like Red Wing clay

Mary Ravlin Gould

SKIP-JUMPS

My mother moves toward silence now.

Short wobbly steps

like printemps stumps

of Red Wing clay remainders.  So

I follow along now, too.  Two lumps,

like those she spun once

on a wheel.  Immense

maypole of Mendelssohn skip-jumps –

the way Rembrandt became his painting

(like seaweed-coated plank

of slick driftwood, anch-

ored in sand).  Memory, fainting.

I used to topple to the ground

in school.  An epileptic

pine, almost.  A cryptic

minor character, utterly unfound –

unbound within some fictional expanse

of 19th-century steppe

sunburnt peace-pipe

smoky distances (autumnal trance).

We thread the needle in a mummer’s play.

Ariadne draws the skein –

Dante’s oriflamme ancien

Parisian labyrinth for Beatrice

Jessie Ophelia, remembering her father

Jackson Quick, the river-

pilot, sounding Mount Ever-

Rest (full fathom 5/29... 29...) – Mt. Purgatoire.

5.28.19

unusual poem

OLMEC TEETH

Providence, a meeting-house of rivers.

Moshassuck, Woonasquatucket...

Narragansett alphabet.

Key into the Language (Roger’s

hopeful idiom).  Green valley space

for some invisible Seeker-

church – plain Shaker

chair for Eli, or Henry (grace

supplementing human nature

like a mild blessing

before Thanksgiving).

Can we do this, Roger?  Sure.

Providence, a circling campfire

of Renaissance persons.

Like a Rembrandt summons

to be humble (as St. Matthew’s ear

to voice of dark-haired angel).

Listen, proud Ferrara –

not to glose of Schifanoia,

but shade-garden of Bassani-spell.

The meekness of a soft goldfinch

will be memorial

for what was already eternal,

always.  As our Redemption is a cinch

for flighty heartbeat (underneath

the chain-link).  Grail-canoe

or eye-in-hand – you

fled into thin air, through Olmec teeth.

5.6.19

all glory, laud & honor

PUDGY PALM

The homeless Mandelshtams – Nadezhda,

Osip – shelter in the Hermitage

beneath a Rembrandt image.

Theotokos with Child – da, da –

the yellow-black goldfinch, perched

upon his pudgy palm.

Invisible museum

in the mind.  Like Hagia Sophia (arched

Argo of a million eyes) whorled

in one prow... her kelson

Love’s bright apparition –

equilibrium of peaceful world.

All glory, laud & honor...

the sensus comunis

of common good is

at your service (humble, poor) –

Franciscan mule of stubborn heart

whose fast is doing

(in twilight fast fading) –

out to the glimmer-rim of art

back to the ember-glowing hearth.

The honor of the civitas

so shaped by selflessness

into a form of equity – in truth

& mirth, transparency... your wings

in flight, O Tyche-Liberty –

humble Columbia (Black Sea

to Golden Gate) Nadezhda brings.

4.30.18

domestic hellenism

REMBRANDT WORLD

Imagine a humble Rembrandt world

(domestic hellenism, say)

where everything is (replay,

rusty Super-8) revealed –

unsealed, familiar testament

wherein you were sown

amid Grant Wood corn

(Birthplace of Herbert Hoover), bent

beneath pewter thunderheads

like wheat long-planted

at a battlefield (wind-

harrowed silos, homesteads).

By the rude bridge that arched the flood

– the wordspan, carved against

despair (Grace hastens

with her furnace-lamp... slight lift of mood)

here once the embattled farmers stood

– measuring early earth,

where your Dream (4th

of J?) becomes flesh & blood

& fired the shot heard round the world.

Ariosto in Ferrara,

say – that avian eye

on tyranny (Limentani’s branded

heron-lid).  Poetry is resistance

against the Emperor

of pyramidal distemper;

Concord... Voronezh... (buoyant equivalence).

4.19.18

Yellow-gold forsythia

TWO CIRCLES

Down by the spring river, tossing sticks

in prehistoric Mizz,

my Jordan – little Isis-

canoes, or Ferrarese six-

wheelers; in my mind’s darkroom

recalling you – Love’s raven-

haired sybil (guardian

at the Rock’s entrance).  Your gloom

when my father’s birthday wheeled around

each April.  The yellow-gold

forsythia enfold

your mother’s grave, who died... O sound

those flowery depths, Ophelia –

and rise again!  He was

a good man – rays

of intellectual Amor blessed his day;

he might have walked her from that grave.

A little light only,

through camera oscura...

you know.  You showed me her cave

in San Francisco’s spare kitchen –

where a thin light-blade

infiltrates the Maid

so Piero’s hypno-sarabande might spin

anew (red cedar, blue spruce, evergreen).

Rembrandt’s Self-Portrait with

Two Circles... one light-heavy scythe

defines this wheel’s circumference (unseen).

4.12.16