they were playing Benjamin Britten

LEAF-MURMUR

In the peace & quiet of her little room

with cactus & late poinsettia

on the sill, she’s growing quieter

herself, just one step from the tomb.

They were playing Benjamin Britten

on the radio, his Moonlight

from Sea Interludes.  Slow

breathing, like tides come in;

the pulse of one high cresting wave;

flute-shrieks of gulls.

Her strong deep swells…

receding now.  She curls concave

into her wheelchair, brave head bowed

(the pride of life, brought low).

Her potter’s wheel, slow

spinning, rounds her own clay into cloud

as in the Garden of Gesthemane

all-powerful God

knelt to his own rough mud

fleshing star-fire to flinty harmony.

The wheel of life, how she runs down

at last!  This shadow of herself

feigns sleep, feigns prayer.  Only

the fleeting elfin smile remains her own.

Stalin, Akhmatova… terror & grace,

beauty & ugliness meet

in the grave.  A life’s complete

that hears leaf-murmur through a face.

3.5.20

oak-leaf plate by Mary R. Gould

guarding the garden

painting by Phoebe Gould (ca. 1992?)

GREEN CORN

Half-moon tonight, like a silver flask

of molten lava.  On this date

George Washington was translate

(1799).  Here’s his life-mask :

fine profile.  Merging in white clay,

like a peaceful moon.

Landlord, when all’s said & done.

Valley Forger, sensing Californ-i-ay

in the green corn of his plantation

garden.  Grace Ravlin

etched that evening scene –

sweet Virgo in Virginia (dawning nation).

The myth rides with the Indian.

Scars limbs of slaves.

Everyone behaves.

A raven-crumb plummets into ocean.

Something’s lugged back, out of clay...

the lunar wilderness.

Innocence, blessedness –

Sophia twirling in the calm of day.

Like young Hal emerging from a golden egg

(his father’s legacy).

Attainted crown, see –

buried bones in Resurrection (Pig’s

Eye) Cemetery.  Across the river,

on Lakota Bluff.

Two swords – it is enough.

Gesthemane is haunted, Indian-giver.

12.14.18

gash of a calm current

CALM CURRENT

The daggers of the sumac (plum-

red, maroon) accent

the gash of a calm current

between these knotted forks of autumn

cottonwood.  The knot itself

an ellipse, like bole

of oak (hollow hole...

screech owl?) – for an emerald elf.

The Green Man in the green glade.

Prehistoric American?

Or an Irish cousin.

Gardener in the garden (maid

Magdalen’s Gesthemane).

The river is a strong

brown Gould.  Unstrung

out of New Hampshire (Alleghany?

Ohio?).  Or maybe Negus, Ravlin...

leading the flock mesmerized

to Iowa (West Branch, 

shepherd).  Buzzing a Quaker violin.

We have dawdled long enough

in Babylon, children.

The labyrinth (Parisian)

folds Theseus into a trough

much like a Mississippi mirror

dreamscape, umbilical

(& smoothly paradoxical).

We mumble into the interior.

10.29.18

banquet at the end of time

PUSHKIN MOVE

The banquet at the end of time,

the invitation read –

the living & the dead

to celebrate.  This pantomime

of solemn feasting they perform

beneath cavernous timbers

(burnt resinous embers)

foreshadows that preternatural storm

of joy, tasting our expectation –

when Eli’s empty chair

so hopeful (floating there)

is overflowing with affection

once again.  As we well know,

observes bright Magdalen –

beseeching, in the garden,

gardener (raw moon of woe).

& what it all may mean for Hobo

Hank, lazing out

his salvation-boat

conundrum (Solipsism, ho!)...

Can it be can-do canoe?

If anyone thinks they

know anything (See

St. Paul!) they’re in Pig’s Eye

sez he.  My inconsequence

is like a Pushkin move;

chess is like love,

government... clear as Providence.

9.16.18

Jonah was a fisher of men

NO THING

Hobo couched on his frozen bench

& felt the dream of summer

flow through his mummy-

shroud (cocoon from Danish trench).

Everything from no thing,

mused the broody dagger-

raven, plastic bagger

limping toward immortal spring.

Must mean some one looking out

from furled oak leaves.

No one conceives

how close a whisper knits the plot.

Poverty’s a hollow ache.

Lento, lento, the fast

approacheth – one last

Sabbath before Easter break.

The one I love’s an almond slip

between Pharaoh & Laius.

An airborne edifice,

the bubble in the level’s grip;

the fisherman’s égalité –

gal from Gesthemane

surfacing lambent sea,

coulombe crooning Liberté.

One blinding black diamond

clothed in octahedron.

Orange junk lantern,

Hobo’s caravel flamande.

2.4.17

shade of fig trees

OAKEN ARK

I remember the tall shade of fig trees

on Observatory Hill

in Sydney, their colossal

spread feet lifting leafy memories.

The diamond hologram glinting

upstairs – the Southern Cross

a silver doubleness,

a micro-mirror (winking, hinting).

Dante in Ravenna, on the coast

of swamps & tamaracks

the scars of Whites & Blacks

scorching his palm (a sulfur-host)

felt a light flute-breeze ruffle

his conch-shell ear

whispering draw near –

beheld Matilda waltz the Buffalo

(an aboriginal design

painted on granite

for Woodpecker-flight

framing two Thunder-twins benign)

& plumbed the gravity of clay

that wheels so slowly

through mortality

toward candescent kiln-fired Day

of Jubilee   the metamorphoses

of starfish realms to stars

the green & gold pillars

of corn & wheat   Georgina’s

laughter in the new-mown fields.

So her green-almond eyes

drew Alighieri to Vitale’s

arc of Paradise (welds

souls into an infant baptistery,

a fan of everlasting

life).  Interesting,

murmurs iconoclast Henry

Hobo   but I would bend the lens

slightly   enfold the ray

into a Bay of Biscay

alphabet soup   Beguine begin-agains

based on an anchored oaken ark

of milky bread & wine

the whole human communion

in the sun of mnWmn (spark

from a Galilean jewel of light).

Inside the delicate crystal

gently circling... still

potter’s whirl from infinite night

around the whisper gallery

Twine Monastery

pregnant humble glory

of Francesca (Piero’s poverty)

leaves mutter in the sea-breeze

just beyond the orange

bridge   Georgina’s Grange

the dusty gardeners   Maria sees

1.24.17

Gemstone of Paradise

NEVA-LAND

The poem is for lonely you

amidships (I-&-Thou

nailed coign to prow) –

& for that grubby neighbor too

next door (George or Georgina

with the garden hoe).

A solitary lamp-glow

lingers in the old cantina –

in William Blackstone’s study (man

who went to live with...)

– uphill, on the forest path

to Middy Wewe’s blithe fountain.

George Washington spins in his grave

to see how we behave

without a mind to save

us from ourselves.  Thee must be brave,

& true, & kind, & dedicated

to the perfect good –

that global neighborhood

that shines, wid’ green & delicate

kiwi-glow, beneath the rind

of blind & brutal night.

A callow grail-knight

stumbled on it once, near Samarkand –

spry Wolfram rings the tale – &

like an unknown soldier

leapt – O soulman Prospero! –

from here to Skye (in Neva-land).

5.20.16