if I could gather all 9 muses

IRON HORSESHOE

If I could gather all 9 muses

around the iron horseshoe

Hobo found along the shore…

a middle C stranded by silted rivers.

If I could loop a thread-corral

around the bullish history

of bardic poetry…

Whitman & Olson, the whole passel

of a thousand Pounds – a ton

of raw American aggression

packed in Julian tin can

of salmon absolute (O prodigal son).

You must bind up the strong man

if you would rob his house,

strums Shep Jesus –

the Son of Man opposes Czar Ivan

K. Trump (& all his lawless minions).

For Moses was an anti-

Pharaoh, & his text a fey

neutrino-trace – reversing their dominions

(anti-matter realms of fearful absence).

Their malice plays for keeps –

the quasi-Reagan creeps

who stigmatize Abe Lincoln’s conscience

of profound Union.  A government

of people, by & for people

whose penny is a steep

L-rectitude – the normative ligament

                   *

of every child of God (my soul to keep);

the stony fundament

that grounds each document

hedging the tyrant (as ye sow, shall reap). 

For this Hobo bent toward St. Louis,

where clays rotate

around an elder potentate;

the foolish king, whose power was on lease

to that familial mutuality

(the kinfolk circle

& the starry wheel)

Jesus displayed in his nativity.

Star of David, hidden in the clouds

like 4-leaf clover

in a rainbow cover –

ark or Argo of celestial crowds.

So history plays out as Tauromachia.

Watch Minotaur succumb

to Ariadne’s plumb,

Man lifted up beyond Monarchia;

that restoration of all things

the servant-son proclaimed,

chanting beside the famed

Magdala Stone (rose of sharing) –

when Clover twirls in Hobo’s fingertips

& Isis-eye looks from his palm;

when JFK comes home

& Venus blooms… & Sophie Coulombe skips.

4.28.20

where the wheel pivots

VIA FRANCIGENA

My path of J, my Via Francigena.

You can read it on the Q-

line train, between St. Lou

& Monk’s Mound (clay Cahokia).

Choo-choo, J-J, Joanna, Giuliana...

on the milk train way,

your dewy morning ray –

autumnal hoot of helmeted Athena

(hooya-hey).  Fled with her child

from rude dragon.  Nightmare

tyranny (unveiling there

the root of human woe).  So the scald

burns his tattoo into each trumpet call –

the empty mirror of the king

crowns him equal to everything.

So gather him weird into your iris squall,

milky Sophia – gold sunflower

stretched into an almond

ark of mustard limbs (wand

blooming with abject surrender).

Because I love, because I love...

Behold, my child, I have

no wrath.  & in the hive

of clay lips, trace her architrave –

tacit surrender to a violet

sown by storm (below

these wars of villain & hero).

Where the wheel pivots, my river-pilot.

10.26.19

to shade the children from the burning sun

my Hobo Code coffee cup

WAVE-THRUMS

I’m coming to the crown of the river-tree

& the mouth of the copper serpent

following Hobo, where she bent

toward the Delta of American poetry.

& there’ll be singing & dancing, each clown 

hootin’-&-a-hollerin’

& dressed up like an Indian

to celebrate the simple joy of Union.

& I’ll trail behind Benjamin Latrobe

the good mason of Washington

taking after his dear son

to build a floating city from mosquito-glob;

I’ll watch that Phoenix-bird arise

like an evening Jonah,

spreading her ghost-persona

wings from Frisco Bay to Providence

to shade the children from the burning sun

& fly them to a new playground

where wave-thrums sound

their steady oceanic Truth for everyone

whose eyes merge in the Sophie-bark

curving over the Churnagogue

(octagonal pine-log

hover-canoe; dynamic-ceramic arc

empowered by the muscled wheel

of hopeful human clay)

– J-stroking toward an Agape

aflow to share, to guide, to lift, to heal.

8.20.19

in the end zone

MAJOR CHORDS

In the shadow of a song of songs

the anthems are always major

chords.  Mendelssohn... (our

home in Hopkins)... everyone belongs.

Tonight the rival city-states,

the patriots, blow

ram’s horns.  O

say can you see... big potentates’

eyes dilate... Vergo rolls out

Hail Mary feint (over

Washington Monument) –

Crazy Horse Rushmore... Touch-

stone!  The transfixated crowd

explodes.  Ghost dance

in the end-zone – Lance

Galahad will take the shroud!

The mob desires to crown a king,

a king of everything.

Sponsors oblige, with bling –

the glittering circlet is a diamond ring

for nubile Woody Berge Ouvrante

(Cheerleader from the Bronx

Will Marry Uncle Onx

Next Year).  Preview this fête galante!

Apollinaire heard the cicadas

droning in the oak –

of how the wind spoke

dry coracles of wheat to Colchis

                    *

& the streetlight in the snowy dark

zones a frozen cross

against the pavement (Loss

for Brady : Bells Will Boom for Belichick).

We’ll laugh about this tomorrow

(or maybe in 2020).

How the crowd, honey,

decides – & doesn’t care, somehow.

They insist on sacrifice – Sacre

du Printemps, ma chérie.

Tiptoe to thundery

finale... just before the war (nacre

& objets d’art, Guillaume).

Leap to the metronome

over the Metrodome,

Sophie – you will survive this doom

of frightened infants in their uniforms;

Thin Blade Societies

& Rudra puberty

sodalities... unconscious norms

(they know not what they do).  Thread

woven for a future prince –

hearts, purple sequins

imprint Valentine wreath for his head;

he’s singing of an anti-kingdom

where his anti-father

(shedding all that bother)

chords an unquenchable welcome home.

2.3.19

rattlesnakes & wild hogs

woodcut by Mary R. Gould

BLANK MIRROR

Hobo & Henry (mirror lakes of ice)

hunker down by the Miss

in apocalyptic freeze.

Global worming – ain’t nice,

offers Hobo.  Henry stands on a log

of spongy cottonwood,

to speechify.  I would

gather everyone in D.C. – slug

it out with themeny!  Hobo : Who he?

King Henny Gowanabe?

Beware Coatlicue,

m’deer!  She got that panoply

um rattlesnakes & wild hogs,

rootin’ all around –

Iagoons, Macboars... ground

Z for Camazone swamp hellhound dogs!

In the blank mirror of unconsciousness

the stone-cold powers

& the lotus-flowers

collide in a collusion...  Heartlessness,

she mutters.  Hobo sunk down.

Cheer up, old boy,

sez Hank.  My Book of J

opines beneath Cordelia’s Crown;

she shone me that Madonna del Parto

flaring like Indian mound –

high Sophie’s dancing ground

(who shall restore our humane Beneficio).

1.30.19

guarding the garden

painting by Phoebe Gould (ca. 1992?)

GREEN CORN

Half-moon tonight, like a silver flask

of molten lava.  On this date

George Washington was translate

(1799).  Here’s his life-mask :

fine profile.  Merging in white clay,

like a peaceful moon.

Landlord, when all’s said & done.

Valley Forger, sensing Californ-i-ay

in the green corn of his plantation

garden.  Grace Ravlin

etched that evening scene –

sweet Virgo in Virginia (dawning nation).

The myth rides with the Indian.

Scars limbs of slaves.

Everyone behaves.

A raven-crumb plummets into ocean.

Something’s lugged back, out of clay...

the lunar wilderness.

Innocence, blessedness –

Sophia twirling in the calm of day.

Like young Hal emerging from a golden egg

(his father’s legacy).

Attainted crown, see –

buried bones in Resurrection (Pig’s

Eye) Cemetery.  Across the river,

on Lakota Bluff.

Two swords – it is enough.

Gesthemane is haunted, Indian-giver.

12.14.18

autumn in my heart

SWEAT EQUITY

Like falling from a winter bridge

in Minneapolis.

Absolute zero-ness.

11.32 ft/sec (straight-edge

it, carpenter).  A little life-saver –

gold bubble of air

in the wooden measure,

Chris (dolphin fin-waver).

The little tree, the little almond

eye of Providence.  A

sort of weathered prudence

from rough planks – sweat-bond

of every laborer in vineyard

or in field – Georgia

footprint, selah

in every cemetery, bard.

Like this confusion of nature

circulating good will.

Invasive humble

habitat, Roma imprimatur...

signature of spiral J

(Ojo de Dios,

owl o’Sophia)

out of the oak-knot, honeybee.

Lightning furnishes the room.

So fall into my heart,

Julie (where start

the roses on their river-loam).

11.24.18

the melodeon of civil peace

GREEN PALM

This silver light-pull on the black pathway

like a miniature dragon or

sperm whale (grey Minotaur

immured in Ocean labyrinth)... Ariadne

dropped it here for me, maybe

(bowline from safety net

strung beneath Golden Gate,

or strand of hair turned silvery

along the wheel of time & gravity).

In him the root of the matter,

wrote Cotton Mather –

he meant that turbulent sectary,

mild Roger Williams.  An apple root

it was, the legend holds;

clasped in earth-folds,

his buried limbs became sweet fruit

(at Prospect Terrace, where his bones

were laid).  Sweet peace,

he called it; a release

into that harmony among distinctions

Roger christened Providence, & we

e pluribus unum –

a spiritual freedom

planted in magnanimity;

a willingness to mingle tares

& wheat, so infant conscience

tried by experience

find its own starry stairs

              *

& not by force, but gentleness

its ripening prepare

to climb past nightmare

to the melodeon of civil peace.

So gather up stray iris-strands,

Henry.  That self-same

moonlit trail (slim

path between wrath & Rhode Island’s

liberté) was Alighieri’s narrow way

between Imperium,

Ecclesia... low hum

of Jonah-Beatrice (out of the grey

cloud-surf of Ocean River).

Garden & wilderness,

Solomon’s shepherdess...

airy Sophia in Hopkins windhover...

O delicate light-threads, pendentive

on twin pillars, anges

d’orange...  Who arranges

your catenary smiles?  You dive

with her dive, you rise with her rise,

surfacing... Hail, Jonah!

Out of the whale, Jeanne-

Arc!  The mercy in your eyes

– wonder in ours!  A gold mandorla

where the twin points meet –

meld into one – & greet

the Union with green palm... Alleluiah!

6.9.17

the rooster crows at dawn

EARLY ARIA

Moss-green & rusty brown, the shades

of veritable November.

Carapace for a fire

of leathery hearts, when autumn fades –

hopelessly stained & cracked, like

little nations stewed

in sour grapes – each rude

philosopher of One-&-Many stuck

on stiff prongs of mutual destruction

(as if our differences

were so many instances

of envious violence).  Someone

disconsolate, like moody Hobo,

comes to his dead end

sans lover nor friend.

The bridge beckons, the river flow...

it’s then that her grey shadow

curves to be with him –

grace of the seraphim,

milk of galactic commingling Rio.

A yellow-black monarch skims south

like nature, figuring rebirth;

her beryl-fiddlehead of mirth

lifts Hobo to the vernal mouth –

where dark Sophia & the turtledove

gather in Providence again.

The rooster crows at dawn

on city walls... an early aria, up above.

11.14.16

Le Pont Mirabeau

BLUE PLANES

Autumn already in the air.  The lace

net lifts slightly in the window

breeze.  Down the road

a train thunders steadily across

the iron bridge.  Eads, in St. Louis

same river in St. Paul

ebullient waterfall

descends into incessant sluice-

ways.  At Fond du Lac, Guillaume

will wave his pipe   the smoke

floats in blue planes   OK.

Autumnal, your pellucid tomb.

Under a beautiful water-mirror

flows the safety net.

My waif on the parapet,

my Juliet... little evergreen spear

crowning a rangy monarch span –

my songe, my sign, my Seine.

Cloverleaf Corn Maiden

twirls her blue-green mist of pine

on heron-foot again   Sophia

skips through the basilica

like Liberté-Columbia

her grey eyes scan geomatria

here twin circles merge, twin shores

align omega points

&   Maggie Galilee anoints

her Galileo with the milk of stars

8.26.16

Today is the birthday of poet Guillaume Apollinaire (1880-1918)

let her skip

DAKOTA HEXAGON

This quiet August day toward

the cusp of autumn.  Green

vine-light in the cavern

where Henry hides his raven-word.

That empty chair in Dante’s sky-

deep rose, for all the hoped-

for prophets, emperors...

& here’s Sophia’s little throne (my

dancing-master’s rosy resting-

spot).  Let her skip

fearless across the ship

of state, her toy basilica, questing;

the Greyhound of the Lord, her

vengeance, comes to this –

gray clouds of Providence

replete with rain; a pregnant mother

radiant with clearing day; the shades

of persecution blown away

by ocarinas (clay-

shell turtledoves, dolphin parades).

Ineffable golden Hephaestus-net...

veil of corn fleece over

a West Branch face.  Her

sister in D.C. (Adams duet) –

icon of Miriam & Magdalen,

Dakota hexagon

implicit in the sun

of Washington... cartwheels, Columbian.

8.13.16

across languages & worlds

CEDAR HANDS

O calm August river, weaving

under your ceiling of gray

fluff!  I’d like to say

you are a figure for Edith, rocking,

singing Sophie to sleep, somewhere

above Ethiopian night.

I’d like to formulate

a lamp in a window, out there

on a foggy lump in Narragansett Bay –

Rose Island Light, maybe –

what stands for certainty

in the midst of rocky sea, the sway

of tide.  They’re almost finished now

with the bridge repair.

Her double eyebrows bear

their concrete filigree, & show

twin circles in the river’s glass.

Their delicate embrace

a fractal carapace

for curving lips of one round lass –

a sea-green pebble, calipered

by radiant massive Einstein

armature.  So shine,

my lighthouse pine – like shy brown bird

or Great Blue Heron – one sharp eye

across the moving waters!

Agape holds stars

in loving stillness – rhyming sky

                      *

with earth.  It is an ur-rhyme, personal –

a Neva-petroglyph,

an anchored spider-skiff,

chaste common akme (Eeyore-humble);

like moony pleb with sunny Phoebus,

roaming Apollinaire

with domed Apollinaris,

Love is that hearth-melding force

that fuses Unity & Liberty –

soul freedom is the spark

of arcs.  I found a monarch,

lonely, in the donkey straw you see

down by the iron river (pausing,

perhaps, between White

House & Soldier’s Rest).

We bowed to one another, browsing

sheared grass, cordially.

The song began like this –

a dream made manifest,

Railsplitter... prodigal Boy...

held in grey threads of dog days’

dawnlight.  Soft rainbow

pigeon croon – low

throaty turtledove song-maze –

dream-songe across the meadowlands

of languages & worlds

farfalla-far – she whirls

& jags... floats into cedar hands.

8.12.16

Franklin Ave. Bridge

of the clay peoples

PEACOCK’S EYE

Path P stretch in six directions

out of Cairo, Huck,

sez Jim – any way you look.

One of them north-south junctions,

I reckon.  There was a labyrinth

of red clay trenches –

dead men in its clenches

like flies hung in a spider’s tent

– heavy that clay, so heavy!

Like the bottom of the sea.

How could a little child be

dancing in such dismal gravy?

She’s Pueblo, of the clay peoples;

they put away wrath before

the sun go down, f’sure.

Lookee there.  & through the peephole

of his fingertips I saw (obscurely

as that garden of Sheba)

a lightning pathway – Sun-Ra

threshing floor – arisen merrily

from ripened Flanders wheat (so

melancholy).  Like Van Gogh

seized with a fury-glow

of happiness... Persephone?  O

yes!  Threading her crane-dance

through a peacock’s eye –

purple Hagia Sophia’s

woolly poncho-swirl (at cave-entrance).

5.24.16

What's in a sine wave ?

PALM WAVE

This milky February sun

foretells another spring.

Still far-off – winging

eyebrow-arch reflection

of a snow-blue almond bridge.

Yet near... a looming

whisper (out of Red Wing,

maybe) in your ear.  Sweet pledge

of union, set sail southward

by wattle-crane basket

to mossy reed thicket

below Delta (belle Campagnarde).

Knot-eye of Popeye raptor-

sailor, here trans-

mogrified to mildest

peahen-cockerel (Eeyore-

Sophia, high over Frisco Bay).

Equable & everpresent

omni-beneficent

orthogonal well of charity

infusing one & all (mandala-

dome, dominion’s

doom).  Everyone’s

chest de trésor – heart’s ah,

life’s oh... amended Manitou

of Man.  For me & you,

within the vernal blue

of ocean wave (palm-feather true).

2.1.16

Circus leaps

RAVENNA DOOR

This winter Mississippi, silver-

blue as a kingfisher,

must be my Ocean here,

now.  Old Rhode Island (Roger

Williams tugging at his oar

along the Narragansett

shore) is like an inlet

glinting on Ravenna door.

This plain flatland’s no nacre

objet d’art – no Rimini-

Jiminy jingle-tree

nor fizzle-pop of firecracker.

It’s the tip of a massive iceberg

mound, with Ojibwa scrawls 

from International Falls.

It’s a raven-furled ironwork

Father of Waters (del Espiritu

Santo).  The dark ink spills

from Andean condor hills

like shade from a single pine... you,

yew.  One sinuous dove-grey thread

from woolen crown (above

almond eyes) – Love’s

quipu, drawn from riverbed –

the peacock bow of freedom’s O

(a circuit of Noahtic leaps

that signal seamanship).

Her line grips like a sheepfold

fence (through centuries of snow).

12.3.15

Season of mists and mellow fruitfulness

HIGH SOPHIA

My mother’s golden watercolor

of a corner by the porch

door – let us approach

this summer morning autumn splendor

as it was, & will be once again.

An open door in Hopkins

Minnesota spins

its Manitou of teeming pain

et vin (an infinite childhood);

Alighieri in Ravenna

summons high Sophia

in the guise of Beatrice... would

she still circumference all human

knowledge in her arms?

Beyond Hell’s harms

stands Boethius – Consolation

rhymes (decline & fall of Rome)

with Dante’s futurismo

(Roma onde Cristo

è Romano) – one bright sunlit home.

Paisans, turkeys, sheep draw near.

The meal c’est commencé.

Massasoit & Williams here play

host – what was a funeral pyre

unfolds to cornucopia.

The crux of natural law

is liberty’s Commedia –

all-human Earth joins Milky Way.

11.25.15