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HEARTH-FIRE

I stepped outside of the quarantine

early this morning (one quiet

crystalline April moment).

A mourning dove, sequestered in a pine

nearby, was practicing, solo (adagio

con molto sentimento d’affetto).

& therefore do not send to know

for whom the bell tolls – Adios, amigo.

We don’t hear them much now, here

as once in Rhode Island.

& it’s hard to comprehend

how time-space telescopes into the mirror

(O my clay-rimmed, worm-riddled heart

& soul)… yet her melancholy

plaint echoes, in me

the solitude that ripens all my art.

We do not belong just to ourselves.

We are part of the main.

I am a half-hitch in a seine

flung from an ark, whose kelson delves

across the Black Sea of the universe.

Borne by embattled star-murmurs,

this pressure on the king spurs

martyrs to out-run the royal curse –

so Socrates & Tommy More, Jesus

absolve the men who killed them;

so their normative love-law anthem

sighs out warm fire into cold sacrifice.

4.19.20

whispering the news

NESTED BRANCHES

When the Eternal comes, says the Rabbi,

& what does he mean?

May be the Ghost behind the scene;

the tear with grain of Ocean in your eye.

The truth is whole, the truth is one –

& what does this mean?

That Love’s criterion

is rectitude, in every human situation.

Gumilev, that Petersburg poet,

called it chaste vision –

welded like dew at dawn

to blades of grass, the spark of holy Paraclete.

The infant acorn was King of the Wood.

The leaves bent, whispering the news

through Ariadne’s arbor… (hers

the thread – her nested branches overhead).

The Rabbi is a child of God!

cried Mary Magdalen.

He dies on this occasion

since he bears the prophet’s spiral rod

twirling from heaven as from nothingness.

His smile defies your gravitation;

he will come again

after three days of stony sleepiness

like Jonah sprang from salty Milky Way;

the rule of theft & violence,

of Minotaur’s demonic fraudulence

is coming to an end.  Truth shines like day.

4.2.20

at edge of Gulf, at Mardi Gras

MUSTARD TEAR

So ancient Carnival-time creaks around

Hobo, at winter’s nadir –

up & down the copper

serpent-river, ice to Gulf, from underground.

Seigneur Latrobe & son (masonic

architects) glide on

into their slanted lichen

tombs, below the levee.  Chronic

exploitations, born of lordly guile

condemn brother & sister

to the poorhouse – maybe

forever (never God’s will).  Meanwhile

Mardi Gras Indians from Cajun swamps

tiptoe, sauntering in beads &

feathers, vaunting weeds

beside Big Muddy… spin their vamps,

magnanimous & happy-go-lucky!

As Frazer phrased it once,

the Oak-King was dunce

for a day, scapegoat – to bind three

realms, to decorate the grim

reality of king-dom

(manacled to thrum

of male plumage, sly rhythm

of greed).  Meanwhile us tramps lie in our camps

the ciphered segregation

of a riven nation –

the politic paralysis of frozen clamps

                *

unbroken for a generation

yoking partisans

of limited taxation

with particles of airy explanation.

Yet lo, Hobo! the sleepy sleepwalker

still reigns under the rain…

King Virbius in blue vervain,

Osiris-man of verby us (dumb talker)!

One lone mustard tear of Isis

flowing down the dream;

knit-wit of Union, seam-

by-seam… Columbia, thy hum he is!

& out of one immense unspoken heart

on its wheel of suffering

flies this foam… a sparkling

shield of steely martyrdom – cart

of churl & Charlemagne, Big Bear,

Charles’ Wain – iron hinge

of Milky Way!  Melange

of pipesmoke sacrificial princes, there!

Martin, & Jack, & Abraham…

William & James… lights

winking from Astraea’s height –

sea-foam & flotsam of the cosmic Lamb!

At the edge of the Gulf, at Mardi Gras

Hobo floats to sea, to see…

out of wrath & misery

lamps of justice, liberty – her wings, Noah!

2.23.20

sketch by Benjamin Latrobe

a cornucopia of acorn habitats

UNDOING CAESAR

In this misty February pre-dawn dark

a Snow Moon, over silent

cedars, glows phosphorescent

silver.  Sacred thumbprint-mark

of first king (saturnine, defunct).

& I’m whorling his identity

for the FBI (maybe

some type of Memphis pharaoh-punk?)

in case we need to trace him back

to the source (Itasca

tourniquet? some kinda

hieroglyph?).  Small floaty Hobo-shack

in the heart of mudpie heartland.

Little coracle of clay

shaped for Lincoln’s birthday

maybe (Valentine’s Day).  Unmanned?

nay, manned – like a catamaran

by every air across the sun;

part of carnival season,

a gloss on Pentecost.  Mighty One

coming-forth, like hurricane or tornado

from a whisper, cave-

mouth… out of the south-

bound, multitudinous, incarnito

nexus of brownian river-motion…

out of the roaring flood

of driv-down dust, blood –

wind-sown, windblown clay… spun

                      *

into handmade UNION, like an eye-in-hand;

sliced from the Nile-bed,

bled from Osiris-head,

bricked in a pyramid of mason-sand…

our salt earth… squared beneath an almond

lamp like hovercraft

or hydrofoil (fore-&-aft

in quatrefoil) – little fylfot countermand

(counter-clockwise emerald) out of Iona;

like a coracle of Columba

or Camelot for JFK

her Isis-essence emanates from Iowa –

West Branch of western harmony

amassing trusty Athens

& Jerusalem-to-be (Hen’s

covenant of clear spring… see?

– translucent integral of truth).

& that tall rose window

tossed (like buckets of stone

water) to the skies, is massive, Ruth –

a cornucopia of acorn habitats,

a capital of washing

towns – a Kurbsky sting

against dim Ivan coups-d’état;

or Osip vs. Iosif – MLK

withstanding FBI –

Vindman in vindication (sigh) –

humanity undoing Caesar… Hallelujay

2.10.20

serpent in the clay

SLOW WHEEL

Henry leans on Hobo, stumbling along

the river path.

Sullen serpent of wrath,

her mud-green bronze glistening

mutely as she goes, her banks

tight-lipped, angry with Man,

older than Man.  The sun

barely registers on shady flanks

slipping by, tongue flickering.

The plot thickens.  Clouds

darken where crowds

hearken – listen! – princes, bickering...

& who shall have the succession?

A cast of characters –

kings, clerics, warriors –

mime St. Vitus in scared possession –

sleepwalk their sacrificial totem

for a perennial repetition

of the same (again, again).

& armies marshal around Bethlehem

to protect the kingdom from its violence;

a convenient woman shall

be found, to dance the ritual

in their place (a chosen princess)

& her cacophonous Parisian Rite of Spring

will set the keynote for a war

to end all wars (for

a while).  Meanwhile the black spring

                     *

of Rio Mississippi coils in anger

on the Iron Range, under

the North Star.  Thunder,

Hobo, Henry says.  It’s Woodpecker

come back – alight near Red Wing,

so they say.  What

does it mean, old mutt?

He muttered back : it don’t mean anything

to many, Hen.  She walks beside you

like an iron canoe,

the spiral J of Synagoga –

like that Micòl in Ferrara, like a shadow

of Our Lady.  Spiritu – loving you,

who don’t deserve her –

sacrificed for Minotaur

on every altar, from Cahokia to now.

Then Henry saw a little emerald

almond leaf, shaped

like a boat... wrapped

in a river-whorl, spun, twirled

downstream.  The Delta beckoned,

where dark Mère Lousine

grinned from the deep.  Lean

over some more, Henry, Hobo intoned.

There’s Benjamin Latrobe & Son,

sunk like a foundation

in the Gulf.  An American

sun blinked, dark.  A slow wheel spun.

7.21.19

cloud & catalpa, Minneapolis

Cloud & Catalpa, Minneapolis (Martin Johnson Heade, 2019)

GRASS CLOVERLEAF

Everything grew simpler in that high room

overlooking Jerusalem

when he added up the sum

& gave us his Thanksgiving poem.

The apostolic laying on of hands

was just an afterthought

Mary Magdalen taught

to keep the Presence each one understands.

The knot held.  The silverweb

floresced, in centaur arrow-

shots – from Antioch to

Thebes, up to remotest Gad-Gab

(Ethiopia).  Axled on coffin

of coffins.  Buried deep

as Noah’s ark.  Sleep,

King of Kings (like everything human).

This gemstone of the Southern Cross

shines like diamond

out of emerald

almond – mossy quaternion, grass

cloverleaf (in shape of heart).

That little tree will root

where all the branches start,

where all the rivers roll (sky-girt

perpendicular – little Everytwig

leaning against current)

– unto that iron agent

sluicing the Delta to a brazen fig

                    *

shriveled, dry (as is the way with figs).

Yet Wisdom is justified

in all her children.  Hide

now, O Man – Ouragan digs

into clay.  Rotating so solemnly,

she shakes the bone-limbs

from their joints, skims

lightly over coastal property

– only to uproot, destroy.  Bideth

nor roof nor door, Tornado!

Like the Iron Age you know

twisted to shattering shadow... Lilith-

Crocodile, climbing from Delta

to muddy matrix of 

St. Louis.  Scorned Love

twisted into dust-mandala –

substantial b-flat of the galaxies

stilled, played in reverse.

The little tree of Ursus

Minor – little star, catalpa’s

iris-blooms – starts wheeling

counter-clockwise.  Clover

culminates your

integral almond-canoe.  Sing,

Muse, Oblomov-grail of prairie earth!

The great wheel turns.

Jonah’s corn-maze yearns

Restoration... (Miriam’s rebirth).

6.28.19

dialect of high & low

CLAY NAVEL

Literature might be political.

The dialect of high & low,

the pyramidical Pharaoh

& Erich Auerbach in Istanbul...

slaves muttering (familial)

athwart the exaltations

of regal Lion-Suns

& River-Moons (extra-terrestrial)

their jocular contra-dance lingo.

Dantean, obsolete

vernacular (obsidian);

mosaic featherweight, grave Galileo.

Everything formed from nothing... out

of a pinhole in the universe.

Clay navel – Osiris hearse

called up by current, cattail flute.

Whorls of tree-rings mantle each mortal eye.

Isis in Iowa,

Blackstone of raven-sigh –

Cautantowwit, under the Milky Way.

The tacit origin.  Your motherland,

O King.  Incipient

restoration, air apparent...

transparent equilibrium (beatitude).

Near the steel vault of St. Louis.

In the seine of the fishermen,

over the Mississippi.  Sign

from tree-logs, Jessie Ophelia... always.

6.23.19

surfing Delta gumbo

sketch by Benjamin Latrobe, architect

LIGHT DOWRY

On this day, 200 years ago

Benjamin Latrobe won

the municipal commission

for the bell tower in New O. –

St. Louis Cathedral, surfing delta

gumbo (French-Indian-

Spanish-Anglo-American)

on canoe-back of turtle-flotilla.

Oak Apple Day, Restoration Day,

Rhode Island Statehood Day

& many another day

no doubt (not far from Whitsunday).

In the well of the king, of the king who must die

(before time began?) shone

a shade of green pine

grieving... like an old Irish eye.

Luminous melancholy, just a shade

from joy – from the well

of well-being, when all

shall be well (amid all things well-made).

When frost of fright-scorn, the old

icehouse of sacred king

slides into melt... & everything

shines in right splendor of childhood;

when young ones in Rhode Island

or New Orleans lift themselves

to the light dowry of El

Shaddai – her pact of love and understand.

5.29.19

in the end zone

MAJOR CHORDS

In the shadow of a song of songs

the anthems are always major

chords.  Mendelssohn... (our

home in Hopkins)... everyone belongs.

Tonight the rival city-states,

the patriots, blow

ram’s horns.  O

say can you see... big potentates’

eyes dilate... Vergo rolls out

Hail Mary feint (over

Washington Monument) –

Crazy Horse Rushmore... Touch-

stone!  The transfixated crowd

explodes.  Ghost dance

in the end-zone – Lance

Galahad will take the shroud!

The mob desires to crown a king,

a king of everything.

Sponsors oblige, with bling –

the glittering circlet is a diamond ring

for nubile Woody Berge Ouvrante

(Cheerleader from the Bronx

Will Marry Uncle Onx

Next Year).  Preview this fête galante!

Apollinaire heard the cicadas

droning in the oak –

of how the wind spoke

dry coracles of wheat to Colchis

                    *

& the streetlight in the snowy dark

zones a frozen cross

against the pavement (Loss

for Brady : Bells Will Boom for Belichick).

We’ll laugh about this tomorrow

(or maybe in 2020).

How the crowd, honey,

decides – & doesn’t care, somehow.

They insist on sacrifice – Sacre

du Printemps, ma chérie.

Tiptoe to thundery

finale... just before the war (nacre

& objets d’art, Guillaume).

Leap to the metronome

over the Metrodome,

Sophie – you will survive this doom

of frightened infants in their uniforms;

Thin Blade Societies

& Rudra puberty

sodalities... unconscious norms

(they know not what they do).  Thread

woven for a future prince –

hearts, purple sequins

imprint Valentine wreath for his head;

he’s singing of an anti-kingdom

where his anti-father

(shedding all that bother)

chords an unquenchable welcome home.

2.3.19

bottled in an oak-knot

LIGHT SHIVERS

A silver filigree of January ice

atop the Mississippi.

An eye from remote milky

paradise congeals mid-stream.

In the mandorla, the king smiles

who must die.  Rain

wells from Magdalenian

locks, sways down the aisles.

Reality’s an unctuous parasite

whose masculine will

melds to feminine style.

Psyche’s a rose (hermaphrodite).

You search the scriptures, yet

you do not come to Me.

My mother is a refugee,

her kid’s a goldfinch in a net.

Light shivers off the snow, & down

the stream.  Only a dream.

A 3-dimensional scheme

with vanishing pt. in Providence town.

They chased that woman to her grave,

who danced in Paris on the eve

of the Great War.  Her wave

of splendor... Morning Star’s mild sleeve.

La Mancha waits like Camelot

for the happy restoration

of good ship Madeleine –

Marie’s cosine (bottled in an oak-knot).

1.9.19

Meditation on a funeral

HONOR GUARD

Soft muted early winter light

outside the National

Cathedral.  Great whorl

of reds & blues, at dazzling height

O rose window, still glowing bright.

The honor guard (Marines,

Army, Navy) forms lines

like intricate toy soldiers (boy’s delight) –

maneuvering, in wonderful coordination

powerful precision

beneath the boom of cannon,

brass band’s hopeful invocation.

The dignitaries have assembled.

Paired front aisles unveil

in allegorical detail

old icons of authority (kings trembled

once, when they beheld such signs 

of a succession crisis).

On the right, witness

the mourning son & heir – thin lines

of tears streak from his hawk’s eye,

flank his aquiline profile,

his anxious beak.  Meanwhile,

on his left, an accidental guy –

the crown-usurper (with a face

like a disgruntled frog).

Even Sully the dog

got more headlines than such disgrace,

the preacher said (speaking in tongues).

Haunted, defunct princes,

princesses acquiesce...

the fatal, dominant thug belongs

                 *

to us.  Chief executive,

or executioner?

Headsman (for our

gentler Republic)?  How can we live

in a democracy, ruled by despot?

We cannot.  Our choice

is clear, as once we faced

when Lincoln gave it voice – the violet

is trodden underfoot by hate.

What’s at the root

of all our discontent?

Man’s thirst for domination, set

in place since his umbilical was cut;

rage at the shrinking womb.

Like Jonah’s boat-turned-tomb

of alien Leviathan, the doors of Night

close, flooding, overhead... the child’s

unconscious & primordial

nightmare (abyssal

mystery).  Note each tyrant’s wild

psycho-disgust... the fluttering hands,

the flickering deceit

– detached from all sweet

reconciliations, lawful bonds.

The flag-draped casket of the patriarch

squares with the glowing rose

window.  Still hearth glows,

somehow – Wisdom’s scintillating ark.

12.6.18

the Winter King (a mummer's play)

BLUE LIGHTNING

Hobo, sprawled among November reeds,

cattails.  His scattered bones

ache on jagged edges.

A chill is in the sky.  Light feeds

the icing-over swamp, the acid-

green vomit (absinthe

effigy of spring).  A plinth

of plastic raft supports his dream-kid,

Henry Hawkeye – duffed.  In mummer’s rags

of scruffy black, to match

his sullen rage (a match

is all it takes).  Here comes Antigone’s

antagonist... here comes Creon, Jason...

Here comes Le Grand K

himself, all brassy

mass and armored mirror – one

half bull, the other carny barker

in a cream straw hat.

Just look at that!

He laughs, he sneers, he boasts, he barks

surrounded by his bulky thugs,

stiletto-dames –

No Shame in Crimes

his badge declares (pinned with slugs

to his forehead).  The plastic raft

quivers to his stomp.

This is gonna be a romp,

he crows, & circles Henry, fore

                   *

& aft.  Wispy, cloudy, quiet Henry’s

cornered.  By the water.

No weapon (though an otter

peeks up near the scrim).  He’s

holding only a tiny pocket mirror,

which he flecks upward

toward the pale sun.  Hard

to say what will come next.  Your

ghost dance, Hobo, flickers photons

like Planck’s constant

from an old field tent –

where photos of Kennedy, Abe Lincoln,

Martin Luther King hang, haunted (black

& white).  The King

is dead, long live the King,

Ave Maria, Henry whispers back.

& suddenly a mass of flame pours out

like pale blue lightning

from a Chartres ceiling

down upon a maze, blazing partout

across the center of the raft.  Truth

is our Law, O shallow

prince – our commonweal.

She rules, & will spring forth

again – like that torch-bearing Liberty

all clothed in copper green

welcoming everyone...

So Hobo saw.  The raft was empty.

11.27.18

serpent ocarina

FEATHERED WHEEL

The king is carrying his cross

wearing his crown of thorns.

Only his mother mourns.

The restless crowd is at a loss.

So history plays out

on broken banjo string –

scratchy LP spinning

over & over the tethered Scapegoat

Song.  A narrow beam of rust-

red copper, through shade

of rock.  Copperhead

of light.  Serpent mouthing dust.

Tan sand (some Navajo camouflage).

Everyman, eaten

by ants.  Has-been.

Hobo, dreaming in a stream-montage.

Nobody.  Only air, flashing

like feathered wheel –

Thunderbird heel?

Lo, him – Kingfisher, splashing.

In the clay matrix, Morning Star

pirouettes in Paris

for Apollinaire.  Pax

lounges with Liberty, while from afar

twin pillars of a temple rise

in unison – an azure

octave, lifting her

amid dew-glittering, sea-breathing sighs.

8.10.18