they were playing Benjamin Britten

LEAF-MURMUR

In the peace & quiet of her little room

with cactus & late poinsettia

on the sill, she’s growing quieter

herself, just one step from the tomb.

They were playing Benjamin Britten

on the radio, his Moonlight

from Sea Interludes.  Slow

breathing, like tides come in;

the pulse of one high cresting wave;

flute-shrieks of gulls.

Her strong deep swells…

receding now.  She curls concave

into her wheelchair, brave head bowed

(the pride of life, brought low).

Her potter’s wheel, slow

spinning, rounds her own clay into cloud

as in the Garden of Gesthemane

all-powerful God

knelt to his own rough mud

fleshing star-fire to flinty harmony.

The wheel of life, how she runs down

at last!  This shadow of herself

feigns sleep, feigns prayer.  Only

the fleeting elfin smile remains her own.

Stalin, Akhmatova… terror & grace,

beauty & ugliness meet

in the grave.  A life’s complete

that hears leaf-murmur through a face.

3.5.20

oak-leaf plate by Mary R. Gould

for Dina Tagliabue

SUNNY SISTER

                                 for Dina Tagliabue

I never made it to the Mimbres Ranch,

Dina – though Alex & Phoebe did,

& brother Jim did, too – up

in them hardscrabble cactus hills, with a bunch

of hippies.  You chugged out there back when

in your VW bus, dragging along

stray hitches from Michigan –

getting the farm going, the pottery kiln...

Bob was there early, I guess, plying

the seasonal pickers’ fields

& his carpentry (& sprout yields

from the bathtub hydroponic mung-bean

enterprises).  Early & late he was –

composting with you to Sicily,

your garlic plot of earthy

transplants (care of kind Erica, & Grace).

It wasn’t my life, it was yours –

tied close to soil

by musing love-wrung toil

until this planet glazes bronze, & grows...

your joy, your blazing smile, Dina!

You were the sunny sister

to my moon’s iris – her

Inca-mauve Sheep’s Clothing (Francesca);

& now I see you foot the potter’s wheel

& knead your human clay

into a memory of joy...

molding earth to sunlight, in a laughing reel.

1.26.20

the mural crown

HIDDEN LIFE

This silvery light of a rainy day

in late December.  Neutral,

nested in its gray scale

along a standoffish Mississippi

(little Big Muddy).  Icons of vagrancy

are history.  Only

tell me, who is Tyche

now?  Who wears her mural crown of clay?

The mural crown is a martyr’s crown.

Seared semaphore of Liberty.

Tom, within his sanctuary

clocked by King Hank’s automaton.

& you, speechless ancient mother

of my tongue... Oaxaca pot

with 4 legs & 4 faces, hot

from kiln – my sis Jonah (there is no other).

A hidden life, in high green alps

of loving consciousness.

Where our union of Succession-

Restoration comes in great gulps

of transparency (over gnarled rivalries,

distempered lunacy,

frustrated tyranny...

Narcissus in the burnt oak trees).

All history now, Henry.  We drank

life’s Honigwein

with Weinsteins, in

torrid Odessa... felt unfathomable thanks.

12.29.19

whispers out of Colchis

painting by Michael Gould (acrylic and Elmer's Glue)

MILKY DOME

Henry hearkened to the dream song hum

along the stairwell of a crane

bone flute.  The black mane

of Mama Miriam Dodona waved to him.

As if a little tree anchored his coracle;

a branch of whispers out of Colchis,

woolen silky-shroud of Maximus –

his golden fleece a minor miracle

where twin wheels mesh to form one

almond (of almonds).  Mighty

mickle canoe, whose Isis-eye

looks from the prow (tease of the sun).

There is a vortex in the Black Sea

where the Great Year pivots –

Hamlet churns through his regrets

there, until Milky Way whorls like a G.

There is a grail of emerald stone

beckons from the bottom

of the sea.  Four rivers stream

out of a matrix there – exalted zone

of moody CHURNAGOGUE – the potter’s

center & circumference;

Ferrara ghetto-sense

mingled with Dante-radiance (all hers).

& the backward Nile flows down to Memphis

where the martyr at the bleak hotel

sipped from her cup, & cancelled Hell –

his milky dome hoisted to foamy wisdom-bliss.

8.8.19

on six directions

CLAY CUP

I will not rival Dante’s double

spiral (from depth of Hell

to heart of Love) but spell

a complementary bubble-

rêve, mapped on the horizontal.

Infernos of damnation,

sparks of elation

harbor here – my guide no Virgil,

only turtle-speed Hobo;

not Beatrice now

but one blithe ocean-dew

rainbow (her smiling Jonah-brow).

Like that mercurial Micòl in Ferrara

she lights my imagination

with X-S creation,

aslant from Providence to Frisco –

a river, crossing at the Gateway Arch

like some switchback, Pawnee

Missouri – molding a key-

stone at Cahokia (ten fingers’ kiln-torch).

Where slowly, slowly, the potter’s wheel

with shaping eye-in-hand

rotates the whole land

counter-clockwise – churns against the keel;

casting her clay cup on six directions

like Black Elk diamond –

firing her mandala-almond

amid each human hearth-rose (Hobo reckons).

8.5.19

under the Memory Wing

A-FRAME

Henry’s ancient mother in the Memory Wing

shows him how dying &

amnesia are kin.

When coarse indifference is the thing,

my countryfolk, how to redeem the time?

Henry tumbles down with Hobo

to wallow like a gator now

in river muck – fish out the paradigm.

Wakan Tanka, Great Spirit, O

Thunderbird of Red Wing’s

olden days – you being

transcendental I AM – hey ey yo...

The metaphysical is just outside

your A-frame, Hobo sez –

& as such, pivot of the rez

(or any reasonable maze of hide).

You get me, Hen?  Might be

the shadow of that Jonah-

bird – ur-meta-Noah

J’waytroulife, clear to eternity.

So this rough clay my mother molded

with bare hands (these

Mexique 4-face planters)

might morph a continent – dead

rising altogether from each cold silo

into the dream-sponge –

Providential plunge

uncoiling slowly (at Cahokia Ground Zero).

7.28.19

otherness of the Someone

IRON WHEEL

Her fingers fondled Red Wing clay

on the circling wheel

into Northwoods bowl

or Mexican flowerpot.  Wheels, say,

within wheels... microcosmic canoes,

Arks of the Covenant...

even Charon’s punt,

Henry (we who have passed

over Lethe).  The woman with child

in her apocalyptic

mandorla, chased by Dick

the Drag to the edge of the wild

(up north, near the Boundary Waters,

in the Iron Range, near

Itasca).  Fresco a veneer

across Ravenna beams – Jordan River’s

sleepy patron god.  Sort of like Hobo

witnessing the fire-dove

skim down Cottonwood Cove

& settle on the shepherd kid... just so...

but I just don’t know.

Iconoclasm sets in,

considering we’re human –

liable to make it up as we go.

The otherness of the Someone.

Your friend, your judge

(merciful – but won’t budge,

won’t fudge the facts).  Solomon

petitioned humbly for wisdom,

sensing the dire burden

beyond each king’s ken :

the destiny of Jerusalem

                *

under a blood moon of violent men

& the everyday mayhem

the grinding paroxysm

of atrocious cruelties – shifting pain

to the weak (convenient scapegoat,

ordinary poor).

Even blindfold Synagoga

might remember something critical, something

our mosaic Pantocrator forgot.

A little gray-brown moth

settles on Hobo’s mouth,

like a fingertip.  Hush, seraph.  That

maybe we are Hagia Sophia

with a million eyes.

Solomon was wise

to be humble before the Shekinah.

& Hobo was a mumbling bumbler

more like a river than a man

more like clay than person.

& Thunderbird was a rumbler

in Red Wing, churning the rusted wheel

until it sparked like gold;

helping her to fold

the wet clay of America on steel

braces... evenly rotating... Source

to Delta... Sea-Rose

to Golden Gate... flows

through the arch... Mud-Morse...

7.12.19

like Red Wing clay

Mary Ravlin Gould

SKIP-JUMPS

My mother moves toward silence now.

Short wobbly steps

like printemps stumps

of Red Wing clay remainders.  So

I follow along now, too.  Two lumps,

like those she spun once

on a wheel.  Immense

maypole of Mendelssohn skip-jumps –

the way Rembrandt became his painting

(like seaweed-coated plank

of slick driftwood, anch-

ored in sand).  Memory, fainting.

I used to topple to the ground

in school.  An epileptic

pine, almost.  A cryptic

minor character, utterly unfound –

unbound within some fictional expanse

of 19th-century steppe

sunburnt peace-pipe

smoky distances (autumnal trance).

We thread the needle in a mummer’s play.

Ariadne draws the skein –

Dante’s oriflamme ancien

Parisian labyrinth for Beatrice

Jessie Ophelia, remembering her father

Jackson Quick, the river-

pilot, sounding Mount Ever-

Rest (full fathom 5/29... 29...) – Mt. Purgatoire.

5.28.19

wheezing in an iron lung

PATIENT BURRO

Utterly subjective universe

of the poet, Hamlet

dreaming action... what

was I thinking?  A serious nurse

stood by my cradle (Abbott Hospital).

I was four years old,

wheezing in a cold

iron lung.  Paralysis (total).

1956.  Guillain-Barré.

Dr. Pohl – I

don’t remember (sigh).

Osiris in his casket, hey

ey yo.  The photo in the Star-

Tribune – toothy Henry

hugs his scarlet monkey

in a wheelchair.  Recovery! (Bizarre.)

Like the slight son of Giuliana

in a clinic in Ravenna.

Watch her parabola –

purple violet (or cypripedium

reginae) fringes the pottery;

congregate, massive

unguent jar, evocative

lure (hand of Lippo Memmi)

harboring anointment oil.

Milk, sap, honey,

wine, blood...  See

the star-eye riding the sea-roil

                  *

on her prow, lancing the Black Sea!

Magnet of gold foil,

handle for plow-soil –

wave of personae-galaxy!

As if the searching character of Isis

were encapsulated in

this matryoshka-queen.

Vierge Ouvrante (Hagia Sophia’s

magnifying glass, or Henry Church)

sums up significance

of eucharist – each instance

in a suffering kenosis, the human lurch

(from safe beatitude to surf

beat attitude)

leading to passionate

étude (H. Gorecki... – it is enough).

Prow like a beak, eye like star,

the solidarity of Polar

Bear – it is our

birthright, people everywhere!

Metaphysical, incomprehensible

Love, that finds an echo

in the infinitely patient burro

suffering everything.  Your fable

inches toward the human heart

on light footsteps...

so Nora’s rose keeps

Eros innocent (sweet garden violet).

1.25.19

north of Pig's Eye

ERICA-TREE

Giuliana opens a pottery shop

in Red Desert (the film).

Destination of the earth –

Slim Pickens, Strange Love (stop!).

The mystery of desolation.

Calcified lava

Under the Volcano.

Monarchs, Mexico (extinction).

Henry’s buried north of Pig’s Eye

inside an Erica-tree.

Come back for you & me,

someday.  Maybe.  I don’t know why.

He’s Osiris, in a hoary

Hobo boot.  Isis

is us.  She’s

barely there (yesterday’s story).

Somebody’s Mom no doubt, planted

in Cahokia clay (naturally).

The river is a lonesome bee,

rolling honey-balls out of decay (putrid!).

Henry strays onto mountain, in the sun

shouting, we’re Everyone!

Lightning jets down

lighting whole plateau (goodbye, platoon).

In the heart of the burble-stream

Hobo-prospector

strikes a vein, in the ore.

Honey bleeds from lava dream.

12.12.18

conducting veinous electricity

MUD-ANGELS

These three mud-clay homunculi

hung from pink ribbons

in my tent – lumpy remains

from some Dance of Death?  My

mother must have brought them back

from Mexico (mud-angels

to guard her potter’s wheel).

Coatlicue of Quauhnahuac,

adamant Madre of encrusted Time!

Out of your bottomland

whirls eye-in-hand –

out of Monk’s Mound’s perennial slime...

Clay muscles rolling stone – conducting

veinous electricity –

out of nothing come to be

loaves loafing from the oven (rising,

singing).  A moss-green Isis by the Nile

(or in West Branch) you

rain your rivers blue,

compassionate Magdalen – your smile

lifts Jesús from the grave, raises

Enrique from the cemetery

too (some ordinary

day on Earth).  Hobo Jay cleanses

all hearts, rinses eyes with river-clay –

sighs, EPHPHATHA.  From boulders

God can lift up equal daughters,

equal sons... just look at buried Henry-manqué!

7.10.18

spoke of a water-wheel

SALT WAVE

Along the riverbank, these rich

dark green moss-terraces;

a miniature forest

spreading wide along each niche

of Pliocene sea-limestone.

Archive of mollusc-whorl

& sea-worm spiral

layers of plastered ivory linen.

An infinitely tiny bronze

french horn accompanies

trompette marine – Willie’s

gauzy smoke-signal de Paris;

petrified remains of carven

calumet from Red Wing,

maybe.  This is nothing

like a Pipestone atlatl, Raven

croaks.  Spoke of a water-wheel,

more likely.  Jessie O’s

clay potter swells

with gentle pats & frills – feel

how her spine of Fish-Man surfaces

profound supremacy of whale!

A wheel that will not fail

springs to its trickle-task, washes

the wilderness from every face

until its light-green glory

meshes Ezekiel’s story –

wheel wends with wheel (a carapace

                *

of pearl enfolds that golden bough)

until a plangent joy

beams from unfurling J

in spokes of rose aye-aye lands now –

one Great Red Spot, so thundery

& jovial – one Yahweh-

Manitou, in one streamway –

the Rio del Espiritu, at play

across prairies & meadowlands

in centrifugal fugue –

day-lily orange bugle-

calls, mauvelets a monarch understands –

until at last the torch of Liberty

lifts from her copper shroud

to chant moss-green out loud

& set the Mississippi free...

As when the labyrinth of St. Louis

glimmers wheat-gold amid

deep shade (Monk’s Mound)

– & signs the tidal drone (commence!)

to shift the Earth from fraudulence –

fallacious Midas-usura

whose Minotaur is US-

R-US – whose glow of carbon flatulence

burns orange rage (from White House

into every gilded cage)

& all the world’s a stage

for strutting tyros in malevolence...

                *

Peace is another way.  Humility.

How Eeyore-mule (San Fran)

transmutes to Eero Saarinen.

With the power  of soul   any-

thing is possible   the tacit poverty

of yearning love  bent

by Br’er Francesco’s Lent

into a welcoming   equality

chaste eye of akme equity

out of an almond branch

in Petersburg   will launch

once more   peals of humanity

from the great Rose of Providence

wheeling & swinging wide

with Chartres sunlight   O glide

with me   downstream, Hobo   immense

Pacific beckons   from the galaxies

where kind Melchizedek

pours milk of live-oak

acorn mead   shares bread   from nursing

YHWH’s heart   sweet Manitou’s   delight.

Enfolded in the subtle veil

of golden fleece   & gray whale-

oil   that infinite fine safety-net

swings like a hammock in the breeze

beneath twin flaming pillars

where a starfish falls

& lifts her   from salt wave   to Paradise

7.19.17

St. Henry's Day

GRACIE MANSION

Hobo (the Holey Roamin’ Umpire)

waits on a pitch from Sleepy-Eye

Hank.  It is his day.

Home plate always Big Mother Star-

Fish play (a hide-seek curve ball –

Dad’s Scrambled Hamlet).

Around 9 innings yet.

Black diamond in Elkhart... St. Paul

stole bases off that pokey Cobb

(guess – tie).  The Twins

still mirroring last year’s

lost wins.  The ball can wobble

1132 feet per sec – 33 miles

per the union (1099).

Hank Aaron was my man.

Hit the dead aim toss, all smiles –

black pay-dirt (out of Elkhart minors

graveyard).  Rod bloomed,

the whole world boomed –

from Thunder Winnebago Hen (majors,

truly) into found pro (his Red-Eye Land).

Only a game, anyway.

If somebody tries to say

who started it... sweet Joanny Hand

of Gracie Mansion, twirling down

on Monday morning

(twilight grey).  So swing

on, Homer Hank – de day’s yo own.

7.15.17

in the whisper gallery

BROKEN SHELLS

My mater’s feet, that spun the heavy

wheel of Red Wing clay

dancing with gravity

to shape a starfish gaiety

for these galactic lunch plates, pink

& blue & white... her Ravlin

hands (out of that Iowan

earth Quaker Negus trunk)

were muddy with the garden soil

of Minneapolis-

St. Paul... O this

most plain midwestern gopher hole!

The soul stages a circus act

of spacy time, perchance –

her gyroscopic balance

tops an unknown Planet X, in fact

& dream.  Mary’s crafty fingers

rhymed those blue-&-white

starbeams with one fleet

bathtub tug... her name lingers

in flame & memory (Sophie).

Like Firebird in the Russian

symphony, my swan-

boat swallowed up Eternity

consumed by cigarette-smoke blaze

in Petersburg poet’s

birdnest (Elena Shvarts) –

pipestoned into a purple haze.

                   *

I pace your clay circumference

in sleep.  My blind alley

or whisper gallery

is domed – an acorn’s happiness

or Okie’s California – inward

mother-of-pearl, bent

parallactic as a mint

wrapper... green mirror-bird

soaring from rusty copper frame

into the theatre of sky.

Your crossroad, ply on ply

flexed on sine-wave of Ever-Same

& in the dust of the Ecclesiast

of human brokenness

inherited faiblesse

& all the suffering, from East to West

one mighty spindly tree, one pine

of cloudy poetry

swirls, fiddlehead – sea?

Transmodulation of the sign,

en face!  To pivot on the least

of these... gray wing

of Jonah, mutely lifting

from the broken shells... the Beast

stung by remorse (Guillem d’Orange)

– stick figure of the Son of Man

familiar, somehow – someone

you must have met, somewhere... étrange!

1.18.17

in Red Wing

JOY-DIALECT

The great apes crouching toward the east

to meet the light

Cautantowwit in flight

southwest, southwest (a raven-feast)

echo the caw-caw over Noah’s ark

(breadcrumbs for Elijah).

The future is for Jonah

or for Jeanne to bear (as oak

from acorn weathers Thunderer,

Earth-Shaker).  From these

enormous clay crocks

of Red Wing pottery (grain elevator,

stoneware casque) one Blue Morpho

or ochre-black Monarch

skims toward blind Psyche-

park (houseboat for mosey-Hobo) –

when Hero rises from the womb

of Nile or Mississippi

like Huck, like Jim (she

will be free!) across the loom

of frozen rim (Troezen or Petersburg).

In Red Wing, Frances Densmore

heard the drums pour

rhythm underneath the river – bug

slant like water spider’s perfect

pitch-black whispering

through tympanum – sing

beyond ice-frame (joy-dialect).

11.1.16 

Frances Densmore exhibit, Goodhue County Historical Society Museum (Red Wing, MN)