when the players are packing up

OFF PLYMOUTH

In the beginning was the Word, &… there is

never an end to the writing of books…

the Gospel according to Borges.

Ouroboros (in a whirl of discourse).

Hamlet with Mousetrap shattering the frame

cannot escape his web.

The python in the grass… aye

there’s the rub (poison in the game).

& yet a fresh wind flows off Plymouth

of a morning… Mayflower

or Normandie.  Your

sister-dove Hermione fluttered her moth-

wings, molted to monarch, starry swallowtail;

the Constitution of your dream

became a Greek trireme (☧)

shrouded in sunny spray like fiery hail.

& at the end of the song, & the late Romance

when the players are packing up

when the ferris wheel slows to a stop

& flickering stars turn in remote silence

then the word grows simple   salt

shines in its Voronezh barrel

your father Truth walks parallel

beside you   & from a dim-lit vault

in that Ravenna sepulcher, a Jordan

river-god accompanies the Dove

the Baptist solemnizes Love

on Earth   anoints a lowly serving-man

4.23.20

otherness of the Someone

IRON WHEEL

Her fingers fondled Red Wing clay

on the circling wheel

into Northwoods bowl

or Mexican flowerpot.  Wheels, say,

within wheels... microcosmic canoes,

Arks of the Covenant...

even Charon’s punt,

Henry (we who have passed

over Lethe).  The woman with child

in her apocalyptic

mandorla, chased by Dick

the Drag to the edge of the wild

(up north, near the Boundary Waters,

in the Iron Range, near

Itasca).  Fresco a veneer

across Ravenna beams – Jordan River’s

sleepy patron god.  Sort of like Hobo

witnessing the fire-dove

skim down Cottonwood Cove

& settle on the shepherd kid... just so...

but I just don’t know.

Iconoclasm sets in,

considering we’re human –

liable to make it up as we go.

The otherness of the Someone.

Your friend, your judge

(merciful – but won’t budge,

won’t fudge the facts).  Solomon

petitioned humbly for wisdom,

sensing the dire burden

beyond each king’s ken :

the destiny of Jerusalem

                *

under a blood moon of violent men

& the everyday mayhem

the grinding paroxysm

of atrocious cruelties – shifting pain

to the weak (convenient scapegoat,

ordinary poor).

Even blindfold Synagoga

might remember something critical, something

our mosaic Pantocrator forgot.

A little gray-brown moth

settles on Hobo’s mouth,

like a fingertip.  Hush, seraph.  That

maybe we are Hagia Sophia

with a million eyes.

Solomon was wise

to be humble before the Shekinah.

& Hobo was a mumbling bumbler

more like a river than a man

more like clay than person.

& Thunderbird was a rumbler

in Red Wing, churning the rusted wheel

until it sparked like gold;

helping her to fold

the wet clay of America on steel

braces... evenly rotating... Source

to Delta... Sea-Rose

to Golden Gate... flows

through the arch... Mud-Morse...

7.12.19

like spinning Jenny Gyre

SAFETY LINES

The late-May lilacs are long gone

but light grey limbs

& the green leaves rim

the grass with shade yet, absent one.

The sound of an ocean softly seething

in the branches overhead.

Is she alive or dead –

my sainted, tainted Juliet?  Still breathing

somewhere?  Imago or Imogen...

merely some ghoulish Ravlin-

Gouldash revenant, then?

Some Beatrice-crystal-Poe routine,

arising ghastly from dank ditch-ravine?

But no... a memory

lifts all azury

from sparkle-spray beneath benign

leap of wide Golden Gate.  Almond-

eyed sprite, a-whirl

like spinning Jenny Gyre

balanced on catenary wire... light bond

that ravels tout le monde... infinite

undisplaceable safety net

& cloudy calumet

confirming universal concord... so be it!

Grave knot that tightens less & less

toward infinite regress

of infinitesimal kiss

(minute atomic balm of tenderness

                     *

merging without mixture or separateness).

Maximus once limned it thus,

the monk who bore witness

(with loss of limb) for concept Orthodox –

incarnate knot of human & divine,

united unlikeness – like

that tomb slab, a limestone block

marked by what seems a breaking line

but only seems; the two are one

in one Person, of three

in all; still guarantee

amid the waltz of turning sun & moon

of Love’s immoveable eternity.

Out of deep matrix

of Ocean – intergalactic

scheme of merry stars in that sea...

inconceivable conception of

all origins (harmonic

correlations, thick

with measureless & dancing life).

The Manitou all people know,

Aquinas wrote.  The God

who dreamed this serenade...

we meet you in the shady slough

beneath great knots of wild grapevines

beside the muddy Jordan –

down by where solitary John

once cast a seine for Jonah (safety lines).

7.11.18

bobbing like a robin's nest

OKIE STUMP

Out of a thousand painted threads,

Agnes, you warp a frame

for some belle dame

of sanded mercy.  Mounds of pebble-

heads, broken by force... the list

of useless tears... unspoken

outrage in the caravan...

the camel’s otfe-hump (if you insist).

Henrigold the river-god

bobbers oiled Jordan

with Lorelei (raison

d’étoile – mosaic mermaid).

It was the frame, Agnes, it was

the bloom, encircling

a gold bee-sting –

it was the Viennese princess

who rose from copper strands of wire –

who lifted bottlecaps,

ineffable mayhaps

into a mossy petroglyphic spire.

O spider-thread of nothingness

O Hamlet’s hesitation

Guillaume Bier creation

bobbing like a robin’s nest

around an Okie stump (of Manitou)

twin-man   twine sister-span

love’s Everywoman

Miriam   a   song in C major   (for you)

11.30.16

ineffable mosaic sky

CLOUD-FEATHERS

The air so brilliant & clear today

beside the Bronze Age river.

The railroad bridge hovers

over its reflection – a light play

of diagonals, like water-spiders

on a pond, or cloud-feathers

above the Jordan, tethered

to a steadfast figure (Jasper’s

orant mariner, circumferencing

gray sea with shady palm).

That chanting shepherd, calm

beneath an indigo wheel of blazing

stars... one cheerful face beaming

from the medallion

in Classe (Apollinarian)

under darkened wooden ceiling

of abandoned ship, beached in pine-

swamp, at Ravenna’s edge.

Mere icons of a human pledge

so simple, local, omni-Byzantine –

ineffable mosaic sky

where Love bends waves

to lift us from our graves

into a metamorphosis   kind Aye

above halo of tears   you streak

with serpentine arches

agios   agios   agios

one river-rainbow   in an eagle’s beak

7.29.16

Dark backward & abysm of time

RUSTIC HAY

Like a Prince Hal of the Iron Age,

surrounded by a full staff

of devices (every gaffe

in the book) Henry took a page

from Stealing Drums in Trinidad

as they slubbered through the murk

of a flood plain, like turkeys

in a hurricane.  It was that bad.

Had to go, blind fool, from Addis Ababa

to Babylon – from Lake Tana

to Concrete Cavern (ah,

Bull-Dance of Hummy Blah-Blah!)

& recapitulate his fancy

infancy – in a shed

built of old dry blood

& scarecrow straw, with Nancy

the Cow & Her Yodeling Shepherds

making rustic hay.

He lived a year & a day

on all fours – eating grass, curds

& whey, locusts, honey, in a swamp

by the Jordan, in Judea...

It’s all there, Maria –

in Miriam’s mandorla (under the lamp).

Henry wandered thus through drowsy realm

plucking mandolin...

one silver star over dark green pine,

one cirque of gold at the Argo helm.

4.19.16 

Yellow-gold forsythia

TWO CIRCLES

Down by the spring river, tossing sticks

in prehistoric Mizz,

my Jordan – little Isis-

canoes, or Ferrarese six-

wheelers; in my mind’s darkroom

recalling you – Love’s raven-

haired sybil (guardian

at the Rock’s entrance).  Your gloom

when my father’s birthday wheeled around

each April.  The yellow-gold

forsythia enfold

your mother’s grave, who died... O sound

those flowery depths, Ophelia –

and rise again!  He was

a good man – rays

of intellectual Amor blessed his day;

he might have walked her from that grave.

A little light only,

through camera oscura...

you know.  You showed me her cave

in San Francisco’s spare kitchen –

where a thin light-blade

infiltrates the Maid

so Piero’s hypno-sarabande might spin

anew (red cedar, blue spruce, evergreen).

Rembrandt’s Self-Portrait with

Two Circles... one light-heavy scythe

defines this wheel’s circumference (unseen).

4.12.16

Crossing the Rubicon, again...

ONE SPRING

The river across the street still flows

under thickening ice, ceaseless.

Its lesser tributaries

(Minnesota, Minnehaha) also

persist – all of them subsiding

into Ocean River

finally (only a quiver

rippling Time).  Julius is sliding

a handkerchief across his brow

in 49 B.C.

The die is cast, sez he.

Yokels on Rubicon blow

tubas now – let War decide.

World empire in his grip,

peace is ordained.  Slip

the noose over each parricide

(Brutus, Absalom); the father’s

kingdom will be certified,

et ratified, in blood.

Shadow of a kingfisher

rotating in graffiti’d alcove.

Boethius & father

(Symmachus) share

fort et dur... Ravenna love-

keen (after bronze millennium).

Time’s universal –

history’s rehearsal

for a mangy star-profundum

                 *

deeper in the soul o’man

than Solomon arrayed

or Emperor betrayed.

An agate, tossed in Jordan

sand.  Halcyon day (of almond

shade, & waterfall).

Life’s good, is all –

big benison de tout l’monde.

Reaches through the harvest of

your Martian scythe, O

Death, to something more –

the milky Rio of the Blest.

It is Beyond.  It’s over yonder.

Everywoman’s Eridanos,

Poe’s Eureka.  Moses

glimpsed it in his heart’s far

island (yours, mine) – soul

liberty’s Belle Isle –

Eternity (only

a smile from here).  Glows, whole.

There were 4 rivers flowing

out of Eden, toward

House of 4 Pines (word

lost on the wind).  All knowing

& loving, all doing & being

gathered in a khipu

knot... arc of yew

over limestone grave (one spring).

1.11.16

Minnehaha Falls