like Frisco shepherd

SOLID AIR

Our Lenten season creaks along.

Involuntary shut-ins

calibrate their sins

or contemplate that deep-time throng

still singing songs through solid air

(celestial City on a Hill).

Who loves like Roger will

yet see Rose Isle, past baleful stare

& power-grabbing guile.  Meanwhile

Prince Hal will follow Hobo

like Huck Jim, & go

where currents flow (deep Delta style).

That Sleeping Lord of David Jones

dreams watercolor landscapes

old as Magdalenian apes,

bright as Justinian gemstones…

they glow with compassionate faces

beneath shimmering raven-stars

across midnight blue

while drowsy Hobo rolls a smudge of clay

(Pipestone maroon) into an eye

anchored in leafy palm (ala

Cahokia) – de son bateau c’est clé.

The King looks from his mandorla

like Frisco shepherd… mild

as forest mint gone wild,

sweet as nursing nightingale (selah).

His mother is the Queen of France,

his father is invisible

whose whispers out of Israel

ignite Prince Hal’s American romance.

4.6.20

bateaux of old Louisiana

SPEECHLESS GIFT

It was 50 years ago now, Julie.

We were with the sleepers

in a dream, the jumpers

on a fogbound bridge – our odyssey

a sleepwalk of necessity

from day to day.  America

was manifest, a replica

of heaven for the taking – see?

This land was made for you & me.

But you & I sank down

into Pacific depths, my clown,

so young, so sad, so gone.  Ahey

ey yo.  It’s in the bottomland

or on the ocean floor

you’ll find the coral door,

the seashell, Pearl – your eye-in-hand.

Like Joan of A. moored to a smoking pyre

or O. still singing in Leviathan-jaw

bateaux of old Louisiana

meet like rose petals in a western choir.

& the Word-made-light, that sank into the clay

sprang up again, as speechless gift

in the dome where every tongue will lift

& feed upon her painful vine (his dying-day).

Our ghost-dance, Julie – tiptoe in a dream.

JB whispers, Eurydice!

& circuiting the dome with me

hums from Rez graveyard in a Joan A-frame.

12.11.19

train to Boston

FATE-LINES

Hobo follows his instinct to the river.

A serpentine circulation,

labyrinth – heart’s burn.

Romans might haruspicate the liver

of an ox, or note the forays of a raven

like smoke-signals overhead;

Hobo lingers with his own dead

Providence photos – train to Boston

or that old blind man who walks the plank

straight off the cliff (at Prospect

Park).  Ghosts intersect.

Eurydice in San Fran hits a blank

wall of blue salt water.  Prince Henry Hal

uproots the better part of soul

to be the bard imperial –

shelving himself with racks of Fleurs du Mal.

To be refuge for troubled consciences,

Rhode Island was.  & was.

Hobo works with materials

by eye-in-hand (fate-lines, hunches);

commissioned for a wedding-song

of earthen pots (Cahokian)

& Morning Star – where one

Virgo-conjunction plants her Gateway prong

the Rio del Espiritu Santo will merge

St. El with Muddy Waters

& Ravenna’s virgin martyrs

with a N’Orleans fanfare... cosmic splurge.

12.10.19

Thunderbird already there

LIVID GRAIL

Late October evening.  Minnesota.

The sky already blue-black,

midnight blue.  Dim speck

of starshine, here & there.  The Hiawatha

sped from Chicago north, May 29

(1935).  Heavy freight train

hobbling across the iron

span, now – screeching, chirping (mine).

Peto, Reminiscences of 1865.

Those mystic chords of memory...

someone to end the enmity

with eloquence (while he was still alive,

and after).  Summon our humanity

into the web of mutuality –

where rootless irrationality

might lose its sway (so hope we).

These chords align their intervals,

octagonal resemblances.

Out of a salty sibilance,

an ocean-sigh (when sea-bell tolls) –

one heave of molten planetary heart

whose Jonah waits, to rise again

out of the chambers of Leviathan

coiling a spring where all the rivers start.

The prehistoric limestone streams

ply on ply, like Schifanoia

allegories in Ferrara –

irenic fossilized life-forms

                 *

of some St. Vitus dance, before all wars;

here a spiral clover-shell

& here an almond eye

gazing from hell up to those stars

with a perennial fidelity.

Maybe it was your canoe,

Micòl – breaching anew

through stinging surf of grief & joy;

for that amor who is always in advance,

arriving before you know

like an eye-in-hand, so –

molded like your clay flute-radiance,

the little bird who sings out of the kiln.

Coulombe, coulombe,

she coos her name –

so simple, waiting at the windowsill;

out of the fire & burning palms

like Phoenix from her tomb

a new America (coulombe,

coulombe) this livid grail exhumes –

ghost dance of the dove who came before

of Thunderbird-already-there

through the black night air

from the dancing bear – shady amor

framing with shimmering wave-wings

milky Melchizedek

& bright ginger Jack

& gentle Abraham (grail-splicing springs).

10.29.19

on six directions

CLAY CUP

I will not rival Dante’s double

spiral (from depth of Hell

to heart of Love) but spell

a complementary bubble-

rêve, mapped on the horizontal.

Infernos of damnation,

sparks of elation

harbor here – my guide no Virgil,

only turtle-speed Hobo;

not Beatrice now

but one blithe ocean-dew

rainbow (her smiling Jonah-brow).

Like that mercurial Micòl in Ferrara

she lights my imagination

with X-S creation,

aslant from Providence to Frisco –

a river, crossing at the Gateway Arch

like some switchback, Pawnee

Missouri – molding a key-

stone at Cahokia (ten fingers’ kiln-torch).

Where slowly, slowly, the potter’s wheel

with shaping eye-in-hand

rotates the whole land

counter-clockwise – churns against the keel;

casting her clay cup on six directions

like Black Elk diamond –

firing her mandala-almond

amid each human hearth-rose (Hobo reckons).

8.5.19

serpent ocarina

RED RIVER

Dante calibrated to the nth degree

the classic perihelion

of medieval civilization

simply to retrieve the smile of Biche

out of nine coils of Cerberus

& that sulfurous pit

known to Cautantowwit

who cauterizes death with raven caws.

More things in heaven & earth, Horatio.

We’re all caught up in this

wrestling match with the abyss;

there’s no detachment of the mind from woe

nor from the body’s final strife

– breathing with agony

at the crossroads (in RI) –

where Red River meets Sargasso Gulf.

So the poem of America embodies

Juliet upon the parapet

Ophelia with hairnet

(download Vertigo for double-whammies) –

the tensile span of every suicide,

waiting for someone to reach

them (eye-in-hand) – teach

HOPE to hollowed-out children (pied

serpent, surging back to Mendelssohn).

Observe the valiant

canoe, she said.  Plant

almonds, quincunctial.  Amen, amen.

6.27.19

unusual poem

OLMEC TEETH

Providence, a meeting-house of rivers.

Moshassuck, Woonasquatucket...

Narragansett alphabet.

Key into the Language (Roger’s

hopeful idiom).  Green valley space

for some invisible Seeker-

church – plain Shaker

chair for Eli, or Henry (grace

supplementing human nature

like a mild blessing

before Thanksgiving).

Can we do this, Roger?  Sure.

Providence, a circling campfire

of Renaissance persons.

Like a Rembrandt summons

to be humble (as St. Matthew’s ear

to voice of dark-haired angel).

Listen, proud Ferrara –

not to glose of Schifanoia,

but shade-garden of Bassani-spell.

The meekness of a soft goldfinch

will be memorial

for what was already eternal,

always.  As our Redemption is a cinch

for flighty heartbeat (underneath

the chain-link).  Grail-canoe

or eye-in-hand – you

fled into thin air, through Olmec teeth.

5.6.19

down by the River Road

Mpls. Star-Tribune, spring 1957

ALTER EGO

Hobo, out there in the wind & the rain

like a shattered King Lear.

An old-fashioned father.

Harmonica squeals – like brakes on a train.

Looks up toward the ridge, where Henry

mimes King of the Oak.

The Knot-King (royal joke).

Spidery threads cross buffoonery

with tacky mute muttering...

clay Eye-in-Hand

from Coatlicue-land.

Anne Boleyn territory (stuttering

terror).  He’s your 8th alter ego

this month, moony Earth –

been angry since birth.

Tsk, tsk.  Some boor’s addled Eddie, yo.

Divided-dividing, fibrillated

fibber... earthquake

salaud in pancake

make-up.  Henry?  Must be related.

Brothers, battling in his head

since Cain was able to kill –

equilibrium still

left out of the equation, love.  Sad!

There’s a buried man on the other side,

sire (near Pig’s Eye).  Emerald

green, her leaves unfold.

Big Muddy catfish will abide.

11.17.18

Hagia Sophia with mermaid eyes

TATTOO-BASKET

                                    for Sophie, on her birthday

She shines like a little smile of light,

your happiness.  Shot through

with violets, with rue

of yellow-gold... a sea-green Amphitrite.

She swam from a box out of the bottomland.

Big Muddy concept –

buried in refuse, inept

mentalities.  Blind eye-in-hand,

dread fright of bloody bandage-men.

I stood on my headwaters,

the only Falls that matters –

Mill City, where they grind the grain –

a nauseated Hamlet, dizzy

with green v-vertigo.

Boxed rivers overflow.

He’s Hobo now, or Ishmael, fire-fizzy;

curled up in a tattoo-basket,

floating in the womb

of his own dream-doom

to Gulf of Mexico (Nantucket?)...

where butterflies of poetry

emerge as monarchs

from sea-chrysalides

& sketch fine arcs on pottery

insouciantly, with haunted grace.

Winking tesserae,

unscrambled... Hagia Sophia

with mermaid eyes (each facet-face).

8.21.18

the poem is a sort of Edicule

MODEL DOME

So then, the poem is a sort of Edicule?

My allegory’s all unglued.

Runny gouache, stewed

river clay.  Some no-count school.

The building, trembling in devolution

shored up like a veteran

with iron-rivet skeleton.

Metamorphosis by desperation.

My babble-model of the cosmos –

molded on a mini-dome

within a dome (Jerusalem-

fond matryoshka doll).  The keys

to a box, where lie a bunch of keys.

Over meleki limestone

slab, one forest olive-green

icon.  Your madre of collapsing gaze

rains down (with her clay ointment jar).

He is not here, he

is not here.  She’s

muted as trumpet, or Morning Star –

an eye-in-hand, an ocean tear.

Light blazes (calmly

coruscant undying day).

He is not here, he is not here.

Wind mews in muscular oak tree.

They’re up in Galilee,

maybe Cahokia... you’ll see.

Inventing deeds of agape – live poetry.

7.2.18

May-time

ALMOND FLING

Palmers wayfare toward Jerusalem

& Holy Sepulchre –

empty signifier

for an Easter hymn (they’ve taken him

away).  A grail of ever-floating joy –

love’s Pentecost

fire-fizz Ghost

Dance for 50 stars (Old Glory

stitched anew from burial shroud).

Rivers of Paradise

(Tigris, Euphrates,

Nile, Big Muddy) circle back to cloud

of Ocean-Stream – source of sky-waters,

like round limestone

beaded with ripple-shine

to emerald gleam (through grisaille shutters).

Hobo, fish-eyed Fisher King,

beheld this vision

through a wavy octagon

of old gazebo planks.  & sinking

down upon his quaint Vienne étable

his head (like Bran of Grain

Elevator) made moan

for Miriam, or Marian, as in the fable.

Until your May-time dawn refulgence

metamorphosed everything

into one almond fling –

Oak Restoration (eye-in-palm, perchance).

5.20.18

tutelary loon

MURAL CROWN

The river rifles arctic blue today

beneath nippy April wind.

Hobo his way will wend

downhill, ahoy, with the current, hey.

His notebooks stew in crumpled chaos,

like a Burchfield swamp in June –

half cricket calendar, half jejune

palimpsest (July stinks Janus).

Bleak melancholy in Ohio.

Spooks in lean eaves.

Storks bundling wet sheaves

across the ‘30s.  Good material, O.

Hobo looks up from bottomland.

He holds an eye-in-hand –

muddy Cahokia (one grain

of sand).  Just Clay’s j-jug band.

These bricks are 28 feet thick.

A pyramid, almost –

only Hunky Ghost

(Ho-Chunk) could make this stick-up

stick.  Like Killers of the Flower

Moon.  Getch’r Manitou

(just one gris dollar few)

before she get you.  Evening hour

now.  Mire-flowering almond tree

out of Voronezh (or Galilee) –

your mural crown, Tyche.

Hyacinth madeleine (waiting for me).

4.6.18

Traverse des Sioux

LITTLE CROW

Down by the Minnesota River

choked with fertilizer –

shallow brown water of

Traverse des Sioux.  It was here

the white man stole the territory

with treaty signed in smoke

(fake handshake, mock

friendship).  We didn’t mean it – sorry.

Eleven years later (1862)

starved, dispossessed

the scar broke open (led

by blue, reluctant Little Crow).

Extermination of the buffalo

echoed the reservation

camp.  To build a nation

all these savages must go.

The lightweight arc of birch canoe

is like an eyebrow (wingbone

frame, sutured to one

Rose Island – lamp of Manitou).

We’re limping back to Providence.

The whole grotesquerie

of violence & perfidy

to be forgone (washed in the silence

of the sea).  Down Mississippi way

you feel a salty shell wash

through fingers... an eyelash

leach one tear, slowly.  Hey ey.

12.11.17

In the vein of Atlantis

SUNSET GATE

Spring, a project of the Earth.

While she waits for Homo Sapiens

to get over his aggressions –

revert to innocence (a Maypole mirth).

In the beginning... all the begins

of the Beguines... the big

innings.  Whirligig

of river-prairie syncopations...

I went down into the Bottomland,

down to Monk’s Mound.

A Mississippi sound,

a tuning fork of lightning (&

thunder).  I looked into my hand

& felt a gentle eye

look back (speaks Ioway).

Fishnet... veil of mystery... grand

Isis-Life.  Her cryptic tripod

out of Flanders fields

(a Jenna-quivering) yields

Triple-Flem – from Seeker linchpad

over Providence, through keystone

arc, westward... stray

crois (her sunset Gate) –

one orange firetread in the ozone,

warped on muddy waters (surging

to Lousanna).  So

the shield of Buffalo-

Mandan feathers her circlet (corralling).

5.10.16

from Monk's Mound (Cahokia, Illinois)

Statue of Isis (West Branch, Iowa)