in Deserto Rosso

LITTLE ROOM

Like Giuliana’s little boy, in Deserto Rosso

for 6 weeks I was on a ventilator

(“iron lung” back then).  For

Guillain-Barré.  That was 1956 or so.

Paralysis for Henry Fish Quattoir -

great reckoning in little room.

Like coffin-casket, in full bloom;

like April, breathing frailty to power.

Who shall restore the sickly Lord?

There is no temple on the earth,

no glorious basilica that’s worth

the wonder of a single child (a word

once heard with flooding tears, in Ramah).

You who are sum of all

creation – telos, quintessence, lovely corona…

behold the Argos-eyed canoe of Noah.

How the universe giulianizes in you,

Giuliana (as Cusanus wrote)!

You are both verde crown & mote

of mustard seed… the whole tree, Julio!

Now Henry faints… his epileptic storm

of vertigo (at sight of blood)

flings him to Frisco neighborhood.

Where Juliet ascends… to join a swarm

of victims, falling like rain from Golden Gate

(our Twin Towers).  He stretches

out his arms… the King of Wretches,

Grail King.  Melek, MLK (Good Friday fate).

4.1.20

dream song for Mardi Gras

WIDE SWINGS

In the remote silence of your dream

little Ojibwa cowboy,

every word, every sigh

your lips would bend to the birch beam.

Each syllable would lift up smoothly

like wing or wave, to join

the sarabande procession

flashing tiny stars in their night-cloud sky.

The piety of Aeneas or of Abraham

is tinctured with the same

topaz humility; the fame

of Black Elk flares no different requiem;

& Hobo’s yearning in the Bottomland

& Henry’s striving at the source

obey the same bone-flute discourse –

to verify one sweet-tempered command.

& like a low B-flat trombone bass line

out of some Delta funeral-song

the aura of her Don’t-be-long

with magnetism of her Love, B-mine

goes rippling counter-clockwise, from St.-J

to D.C. piles of masonry

& back to Lake Itasca –

& like mustard monarch or viceroy

lifts tender, glancing & reflective wings

to meet your own, brave

Jessie-Isis – clear sea-wave.

Peace pipes over the Golden Gate, wide swings.

2.25.20

like a transparent crane-bone flute

UPSTART FLARE

Under Siberian pale-blue ice

tiny frozen spirals form.

Where memories swarm

in whirlpools, counter-clockwise –

Hobo spring of vagrant musing.

Follow me down, she

murmurs, toward the sea –

limpid ocean floor of everything.

The coil of wet clay tightens, slowly.

Welterings of catkin passions

merge beneath an old man’s

glaze (welded to an osier orrery).

It is the Mississippi bottomland

of errant, febrile heart.

Hot kiln, or upstart

flinty flare; centripetal lampstand.

The bare simplicity of San Francesco

floats like a transparent

crane-bone flute –

an air set like a feather in the flow,

a bubble in the world of local trials.

Love the Lord your Wakan Tanka

& your neighbor, Raven Caw-

Caw – this call melts all frozen wiles.

So the clay wheel rotates slowly,

turns inexorably north

south east... & forth

to high Pacific gate – lofting her Liberty.

12.20.19

bateaux of old Louisiana

SPEECHLESS GIFT

It was 50 years ago now, Julie.

We were with the sleepers

in a dream, the jumpers

on a fogbound bridge – our odyssey

a sleepwalk of necessity

from day to day.  America

was manifest, a replica

of heaven for the taking – see?

This land was made for you & me.

But you & I sank down

into Pacific depths, my clown,

so young, so sad, so gone.  Ahey

ey yo.  It’s in the bottomland

or on the ocean floor

you’ll find the coral door,

the seashell, Pearl – your eye-in-hand.

Like Joan of A. moored to a smoking pyre

or O. still singing in Leviathan-jaw

bateaux of old Louisiana

meet like rose petals in a western choir.

& the Word-made-light, that sank into the clay

sprang up again, as speechless gift

in the dome where every tongue will lift

& feed upon her painful vine (his dying-day).

Our ghost-dance, Julie – tiptoe in a dream.

JB whispers, Eurydice!

& circuiting the dome with me

hums from Rez graveyard in a Joan A-frame.

12.11.19

the otherness of the poem

RIVER-VEIN

The turning year brings its anniversaries.

Sunken ships in the harbor.

My fleeting image of an arbor

green on the slope at Golden Gate – Julie’s

last day (her father Jim’s birthday).

Today the sun glistens

as if through Temple linens;

pearl beyond price, merciful Gateway...

The otherness of the poem is merely

the cosine of a conversation,

Cuz.  Light trinity of sun-

moon-star, embedded in clay lips (dearly).

As America is balanced in the scales

by a feather from Byzantium,

so a Pipestone eagle-drum

summons a kingdom borne on wing-sails.

Covenantal arc of steel

at navel of the earth;

gangway to spoke-berth

coralized beyond our iron wheel.

& from a pearl-eye in the mandorla

light beams to every hamlet-

brig across the planet –

melting the blood-red wax of Danelaw

& Washington, pouring dark wine

into each muddy river-vein,

lofting all-human

fellowship again (curving J-spiral sign).

12.7.19

one mustard spark

RAINBOW MOUTH

The splendor of dangling catenary arcs

of orange steel & azure

sparkling with slim sure

stride, sprinting beyond the bayside parks.

I saw you, iridescent Golden Gate

on a sunny day in 1974.

Where Juliet had gone before,

plunged into her absence... my jeune Fate.

These tears in the inescapable network

of mutuality, these tears

of things.  What heart bears

at eye of hurricane (one mustard spark).

In the still, small world, along the keel

of a trim equilibrium skims

love’s unconditional hum

of humble surrender.  Like a simple meal.

Like a mother or father who is always there

ahead of time, before

you are aware.  Will soar

with eagles & doves, your Aviator-

Mediator – volant-violet Adonis, lifted up

(beyond the rivalry of red

& blue) into the thunderhead

of Thunderbird (Jonah grail-cup).

Hum now, Evening Star, Columbia...

your rainbow mouth, Osiris-

child.  Over the crisis-

cradle, full of infant cries – la realtà.

10.22.19

Rab Ravlin was a weaver bred

SILVER TRACK

Summer’s gliding toward those falls.

The sumac swords are rusted

iron.  Below the nested

locks (St. Anthony), swift sculls

are water-spiders on a dragon’s back.

Hobo Larva... Henry

Woodpecker, monarch (maybe)...

all worm, Noman?  Whose silver track,

mercurial, serpentine?  I was

the wolf in Sheep’s Clothing,

tearing Ariadne’s weaving,

trading lux for lechery (luxurious);

I was the shadow of the waxing moon

purling beneath Pearl Harbor

Day – casting her bitter

part across the bar (Frisco Lagoon).

Now crickets rattle in the looming dusk,

a chorus, waiting in its wings.

1132, the catgut sings –

our heavy grave (in one cicada husk).

Only the lightest antigravity

can spark the dark menorah

in the heart of King Henrah.

Lonely almond of sheer pity

welling forth Father of Waters...

what was Magdala stone

becoming human Union

(steely pontoon, welding 4 quarters).

9.16.19

photo from Ballets Russes

ALMOND ARGO

Old Hobo-&-Henry, down by Big Muddy.

Hobo lounges in cottonwood shade.

Twirls a bright curving blade

of tiger-lily, so orange & black, idly

between finger & thumb.  Henry

thought of mossy Giuliana

walking away from her pottery

shop, entering the gloom of Sant’Apollinari –

high frieze of majestic virgin martyrs

carrying their crowns.

The photo from Ballets Russes,

Paris, 1913 – spring maids, en fleurs...

& the black dot of Juliet in the distance

crossing the tensile spine 

of orange tiger-dragon

one last time (beneath frost-cobalt silence).

Strange oak, epileptic, near the shore.

Bent like a lyre before

a cluster of cottonwoods – your

humble servant, it seems.  Kingly no more.

Hobo eyed it.  Washing their leaves

with hers, maybe, he said.

Like San Francesco & his bride,

his sister, Povertà.  Humility cleaves

to the pivot of this world, the matrix –

to the crossroad, to the tree

of life.  I look into you, Henri –

to your salty heart.  I read the asterisk

                        *

you scribble for a star, approximately –

I scan the fresco-sketch

you offer for a spirit-potlatch

replica of New World Galilee.  It’s funny.

Earth is in its birth-pang death-throes,

Hobo.  Hope is hard to find.

Yet... the kingdom’s in your mind.

Your heart, my friend.  The Shadow knows.

& you were right to shape the Southern Cross

surrounded by Sydney fig trees

into a diamond-figure Paradise –

to stem four rivers from St. Louis

like emerald casket for the Eucharist;

for Micòl in her black canoe

& MLK in Memphis too

sustain that central martyrdom of Mars

just as Dante foresaw, in his basilica –

where little sylvan J

circumferences her almond tree

delightfully... & the grail of tears (Ephphatha)

opens broken hearts across the globe

to each one’s almond Argo

Isis-eyed Hagia Sophia...

see, Henry Church?  & like a strobe

light suddenly unfolded, Henry felt

what Osip felt – accompanied

the rapture of the universe (sighed

with bold Marian... watched iron melt).

8.8.19

the water-works in New Orleans

CROW-TRACKS

Old Hobo by the river again,

old mule, old Lear, old man.

Ponders the coiled span,

the tension in the plot called Heaven

Versus America.  Indifferent violence,

violent indifference...

What took you into silence,

Julie, at your blossoming – hence

into the shark’s eye of the Bay.

Like an arching jaguar-lunge

of International Orange

claw-marked with irreversible tragedy

your Bridge – hypnotic Taj Mahal

whose lambent shadow hums

of nut-brown kingdoms,

steep ravines for Solomon, Sheba...

The span tracks a continuum

he scans with tentative

crow-tracks.  To live

or die.  From the will’s ultimatum

of despair, your cul-de-sac of self-

slaughter – to the other pole

of faith, serene & whole;

with Stravinsky’s branded Sylph

leaping her epileptic scapegoat pyre

(in Paris, on May 29th)

– O Juliet, my May-month

sister-dove!... my black North Star

       *

– his limping meditation takes him far

upstream, & down.  The dream-

songe, rivery-rêve, beams

her constancy, an equilibrium (wave-mère).

Her source, an Okean of galaxies,

a murmuring Milky Way –

your sempiternal Day

that never dies, your tree of many Jessies...

open your eyes, Hobo, & see!

This kingdom of canoeing

almonds pours – outpacing

Death with fins of Galilee-Ferrari!

Her mickle water-sprite keeps murmuring

like your sibling ghost,

shady elfin host

who climbs from a mandorla, humming

beside you (ahead of you, within you);

& like Latrobe the architect

following his own son to inspect

the water-works in New Orleans, renew

yourself – restore yourself, American! –

in that strange French-Spanish-

Cherokee dreamland.  Swish

go the eucalypus paddles... the plan

of Heaven is a restoration, so –

not slavery, but liberty –

your soul’s birthday.

Love Kingdom’s galaxies begin to glow.

6.24.19

no one will judge it

Bang Hai Ja, Naissance de la Lumiere, 2015 (part of a stained-glass project for Notre Dame de Paris)

BIRTH-SIGH

Light-waves pulse from primordial Ocean State

from a weightless blazing stone

fallen to our temperate zone

from heaven – & no one will judge it

murmured Joseph, ye blessed stem;

the Word’s articulation

is well-water’s spoken

wheel (from Nowhereland to Bethlehem).

Our history, a contentious dream

scrolled on Möbius tape

pivots its bleak landscape

panorama on a polestar theme :

the plummet-stone, a river-pilot’s guide.

Her name is Providence.

She is each local habitation’s

hopeful capital – ghost by your side;

she is the sister-dove of Mandelstam,

rock-dove of gay Stevens;

she is the Jonah – Berryman’s

& Crane’s last lifesaver (she says I AM).

I see the shadow of gray wings of stone

stretch like a whisper now

from East to West, Glasgow

to Golden Gate; lifting each broken bone

from Frisco shore to some imperishable joy

like Hummingbird lancing the curse

& labyrinth of Homo Tyrannos

with one birth-sigh... her FIAT LUX... that Day.

6.15.19

just a particle of grit in the poetry gears

PAVEMENT SLIP

At the Arboretum today, the lightest

waves of pale green &

pink float over the barren

hills.  Pasque flowers make their violet

& furry nest.  Soft spring.  Far west

the Golden Gate flings waves

of steel over sea-caves.

A safety net shall be our rest –

all-purpose, drifting down from heaven.

From the Mother of Lights, from

Abba-Zero – coral hum

of Orizaba requiem (all the lost men

the sea shall render up again).

Ezra in the bughouse eyes

his Alexandrian apotheosis.

Spews hate & spite – riptorn

Osirian comedian, on glitter-stand;

& Henry has his Memphis

milkman : buried blackface

Pip-Pip (colonial ampersand).

The gravity-slide into darkness

is not so unavoidable.

Non spatio, sed sapientia

Anselm whispered; heaven’s kiss

is like a speech balloon, or Nile airship.

The kingdom’s for my child,

not for the Emperor, wild

Mary piped (basilica pavement slip).

4.27.19

Ravenna Diagram Reading Note #6

Ravenna Diagram guide for the Perplexed continues, page-by-page.  This poem appeared a few years ago in the journal West Branch.

R.D. READING GUIDE #6

BLACK PEAK  (p.8)

This poem has a nightmarish, abortive quality.  So many indecipherable personal references that one could make the argument it fails as a work of art.  But perhaps it stands as a kind of boundary marker, a warning of some real difficulties which lie ahead.  This poem was published in the journal West Branch.

“crows” and “oaks” : recurrent images

“Woods-Gerry” : the Woods-Gerry Mansion on Prospect St., in Providence, a couple blocks from the Brown University Library.  Imposing Victorian mansion on the crest of the hill, now housing offices and galleries of the RI School of Design.

“Persephone’s bee-day” : bee-day, birthday.  Bees of Persephone an image drawn from poems by Mandelstam

“Italianate” : we are back in the sphere of Ravenna

“archivo-kisses” : Orphic librarian-poet, with backward glance (fateful for Eurydice/Persephone)

“Marshland...” etc. : Ravenna pine-swamps

“Porta Aurea” : ancient ruins in both Ravenna and Constantinople – translates as “Golden Gate”

“twin black / brows” : a kind of montage of beloved faces sharing this feature of black eyebrows, mirrored/merging in a guilt-ridden occhio terzo (third eye)

sliver-orecchio : odd image of “sliver-ear” (wooden ear? moral deafness?)

“black omelet” : the eyebrows and the third eye merge in this apocalyptic sign of the “black sun”, with pun on OM – Osip Mandelstam, who wrote a poem alluding to the Pushkinian “black sun” of Russian (and Jewish) history.

“ghost of a memory” : the kiss in the Italianate mansion has multiple emotional strata for poet (ex-husband of an Italian-American, one dimension of many)

“who lifts / twin wings” : are we back to the redemptive owl-flight of Minerva/Sophia?  or something else?  “six, eight” wings signals a “seraph” (also a recurrent image in Mandelstam)

from Hecate came the Kali-Bear

GLOOMY RECESS

Brrr.  Encased in winter nadir.

A word stings like a burr

in my ear, grown morbider.

Out of California.  Excalibur.

Poe’s gloomy recess.  Ceiling

flickering with Neva-light

(limbeck of Hecate).

Ligeia, Solominka... cryptic feeling.

Juliet, embalmed upon a wounded,

senseless word, while

murder dogs each exile

in a stumbling Republic – hounded

refugees are coldly wrenched

from their own children.

What will you do, Hen?

Keep chanting mantra, teeth clenched.

From Hecate came the Kali-Bear,

Blake, Brown, Black –

stuffed Russian Monarch,

Cuffy from the Arctic (Polar) –

Crowned with the crown & splendor

– like Inẽs de Castro, here

in the casque of my ear,

my dear; of violence the silky daughter;

his banner over me was Love.

Your coming-forth, Psyche-

Persephone – out of the sea

in Frisco Bay – out of the starry cove

                     *

laving the Golden Gate, your destiny –

Old Glory Red, & Irish

Green, & Maple Sugar swish

your seal, ex-Californ– Aieeee...

– over the Bay.  Bears baring

every fang, & bearing

everything – boars goring

every Tarquin – innocence betraying!

So follow Hobo Henry’s burro

as he burrows through

her barrow – thorough

ravishing of hollow tumulo!

She’s flown, sweet Thunderbird.

& like Aurora Borealis

hovers above all this

flag-draped befuddlement (light-ward).

Ghost-haunted Morning Star,

Virgo-Astraea –

apotheosis of Sophia,

milky mosaic your dancing floor –

step your basilica sans fear;

the agate lamp atop

your Gate will not stop

raying back toward D.C., dear.

Columbia & Liberty will shine

their sister-lights within

your ark’s palladion;

Agape will this rage refine.

3.9.19

Watch Night

LAMBENT GHOST

A satellite streaks past Ultima Thule

at the rim, beyond Pluto.

Starlight, emitted long ago

marks the limit of what we know, Julie.

You took it to the limit, too –

plummeting on his birthday

into San Francisco Bay.

The scar on my heart stays blue.

A lifeline in my palm... tracing

your twirling halcyon-

descent.  Eccentric swan-

dives of deflected passion swing

the human pendulum to no return –

so you became my silent

witness to an absent

safety net (grave spirit-urn).

In a backyard garden, in Montrose Park

(on Avon Place, off R Street)

a weathered zodiac (fleet

beam for sailing time) still makes its mark.

The evening sun at vernal equinox

touching its circumference

sends streaming photons

in array, toward Washington’s matrix –

that sleepy apple tree, the founder’s

fault (first gentleman

surveyor’s lie-of-land).

& will our prime star, speaking, founder

                     *

backward, under night-sea sand?

The morning star, the pole

star’s mate – your sister-soul –

whose flickers lead our sarabande?

Hobo lumbers after Henry’s shade,

lugging the telescopes.

Who drowns their hopes

might lift them up again.  Maid

Marion, or Liberty, Virgo-Columbia

(the various nicknames

for Jonah-dove)... dream’s

figurehead for Watch Night... hallelujah!

Ice gathers on the Mississippi.

River-flow & starlight

comprehend Time’s might,

rewind the spring, recall the sea –

Pacific now, beyond the redwood tree;

beyond eld oak grove

where an infant strove

with Roundheads... & a maypole (merrily)

spun feet toward Pentecost;

beyond Sons of Liberty

into a whorled Equality

wrapt, spindled on a lambent ghost –

that quipu-knot, that safety net,

that weaver-coracle

from Galilee.  Slight miracle-

Thunderwren... walking on water, Juliet.

12.31.18

ballet russe

SANS SEINE

Along a cinder pathway

through November woods

Hobo, in one of his moods

murmurs a Mississippi lay.

Under his arm, his matryoshka

maiden – his mater within

mater, painted, wooden;

on his head, folded like Chippewa

canoe, an old felt hat

crimson as pileated

woodpecker.  Belated

prophet from Yehoshephat,

brown Mississippi of decision!

He mutters a woman’s name

under his breath (same

as under his arm) : Marion,

Miriam, Magdalen... Jessie,

Juliet... Beatrice, Jeanne...

Natasha... each one

enclosing the other (ballet

russe).  Sacre du Printemps.

1913, at end of May.

Pirouette, grand jeté...

Juliet, sans seine.  Lamps

are going out all over Europe.

Hobo yet knots his woolly

safety net – the glory

of the Lord, letter & envelope.

11.2.18

the axis of the earth

ACORN-DHOU

The river moving through the cottonwoods

inspires Hobo-composer

to exceed his Oeuvre

Clumpy-Cloddy in the key of C.  Buds

trace their roots down limestone crevices

to seek that cave-lake

where dark streams make

ripples in a mirror-image (Beatrice’s

triune goddess?) in a palimpsest

of light reflections.  Mother,

lover, friend... your sister-

dove.  Affectionate witness –

Akhmatova’s golub-golubyanka

(an undertone beneath

the granite banks).  The wreath

Natasha flung into Fontanka –

today an angel, tomorrow only a worm

in the grave... only a promise.

Mary, in her distress,

beholds the gardener beside the tomb.

Hobo digs deeper, down his own

dream-channel.  Almond

eyes... the veil of Isis

in West Branch... curtains for Henry’s own

Clover, in Washington (where Adam delved

while Eve spun vortex-grief).

Vertigo in high relief

on Henry’s charcoal Chartres – shelved

Synagogue laid low, below Ecclesia –

belies a Nazarene concord

older than Byzantine crossword

shaded by almond-Hebrew Bona Dea.

Keep digging then, my clod.  You’ll find

the key, within a boxwood box

where lies a bunch of keys.

A black Egyptian Queequeg pine-

box, layered with tattoos

of hero-griffins – figures

of hexagonal stars

that shine like golden bees... Who’s

                    *

there?  Out of the mirror-wars

of courtly kangaroos,

through shady fig trees

shines her diamond Southern Cross –

the double trinity of Black Elk’s

six-way sign.  An acorn

emerald, lightly borne

as crown of Restoration Day : melek’s

JFK : Zion’s Nazir out of Galilee;

spume-signal from an Ocean

State – whale-oil ensign,

anointed Son... clé-figured Charity.

That old medieval Paris of Villon.

Pigments of blood, limestone

& sky.  Stained-glass zone

of intellectual Aquinas-light – reason

& faith cross-braided, interwoven

in the jewel-box of Suger,

in the emerald sepulcher

of Wolfram’s wayfaring communion-

wafer.  Omnipresent grail

of equal daughters, equal

sons... Love’s universal

sea-supremacy – each heart’s high sail.

So the rod of Aaron blossomed

over Nile sandbanks,

& a bronze serpent yanks

all eyes to Hobo’s Bottomland

Jonah.  Out of that Okie Okean,

out of that Osage eagle’s

den, your clay-born angels

rise to foot their river-span –

a bridge of International Orange

pillared like Jachin, Boaz

in wisdom’s corny maze

of adamantine joy.  So rich & strange!

Whispered by the Sybil through

these gold oak leaves,

for everyone who grieves.

A comfortable acorn-dhou

                   *

down Nile, or Mississippi, weaves

her zigzag victor-wake;

from Jordan to Lake

Galilee, her circle rings the sheaves.

7.20.18