to restore a soul

SECRET WORLD

To restore a soul, to mend a broken heart

out of the wells of memory

for relief of misery

for your grace we pray.  A crane bone flute

keening her lonely call might still redeem

the wind that carries it

on the storm-clouds.  Fiat

lux – though the darkness loom.

This primitive wooden Vierge Ouvrante

unveils her secret world

with a copper hinge.  Old

masters of le Verbe significant

carved, flickered into form

a buoyant microcosm

within her oaken beam –

a human shelter from the storm.

Cicadas buzz amid burnt branches

of a poem framing history.

It is a mystery.

Isis on her throne, Ariadne’s hunches,

spider-Minotaur in his plangent web...

the sacrifice of innocence

behind a screen (some dense

thicket of Pig’s Eye Social Club).

The wind is clear & clean tonight.

Whole homesteads rise

toward ordinary Paradise,

warm lips forging a female Paraclete.

1.16.19

under the sign of the Virgin

WRITING HAND

Herod the Great is out hunting tonight

to make himself great again.

History, all over.  Hen

clucks in pigpen.  Overhead, bright

Star of Stars yet hovers (esoteric,

weightless).  Invisible world

of worlds to come – squirreled

away in a barn (near Bethlehem, Pa).

Maximus, transfixed by history,

his writing hand severed,

still corresponded

with his nephew (far end of Black Sea).

Hen’s fishing for sense, like Hobo

the limp lamprey (curled

on the riverbank).  Churl?

Fisher King?  Overhead – Virgo.

Not the Twins, but something like.

Twin sitters.  Throned

drones, long retired

from hive (72 bricks of...).

Not trying to be obscure here,

that f’sure.  Innocence

dances through the universe

unfathomed on our faithless sphere.

On her Milky Way.  Here Grace Ravlin

sketches a summer evening

at Mt. Vernon – fingering

the treasure map (Pennsylvanian)

                  *

tracing a quiet constellation

echoed on the ground.

Her wisdom is profound

through purity.  Just perfection

mirrored in frame of Providence;

sunlit warmth of hearth

stirring Pig’s Eye from death

to life (St. Paul to Minneapolis).

The artist makes an eye with fingertips

at edge of scabbard.

Ariadne-thread.

Clue to labyrinth.  Slips

into Gloucester (blind man’s buff)

to paint twin boats

nestled in soft coats

of emerald.  Grace is enough.

Ceres, under Sirius... sparrows,

hysterica passio...

madness of Angelo

or any other tyrannos

threatening an alien child

(warped in labyrinth

of jealousy).  Absinthe,

minted at Fort Knox – wild

wrath of slighted boar (the king’s

own Fury).  Here’s the church,

here’s the steeple – open

the door... (where the sea-choir sings).

12.28.18

Grace Ravlin, Overlooking George Washington's Garden, 1922

guarding the garden

painting by Phoebe Gould (ca. 1992?)

GREEN CORN

Half-moon tonight, like a silver flask

of molten lava.  On this date

George Washington was translate

(1799).  Here’s his life-mask :

fine profile.  Merging in white clay,

like a peaceful moon.

Landlord, when all’s said & done.

Valley Forger, sensing Californ-i-ay

in the green corn of his plantation

garden.  Grace Ravlin

etched that evening scene –

sweet Virgo in Virginia (dawning nation).

The myth rides with the Indian.

Scars limbs of slaves.

Everyone behaves.

A raven-crumb plummets into ocean.

Something’s lugged back, out of clay...

the lunar wilderness.

Innocence, blessedness –

Sophia twirling in the calm of day.

Like young Hal emerging from a golden egg

(his father’s legacy).

Attainted crown, see –

buried bones in Resurrection (Pig’s

Eye) Cemetery.  Across the river,

on Lakota Bluff.

Two swords – it is enough.

Gesthemane is haunted, Indian-giver.

12.14.18

north of Pig's Eye

ERICA-TREE

Giuliana opens a pottery shop

in Red Desert (the film).

Destination of the earth –

Slim Pickens, Strange Love (stop!).

The mystery of desolation.

Calcified lava

Under the Volcano.

Monarchs, Mexico (extinction).

Henry’s buried north of Pig’s Eye

inside an Erica-tree.

Come back for you & me,

someday.  Maybe.  I don’t know why.

He’s Osiris, in a hoary

Hobo boot.  Isis

is us.  She’s

barely there (yesterday’s story).

Somebody’s Mom no doubt, planted

in Cahokia clay (naturally).

The river is a lonesome bee,

rolling honey-balls out of decay (putrid!).

Henry strays onto mountain, in the sun

shouting, we’re Everyone!

Lightning jets down

lighting whole plateau (goodbye, platoon).

In the heart of the burble-stream

Hobo-prospector

strikes a vein, in the ore.

Honey bleeds from lava dream.

12.12.18

down by the River Road

Mpls. Star-Tribune, spring 1957

ALTER EGO

Hobo, out there in the wind & the rain

like a shattered King Lear.

An old-fashioned father.

Harmonica squeals – like brakes on a train.

Looks up toward the ridge, where Henry

mimes King of the Oak.

The Knot-King (royal joke).

Spidery threads cross buffoonery

with tacky mute muttering...

clay Eye-in-Hand

from Coatlicue-land.

Anne Boleyn territory (stuttering

terror).  He’s your 8th alter ego

this month, moony Earth –

been angry since birth.

Tsk, tsk.  Some boor’s addled Eddie, yo.

Divided-dividing, fibrillated

fibber... earthquake

salaud in pancake

make-up.  Henry?  Must be related.

Brothers, battling in his head

since Cain was able to kill –

equilibrium still

left out of the equation, love.  Sad!

There’s a buried man on the other side,

sire (near Pig’s Eye).  Emerald

green, her leaves unfold.

Big Muddy catfish will abide.

11.17.18

like a dream

BLIND EYE

Like a dream in the womb, in the mind of a maid

before all things were made.

Came naturally, she said

when the foundations of reality were laid.

Providence, burnished by smoky November.

Like a canoe on the edge

of the cataract of knowledge...

at Prospect Terrace.  You remember.

Roger Williams, sturdy son of man.

Dark grayish blue

Hope Diamond, you

whisper (below junk jewelry scams) your plan

for Providence.  Triangulated eye

over the Mammon-pyramid.

Re’s Eye, long hid

in our blind eye – to crucify,

Henry (in RI).  That woman in the wilderness

of last things (Chinese vase

still circuiting her stillness).

French, blue, Jeanne.  Fiery duress...

Only a child’s distress.  Cordelia.

Le coeur de Lear, de l’ear...

Coeur de Lion, here.

Skinny crane-bag (of ocean spray)...

St. Paul’s most blazing eloquence

out of heart’s Pig’s Eye.

South of the city –

Mississippi limestone (fossil evidence).

11.16.18

banquet at the end of time

PUSHKIN MOVE

The banquet at the end of time,

the invitation read –

the living & the dead

to celebrate.  This pantomime

of solemn feasting they perform

beneath cavernous timbers

(burnt resinous embers)

foreshadows that preternatural storm

of joy, tasting our expectation –

when Eli’s empty chair

so hopeful (floating there)

is overflowing with affection

once again.  As we well know,

observes bright Magdalen –

beseeching, in the garden,

gardener (raw moon of woe).

& what it all may mean for Hobo

Hank, lazing out

his salvation-boat

conundrum (Solipsism, ho!)...

Can it be can-do canoe?

If anyone thinks they

know anything (See

St. Paul!) they’re in Pig’s Eye

sez he.  My inconsequence

is like a Pushkin move;

chess is like love,

government... clear as Providence.

9.16.18

traveling Walter Whitman

ALMOND-SEAL

A luminosity of grays

above the winter river.

Bands of peach, & silver.

A quiet surge past Pig’s Eye,

which became St. Paul.  John

Berryman sleeps on a bluff

nearby.  Once is enough

for everyone (a long time gone).

One casket will suffice.  Paul

was Saul once; an orange

angel flared so strange

his blade curved into burial.

He felt the change upon his skin.

So Queequeg tingled

where the needle angled

in.  The tattoo (Ecuadorian

gold) blood-red – indelible

recapitulation

(via serpentine

Cain-crozier) of Abe-Ape’s edible

ancestry (just incredible).

The primate history

of human mystery

incarnate in a star (blind, Oedipal)

                   *

who fell to earth, not far from here.

& like Walt Whitman, wandered

swamp-deltas... milk-&-honeyed

Hobo meadows... (poplar, cedar)...

all the way to San Francisco.

Golden Gate grandeur

sparkling orange-azure

not one whit less marvelo

than Solomon’s Templo.  Yet neither

will surpass one friar wight

who flutes across deep night

his piccolo arpeggios (Breather-

Bro to Sister Sigh-Nature)

lifting his humble sign’s

Venetian-blind design

beneath that glory-span – sheer

delicatesse of silver threads

raveling safety net

for one slight violet

(shorn, scarred by callous crowds).

She is your Imogen, who keeps

weight balanced on a wire;

fleet-footed candlefire,

light houseboat over frosty deeps,

your witty Sophie – at the wheel

of supernatural law –

sailing toward Awe

full-smile (lips compassing her almond-seal).

1.11.17