serpent in the clay

SLOW WHEEL

Henry leans on Hobo, stumbling along

the river path.

Sullen serpent of wrath,

her mud-green bronze glistening

mutely as she goes, her banks

tight-lipped, angry with Man,

older than Man.  The sun

barely registers on shady flanks

slipping by, tongue flickering.

The plot thickens.  Clouds

darken where crowds

hearken – listen! – princes, bickering...

& who shall have the succession?

A cast of characters –

kings, clerics, warriors –

mime St. Vitus in scared possession –

sleepwalk their sacrificial totem

for a perennial repetition

of the same (again, again).

& armies marshal around Bethlehem

to protect the kingdom from its violence;

a convenient woman shall

be found, to dance the ritual

in their place (a chosen princess)

& her cacophonous Parisian Rite of Spring

will set the keynote for a war

to end all wars (for

a while).  Meanwhile the black spring

                     *

of Rio Mississippi coils in anger

on the Iron Range, under

the North Star.  Thunder,

Hobo, Henry says.  It’s Woodpecker

come back – alight near Red Wing,

so they say.  What

does it mean, old mutt?

He muttered back : it don’t mean anything

to many, Hen.  She walks beside you

like an iron canoe,

the spiral J of Synagoga –

like that Micòl in Ferrara, like a shadow

of Our Lady.  Spiritu – loving you,

who don’t deserve her –

sacrificed for Minotaur

on every altar, from Cahokia to now.

Then Henry saw a little emerald

almond leaf, shaped

like a boat... wrapped

in a river-whorl, spun, twirled

downstream.  The Delta beckoned,

where dark Mère Lousine

grinned from the deep.  Lean

over some more, Henry, Hobo intoned.

There’s Benjamin Latrobe & Son,

sunk like a foundation

in the Gulf.  An American

sun blinked, dark.  A slow wheel spun.

7.21.19