part of the main

HEARTH-FIRE

I stepped outside of the quarantine

early this morning (one quiet

crystalline April moment).

A mourning dove, sequestered in a pine

nearby, was practicing, solo (adagio

con molto sentimento d’affetto).

& therefore do not send to know

for whom the bell tolls – Adios, amigo.

We don’t hear them much now, here

as once in Rhode Island.

& it’s hard to comprehend

how time-space telescopes into the mirror

(O my clay-rimmed, worm-riddled heart

& soul)… yet her melancholy

plaint echoes, in me

the solitude that ripens all my art.

We do not belong just to ourselves.

We are part of the main.

I am a half-hitch in a seine

flung from an ark, whose kelson delves

across the Black Sea of the universe.

Borne by embattled star-murmurs,

this pressure on the king spurs

martyrs to out-run the royal curse –

so Socrates & Tommy More, Jesus

absolve the men who killed them;

so their normative love-law anthem

sighs out warm fire into cold sacrifice.

4.19.20

serpent in the clay

SLOW WHEEL

Henry leans on Hobo, stumbling along

the river path.

Sullen serpent of wrath,

her mud-green bronze glistening

mutely as she goes, her banks

tight-lipped, angry with Man,

older than Man.  The sun

barely registers on shady flanks

slipping by, tongue flickering.

The plot thickens.  Clouds

darken where crowds

hearken – listen! – princes, bickering...

& who shall have the succession?

A cast of characters –

kings, clerics, warriors –

mime St. Vitus in scared possession –

sleepwalk their sacrificial totem

for a perennial repetition

of the same (again, again).

& armies marshal around Bethlehem

to protect the kingdom from its violence;

a convenient woman shall

be found, to dance the ritual

in their place (a chosen princess)

& her cacophonous Parisian Rite of Spring

will set the keynote for a war

to end all wars (for

a while).  Meanwhile the black spring

                     *

of Rio Mississippi coils in anger

on the Iron Range, under

the North Star.  Thunder,

Hobo, Henry says.  It’s Woodpecker

come back – alight near Red Wing,

so they say.  What

does it mean, old mutt?

He muttered back : it don’t mean anything

to many, Hen.  She walks beside you

like an iron canoe,

the spiral J of Synagoga –

like that Micòl in Ferrara, like a shadow

of Our Lady.  Spiritu – loving you,

who don’t deserve her –

sacrificed for Minotaur

on every altar, from Cahokia to now.

Then Henry saw a little emerald

almond leaf, shaped

like a boat... wrapped

in a river-whorl, spun, twirled

downstream.  The Delta beckoned,

where dark Mère Lousine

grinned from the deep.  Lean

over some more, Henry, Hobo intoned.

There’s Benjamin Latrobe & Son,

sunk like a foundation

in the Gulf.  An American

sun blinked, dark.  A slow wheel spun.

7.21.19

the water-works in New Orleans

CROW-TRACKS

Old Hobo by the river again,

old mule, old Lear, old man.

Ponders the coiled span,

the tension in the plot called Heaven

Versus America.  Indifferent violence,

violent indifference...

What took you into silence,

Julie, at your blossoming – hence

into the shark’s eye of the Bay.

Like an arching jaguar-lunge

of International Orange

claw-marked with irreversible tragedy

your Bridge – hypnotic Taj Mahal

whose lambent shadow hums

of nut-brown kingdoms,

steep ravines for Solomon, Sheba...

The span tracks a continuum

he scans with tentative

crow-tracks.  To live

or die.  From the will’s ultimatum

of despair, your cul-de-sac of self-

slaughter – to the other pole

of faith, serene & whole;

with Stravinsky’s branded Sylph

leaping her epileptic scapegoat pyre

(in Paris, on May 29th)

– O Juliet, my May-month

sister-dove!... my black North Star

       *

– his limping meditation takes him far

upstream, & down.  The dream-

songe, rivery-rêve, beams

her constancy, an equilibrium (wave-mère).

Her source, an Okean of galaxies,

a murmuring Milky Way –

your sempiternal Day

that never dies, your tree of many Jessies...

open your eyes, Hobo, & see!

This kingdom of canoeing

almonds pours – outpacing

Death with fins of Galilee-Ferrari!

Her mickle water-sprite keeps murmuring

like your sibling ghost,

shady elfin host

who climbs from a mandorla, humming

beside you (ahead of you, within you);

& like Latrobe the architect

following his own son to inspect

the water-works in New Orleans, renew

yourself – restore yourself, American! –

in that strange French-Spanish-

Cherokee dreamland.  Swish

go the eucalypus paddles... the plan

of Heaven is a restoration, so –

not slavery, but liberty –

your soul’s birthday.

Love Kingdom’s galaxies begin to glow.

6.24.19

moss-green lamb-rock

CHERRY PETALS

Anniversaries, conjunctions... Latrobe’s

bell tower in New Orleans

& a birthday (Walter Whitman’s)

twine reverberations, stellar probes.

This lone outcrop in far north wood

furred-over with green

& phosphorescent lichen

mimes in lime our original Head –

primordial earth-ram (sheepish lamb)

upon the adamant of Time –

Isis, or Miriam –

Virgin bedrock of the bright I AM.

Inexorability of violent history –

labyrinth of Minotaur –

wolf-trap for who we are

spooled out in filmy, rusty tragedy

after tragedy – the pile-up of ’68

the green redhead in Dallas

the blue blackbird in Memphis

& it all seems endless – infernal hate –

O brazen, obdurate Iron Age

of malice toward all!  Only

the slant eye of poetry

mourning on a misty Montauk stage

might warble a different kingdom comin’ –

chaste infant equality.

Your hummingbird infantry,

Walter – your cherry petals, Benjamin.

5.30.19

La Vida es Sueño

ROLLING DOOR

Henry, magnanimous prince

like Saggy Mundo on his

Tower Hill (the Witch’s

Hat) waits in his chains, listens.

Them animal pelts smell bad,

sez Hobo (Sancho

P. Zee).  Life, my friends – no

dream, declaims Sir Galahad.

The little paralyzed air-prince

like a baby Fisher King

(Guillain-Barré) would bring

last summa out of everything (wince).

Like Adam taking Eve’s advice

he’d melodize the whole

isle to an apple donut

hole – & give it to his son (nice!).

Pallas Athena wore an aegis-skin

with gold palladium-bangles

dangling at all angles

from her circuiting Argo-spin;

it was a sacrifice, like Morning Star

or Igor’s Rite of Spring –

the icon bearing everything

buried in grassy Galilee, in a jar

of myrrh (brimful, for Magdalen).

Lippo Memmi pinxit

(now in Providence).  What

X will mark the spot, Justinian?

        *

What hour marks the lux fiat

when Mary in her pontoon-

boat (sun-gold doubloon

nailed to the keel) will celebrate

the whorl of Theotokos-kenosis-

hypostasis – on a clay

wheel (out of Cahokia)?

Whose eye-in-hand is... Henry’s

sister-cuz?  Whom doth the Grail serve?

I mean the grey stone

hands in that quaternion

of mudstream... – who has the nerve

to lift the lid of Henry’s sepulcher?

In Resurrection Cemetery

(northeast of Pig’s Eye)

Osiris waits for Isis-murmur –

America sleeps in her old nightmare

until that Pussycat (on Easter)

knocks the rolling door

out of the way... & Henry’s there!

Limping from his throne of rosy clay,

his island ocean-ray –

borne on his own birthday

like a faerie Pharaoh (Narragansett Bay)

to the Rose Lighthouse (near Gould

Island), in chariot

of dawnlight (mauve

& violet) – like a Sun Ken (holy fool’d).

2.21.19

White Buffalo will dance

PRAIRIE GRASS

That men invented the entire horoscope

looking up at the silken knots

of stars – their slow thoughts

tracing remote ellipses with a rope

on sand.  That the soul configures

these pantomimes of fate,

explaining (Bantu or Sanskrit)

why the king had to die, the princess

dance upon her own grave, once.

Ironies of the old men,

& that sybil-crone

left with her grieving remonstrance.

My mother painted an oil of early spring

in Hopkins, 1960s –

solitary white house

over brune & barren slopes, folding

down to Mirror Lake, a few leafless trees

& the soaring robin’s-egg sky

in its firmament of high

stratus (midwestern hopefulness).

With Virgo ascendant over his plantation

Washington will walk the garden,

taste the measureless serene –

the unfinished pyramid of the nation

soaked in honeydew tears of Evening Star.

Yet White Buffalo will dance

on prairie grass... her light

lance touch the forehead of the War.

12.23.18

Morning to Evening Star

CIRCLE LAKE

Blindly, Hobo inches toward

the Keys.  In Florida.

Toward the delta,

in Louisiana.  His handy old

eye-in-hand in hand (light

portable fire-drill).

Ply all your skill,

Hobo.  Hi huraru ra’a,

Hi awari ra’a.  A muddy ray

from cold Atlantic

like some frantic

foundering Santa Maria

threads yarns toward that western

Garden of Evening Star.

Across his eyelid, sure –

like Sire Henry, in his baby coffin

(six weeks encrypted with Guillain-Barré).

Hi huraru ra’a,

Hi awari ra’a.

Autumn leaves of disenchanted

authors, sighing in their libraries...

(the Roger Williams version,

for piano).  Dispersion

through each mental prison (Henry’s,

yours).  Dread of ocean void

spirals up from deep

Le-Hev-Hev keep –

Coatlicue (the cut-up) is annoyed

                    *

& threatens Everyman – her sheep

is black & bloody red!

– Nana, you might be dead

before you know it.  Go to sleep.

The dream song reconfigures all

within its top-spin

in your heart-garden.

Your father was a gentleman narwhal;

your son was dancing on the shore

of Circle Lake, in Midway

Mirror-Land (in Galilee).

The crucifixion of the Evening Star

will not unveil her night-reality.

Observe this family

photograph, Henry.

Miss Padgett’s ancient book quarry –

the massive double-panes of glass,

a mandorla for owlish

Actaeons (Horus,

searching for Columbia?  Atlas,

looking for the moon?)  Nana,

dancing Sophie calls me.

Grandpa.  Hiawatha

had a friend, Hart Ibis Artemis – yah...

yawning from the deep, Jonah.

You must become the dove

still dancing, love –

spun from the heart of things.  Selah.

11.30.18

curious Winter's Tale

FRAIL FOLIO

Tell us a curious Winter’s Tale

before October ends.

This cottonwood sheds

flagship – by remnant sail,

from crown of flimsy raven nest.

Berryman’s birthday.

Not a block from here... hey.

Fold him he water music (final test).

Pledge of confirming intellect

spurs poet to sole deed.

Life’s halcyon meed.

Plum plummet (kingfish dialect).

Not that yellow-gold & blacken’d

leaf, cornered in eddies

keyed to cotton levies,

blackface parodies... Huck reckon’d

not.  Rather this lightweight,

ineffable lovelight –

staging for drifting wight

her leaf-romance (it’s not too late,

Hermione).  Tale told by idiot

king, floating everything –

how twin brothers ring

the mirror lake of Camelot,

& Guinevere & Lancelot

surface (Gennesaret)

Stravinsky trance-daughter

by prairie vortex... oaken chariot.

10.25.18

Who killed Robin Redbreast?

HAGIA SOPHIA

Already the first snow saunters down

at dusk (All Saints’ Day).

Robins nibble cherry

crabapples; waxwings are flown.

Some gray squirrel (squirreled away

in Book Depository?)

broke the back of Sophie’s

jack o’lantern... strange display

splayed into Dia de los Muertes.

So Jeff the Fireman

crossed into a bar (man

overboard).  Barranca... Beatrice...

man who went to live with Indians.

Ghost dance, compadre;

Dennis Banks (hey ey

yo).  Eagle feathers in the grandstands

quoting LBJ, ironically (“treaties”).

Home, home on the range

(small fry).  My ange

d’or – in the abyss, like Cassiopeia’s

fireball.  Wax melted in the wings.

Hamlet, his father’s vortex

seal – lay off that, Tex.

Untouchable guitar strings

(hellhound on my trail).  The man’s

in jail.  A thin blue line

separates the whisper mine

from outer darkness (someone plans

                    *

ahead ahead).  Pumpkin or Trumpkin,

orange oak bolete...

mushroom cloud.  Yeti...

this is the forest primeval (again).

American robins gather by the fire.

In the Bruegel scene –

where the old women

stoke the blaze with bones (ire

smoke-signals, from Columba).

Globilized indifference

in a culture of comforts

– soap bubbles... insubstantial... ah

King of Pumpkins!  How the wax melts!

My soul leans inward

toward your abject & absurd

reward, Coatlicue – so many wolf pelts!

In the bright snow of Siberia

the cold blue fire burns

through bronze lids.  Eyes

turn in your direction...  Selah,

my friend.  La vida es sueño.

Poetry = transcript.

Out of the drowsy crypt

she glances, see... muy bueno.

The double doves of the peacock dome

resolve the red & blue

to violet... so you

are Hagia Sophia (hippodrome).

11.1.17

like a Balinese cock-fight

FRISCO CROSSROAD

Poets’ business, like a ring

round a Bali cock-fight –

goodbye to all that.

Shake your kaleidoscope thing,

ping your kalimba – your bricolage

a grubby grab-bag

(seven pounds of brag

& rage, mixed up with garbage).

Meanwhile that flesh-tone bridge

(crossing my Mississippi

song-&-dance) will be

morphing some spider’s double-edge

Venn diagram – a stick figure

at hobo train junction

where sunny Everyman

remembers split Coatlicue.

Rumors of an impasse, whispered

through a chain-link fence.

Barbed lozenge of insistence

scarring Rome, Jerusalem... the word

made fishy (west of Galilee,

east of Athens, Georgia)

as a picnic smorgasbord

laid out beneath barren oak tree.

That smell gets into everything.

Like something baked

a week in a canal – like

messy string theories, untangling

                  *

a knotty plot of pots & pans, banging

the human family

to kingdom come (really?)

from seedy tribes to Nero’s hanging

gardens.  Shady Rome, where every

cosmic veil is torn –

& a black rock is borne

upon recalcitrant shoulders of slavery

into the center of a black hole’s

starry honeycomb.

What ass bears the whole

sum?  What shoe of prophet’s mule?

Maybe an offshoot of Coatlicue

wearing a flimsy linen

Joseph-coat.  A woman,

patient Pietà... La Pia, Psyche...

Ariadne or Arachne, raveling

path P... that rugged,

ragged Francine – plugged

at Frisco crossroad – traveling

freight.  Sometimes you meet a person

heavier than time & space.

Rough wind carves well-faces

lined with laughter, hope... pain...

She steps forth from black stone –

stirring bears in her arms,

palming clay amid storms

of adamant love (makar-maid, shown).

10.4.17

the river is a strong brown god

AZTEC ALPHABET

The brazen serpent of the Mississippi

runs through my veins,

cantinnas Hobo (in vain).

How to tell my own (con version) story?

The antic disposition of these shelves

of incunabulae (obscure

revoluminous curious lore)

ripples off Norse keels – revolves

around my cranium (son of

McCain I am) – the worm

a canker, iced like berm

at Sutton Hoo (& strong as

love).  He will lift himself up

into his father’s affection

(this child of deflection)

at last, & be first in the stirrup

at the gates of his sly enemies –

he will be the son

who twists there (frozen

image of abjection) underneath greed-

seas of rifle-toting angels

(Cuzco school).  Spleen

of Hamlet, by the bedroom

screen – cunning de Kooning angles –

that Master of Gray, backed in a corner

of Ravenna – or raving

Coatlicue, stoning

the Consul in the dog-ravine (here,

                  *

Fido)... someone lurks in a mirror

with double doves (tin-

whistle Hobo-child of sin).

Abandona-donna’s abbatoir?

Some Aztec alphabête of yesteryear?

Hazel the moth-goddess

flits into brown recess

of brown recluse... (the spider’s... her).

The sacrifice of sacrifices –

hunters’ offering,

a shiny golden ring –

is like this image from ice-fisher’s

thing (icon of everything);

is like this light bread

Moses left for dead,

or Aaron molded into iron Sing-Sing –

a memory of Psyche-crimes

no one can heal,

nor break the lead seal

from the dark backyard (abysmal

time) until the flutter of a wing

like a mind from the sea

Hobo’s thirsty misery

slakes   or forsakes   a palm, circling

through the gray salt latitudes

like blistered sword

blessing   like sunshade

père-sol   ultramarine   (beatitudes)

9.25.17

ovals over pyramids

WAKAN TANKA

That poor man’s body frozen in the snow

at Wounded Knee.

Big Foot, mistaken for somebody

else (Sasquatch?  Goliath?).  Into

the valley of the shadow goes, Raven.

Wisdom & humility,

twin sisters.  See

how the old chief aches for comprehension.

Forbearance, mutual understanding,

peace.  In short supply

fallen under Assyria –

out in the sticks (Badlands), freezing.

When flour’s ground, small insects too

are crushed.  Bullish philosophy

for young rough riders, bloody

with their ba-ball clubs (Yankee, Hindu).

Boys ape men’s wars for an inheritance.

The monarch, meanwhile, churns

reptile venom – earns

replication in a prairie sundance

all the way to Mexico.  A delicate

sword fight with Judy Hotchkiss

(deadly bees taken amiss

lead Rachel down to Sheol, Juliet)

ends in snowballing massacre

the day after (frozen

conclusion).  Take me away

from these scenes, black star

                *

of harvest moon – bury them in trench

to hide the crying shame

of unquenched hell-flame

(mustard kiln rank with lime-stench).

Eyes frost over.  Hopelessness

of dauber’s art.  Oddly

placed boulders, hardly

balanced on the tip of mysterious

20th century placement & weathering.

Glazed over enough, yah?

Giotto’s all the cry

now, Cimabue – gag order on that thing

hung over the Capitol (New Glum).

Crowds trading places

for a view of the races

at State Fair (Human Bird-Hum).

Awake, Russia!  Make America

Great Again!  Nation

shall lift gas station

against nation – fail, Columbia!

Everything is inside out, & there’s

the Salamanca forest

for recalcitrant peacocks.

Even so.  This grey pebble, this

kamen soldier, simple carpenter

might open just one eye

in palm of clay hand, see –

check the hoary Isis river-

                *

level, placed like a Franklin Bridge

between twin banks.

Through airy arc (thanks,

Saarinen) soars prairie Wind-Wedge

(spooky Manitou’s whole altar).

She’s not a Ghost Dance,

she’s an entrance-trance –

a way of weighing Light Feather

against your heavy heart (soul-

sorrow).  Lake Victoria

or little Lake Itasca

spring to mind – Madonna del

Parto – light-skipping lamp-sheep

traipsing grass mosaic

in shade-sketch (archaic

camera oscura).  Black Elk sleeps

& dreams.  Big Foot & Wounded Knee

& Buried Heart &

Yearning Soul & Mind

lift from that heap of yesterday...

light feather-memory.  Young one

be strong, be good,

be not afraid.  World

law of gentleness is airy crown –

breeze breathing through the universe

bestowing life upon

worried monkeys – sun-

heart of Wakan Tanka (Jesus-nurse).

7.13.17

a little air

ALMOND MEAL

A little air, a melody

out of Mendelssohn, maybe –

like a wisp of smoke you see

afloat above Red Wing one day.

Like pipes out of Apollinaire,

trompette marine – sole

zigzag rigmarole

of an enigma (serpent’s lair).

You walk the blank maze, Oedipus.

With ghost of Ariadne

by your side.  Keen

pal, forsaken thesis – surplus

collateral, original

betrayal.  Henry Adam’s

dusky twilight madam’s

mad, quiet... a virgin owl

nested in stone Columbia.

Only her bird’s eye

as the crow flies

correlates phantasmagoria

out of the desperate heart of Cain

into clay valves

where muddy stars revolve;

through the dawn labyrinth again

from light, toward light, with light

blazing mild power –

like some firefly bower

mowers glimpse of a summer night

                  *

beneath remote aurora-shower

bearing fathomless delight

miraculous & right

to chastened human hearts in flower.

So I behold Dante & Job,

David the King,

hedged by ironic ring

of instinctual violence – the mob

of envious, avaricious rivals

circling their prey

to make King for a Day

once more.  Florentine hovels

I see transposed to Catlin prairie,

vertiginous Beatrice

mingled with Platte clay.

To the horizon’s elegant Bluejay

molts saturnine Cawtantowwit

with amorous Jenny-

Jonah; they buried be

only to soar in monarch-flight

O harbingers of Milky Way

whose kingdom is an Ocean

Stream – salty communion,

sea-green flock of Liberté!

Out from the massive turning of the wheel,

where Miriam churns the cream

of every starfish dream

into her almond meal (Messiah-seal).

5.16.17