latest war as simply a morality tale about US arrogance, is quite reductive; I think it is hard to deny that the stress of the crisis pressed France & Germany into hypocritical, self-serving positions, which underwrote Saddam's crazed intransigence.
2) I disagree with you that Bush Administration behavior leading up to this war was rendered ambiguous & murky by lies & hidden agendas. You seem to have 2 sides to your position : 1st, that Bush et al. have a hidden agenda(s); 2nd, that their vaunted "moral clarity" is in reality verbal cover for the unilateral use of force.
I think they have been pretty clear & forthright about their agenda. After 9/11, a global war on terror was declared; regimes engaging in terror, harboring terrorists, or unlawfully dealing in WMDs, would be considered enemies of the US and subject to attack. They had a difficult case in attempting to align the UN for war against Iraq, for lack of specific evidence of immediate threat; but I think their overall position was strong and convincing. The sanctions arrangement was a brutal failure; Saddam & his criminal mafia had ejected weapons monitors back in 1998; Saddam refused to comply fully with resolution 1441 (the 12000 pp document was a joke). It is clear in the aftermath that Saddam chose intransigence & self-defeating delusion, because his entire regime was built on oppression, lies & violence; he had no fallback position.
I think the second part of your argument (moral clarity as verbal cover), is more interesting, and leads to a consideration of your point #1): the supreme value in confronting "the lie".
There was an interesting article in the Week in Review section of the Sunday Times, about the genealogy of the Bush neo-cons from philosopher Leo Strauss. Somehow, when disciples of Strauss like Wolfowitz & Perle move into power positions, the philosophical notion that ethical absolutes are just that, and were outlined clearly for our civilization by the ancient Greeks, gets elided or translated into a concept of political "realism", wherein power or force can be projected in an aggressive way as long as the moral purpose or aim is clear and correct. This is not that different from the traditional "realists" of foreign policy, except that the latter were maybe more circumspect about projecting arrogance along with power.
The whole situation seems extremely new & complex, & doesn't lend itself to snap judgements or finger-pointing from any side. There is some truth in the analogy between the challenge represented by Islamic fundamentalist terrorism & state tyranny (Iraq, Iran, N. Korea) combined with weapons dealing, on the one hand, and the challenge represented by totalitarianism in the previous century, and I think that those self-righteous ones who don't want to sully their moral platitudes or their knee-jerk hatred of the US government with considerations of historical reality, are not really engaging in any useful activity in the realm of foreign policy. Another side of the equation, however, is the imbalance throughout the world between stable & rich 1st-world democracies, and the poverty-stricken regions of the Middle East, Asia, Latin America & Africa. Here is where the severe limitations of moral self-righteousness and a concept of national security based solely on military might become very clear. It's mirrored in a domestic policy which has found a way to equate "moral realism" with social darwinist individualism and laissez-faire.
& this leads me to a third aspect of this whole situation that interests me, and get's at the notion of your point #1 (confronting "the lie"). I think it might be good to look at the Straussian world-view of the power-playing neo-cons, not in isolation, but as an element of Republican party politics. In other words, it's USEFUL to develop an aggressive, power-projecting foreign policy grounded in the "moral clarity of Western democratic tradition" - since it provides a raison d'etre for a national party with a somewhat narrow demographic base, in the absence of Cold War stringencies.
Maybe I'm moving here in the direction of a John Kerry : attempting to combine a forthright attitude toward terrorism & dictatorship, on the one hand, with a demystification of a (partisan) politics based solely on glorified "force projection", on the other.
Labels:
Duemer,
Iraq,
Leo Strauss,
war2
5.04.2003
5.02.2003
Anastasios, asking me to respond to a news article about shifting Bush Administration positions on the nature & extent of Saddam Hussein's weapons program.
Before the war, I defended it, here on the blog & on poetry lists; I let my forensic instincts have their way. One motive for doing that was my sense that poets were opposing the war in a knee-jerk manner, a reflexive anti-government attitude which had little to do with the actuality before us. This reactive attitude degrades the role of poetry too. Of course there are lots of roles for poetry. There are always the new new brutalists & the advocates of toy poetry, finding ever-new ways to celebrate poetry-as-subculture & cottage industry.
I'm not against this, don't get me wrong. It's just that walking around Providence last night in the spooky moist spring haze, with all the cherry trees & magnolias & azaleas flowering, thinking about my crumblous, desiccated "career" in poetry, I felt the ever-recurrent determination that a poet must try to speak to public questions, face the pressure of the time & articulate it in the poetry & the essays. The models that came to mind were Auden & Brodsky. I know so well how alien this & these models sound to the nuvo-bohos of the bloggy set.
So, you will say, isn't that what we are doing? No, it is not. I guess I would go back to early days of this blog where I was writing about "metaform". I think poets have to find ways to synthesize & correlate & enunciate a coherent & capacious RESPONSE to the issues facing the world. I like the way Joe Duemer seems to be aware of this, though we disagree on the politics a lot. But a POETRY-response is not yelling on the internet or protesting in the streets or even pamphleteering, even though these things also have their inherent poetry!!!
What comes to mind for me again anyway is also this notion of the "literary absolute". Have been thinking lately that maybe it's analogous to Georg Cantor's & Godel's notion of infinity & the "continuum problem" & the "incompleteness axiom" (if I've got that right). There are these different levels of mathematical reality, and some levels are incommensurate - sort of unapproachable - using the tools inside particular "ordinary" systems of math. So I think of the literary absolute as this poetic capability - a synthetic articulation - which is incommensurate with both the ordinary levels of talent & desire to write, and with the coordinates of the literary industry & all its subcultures. Another aspect of "Pushkinism"?? Is this a flanking chess move?? But do we perhaps NEED some such concept (literary absolute) if we want to maintain a "normative" literary-civilizational culture? Do we want to maintain such a thing? Do Americans even understand or accept the notion of "normative", sustainable culture or civilization? Sustainable would have to include self-critical, dedicated to an ethical absolute (not the same as the literary absolute, but maybe analogous).
An aside : took home from the library Elena Shvarts' 2-vol collected poems, published in Petersburg. Old-fashioned 19th-cent. heft of the volumes. Looking at her lines with their hieratic Cyrillic, their bold but firm syntax, dashes & periods. Oddly, the poem I opened the book to was titled "Poetica : More Geometrico" ("more" - sea? death? method?). Mathematical literary absolute a kind of authoritative articulation of Person-in-Civilization, an image at the root of liberal education. . . AND beneath this the notion of absolute devotion/vocation to THIS line, THIS phrase, THIS text & no other : the finality of writing : inescapable, uncanny aspect of the literary absolute (see Emily Dickinson). Mandelstam [paraphrasing] : "reading the poem we enter into & share the poet's death". Poetry is serious, serious fun. Frost : "a game with mortal stakes".
Anastasios must be thinking I'm evading his question. WAS THIS WAR JUSTIFIED? I don't know. . . it seems too early to base such a judgement on the current results of WMD search. I feel like my mother, who told me she wanted to keep her mouth shut (hard for her) at the neighborhood coffee get-togethers, because she felt so oddly unconflicted & optimistic about the war in Iraq, & this was very out of step with Minneapolis opinion (not I suppose with Dallas opinion though).
Before the war, I defended it, here on the blog & on poetry lists; I let my forensic instincts have their way. One motive for doing that was my sense that poets were opposing the war in a knee-jerk manner, a reflexive anti-government attitude which had little to do with the actuality before us. This reactive attitude degrades the role of poetry too. Of course there are lots of roles for poetry. There are always the new new brutalists & the advocates of toy poetry, finding ever-new ways to celebrate poetry-as-subculture & cottage industry.
I'm not against this, don't get me wrong. It's just that walking around Providence last night in the spooky moist spring haze, with all the cherry trees & magnolias & azaleas flowering, thinking about my crumblous, desiccated "career" in poetry, I felt the ever-recurrent determination that a poet must try to speak to public questions, face the pressure of the time & articulate it in the poetry & the essays. The models that came to mind were Auden & Brodsky. I know so well how alien this & these models sound to the nuvo-bohos of the bloggy set.
So, you will say, isn't that what we are doing? No, it is not. I guess I would go back to early days of this blog where I was writing about "metaform". I think poets have to find ways to synthesize & correlate & enunciate a coherent & capacious RESPONSE to the issues facing the world. I like the way Joe Duemer seems to be aware of this, though we disagree on the politics a lot. But a POETRY-response is not yelling on the internet or protesting in the streets or even pamphleteering, even though these things also have their inherent poetry!!!
What comes to mind for me again anyway is also this notion of the "literary absolute". Have been thinking lately that maybe it's analogous to Georg Cantor's & Godel's notion of infinity & the "continuum problem" & the "incompleteness axiom" (if I've got that right). There are these different levels of mathematical reality, and some levels are incommensurate - sort of unapproachable - using the tools inside particular "ordinary" systems of math. So I think of the literary absolute as this poetic capability - a synthetic articulation - which is incommensurate with both the ordinary levels of talent & desire to write, and with the coordinates of the literary industry & all its subcultures. Another aspect of "Pushkinism"?? Is this a flanking chess move?? But do we perhaps NEED some such concept (literary absolute) if we want to maintain a "normative" literary-civilizational culture? Do we want to maintain such a thing? Do Americans even understand or accept the notion of "normative", sustainable culture or civilization? Sustainable would have to include self-critical, dedicated to an ethical absolute (not the same as the literary absolute, but maybe analogous).
An aside : took home from the library Elena Shvarts' 2-vol collected poems, published in Petersburg. Old-fashioned 19th-cent. heft of the volumes. Looking at her lines with their hieratic Cyrillic, their bold but firm syntax, dashes & periods. Oddly, the poem I opened the book to was titled "Poetica : More Geometrico" ("more" - sea? death? method?). Mathematical literary absolute a kind of authoritative articulation of Person-in-Civilization, an image at the root of liberal education. . . AND beneath this the notion of absolute devotion/vocation to THIS line, THIS phrase, THIS text & no other : the finality of writing : inescapable, uncanny aspect of the literary absolute (see Emily Dickinson). Mandelstam [paraphrasing] : "reading the poem we enter into & share the poet's death". Poetry is serious, serious fun. Frost : "a game with mortal stakes".
Anastasios must be thinking I'm evading his question. WAS THIS WAR JUSTIFIED? I don't know. . . it seems too early to base such a judgement on the current results of WMD search. I feel like my mother, who told me she wanted to keep her mouth shut (hard for her) at the neighborhood coffee get-togethers, because she felt so oddly unconflicted & optimistic about the war in Iraq, & this was very out of step with Minneapolis opinion (not I suppose with Dallas opinion though).
Labels:
Anastasios Kozaitis,
Cantor,
Elena Shvarts,
Iraq,
literary absolute,
Pushkin,
war2
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