in the Grand Army of the Republic

CLEAR BREEZE

Hank limps onward, like a lost private

in the Grand Army of the Republic

through swamps above Nilotic

Memphis – or plug of gneiss granite

broken loose from Superior shoreline

(euphoric azure of sea air

lifting over the spare

curves of rusted railroad iron).

We carry so much indifferent amnesia,

sleepwalking across Earth.

A measureless unplumbed worth

overshadows our shadows (ecclesia

del girasole… sunflower’s rotation

in the silence of Ravenna

backwater).  Antenna-

headed cave figures, in Papillon

foreshadow these elongate, lantern-

eyed hierarchs of grace –

a shadow ladder, on a base

of basalt (box-within-a-box of Lincoln

logs).  A matryoshka puzzle toy

from Kiev, or Constantinople;

an emerald imago of all people

in mild irises of Maximus (old boy-

martyr).  Matrix, crosshair lens –

vertigo of San Francesco

whorled to the point of zero,

razor-sharp.  Star of St. Stephen’s,

                  *

or the sea.  Is shadow-hero

of millions of shadows, round-

about… perceptible ground

or incarnation of your own heart’s

broken-down ego (melted to music).

Is Jonah of your ocean,

Columba… is feminine

Adonai of Morning Star (mystic

bloom, afloat over Cahokia).  Is

Gateway steel of your

clear breeze, Superior –

Osiris to your adamantine Isis

(Psyche-Amor).  In Ford Theatre

the violence comes to a head.

A Service of the Dead

melds Abraham to one frail butterfly-

phantom – one solidarity of soul.

Whim’s monarch, hoboing

from Mexico, to spring

the news… Pinetop’s True-Loving Honor Roll.

In the heart of the heart of hearts

where all the waters start,

we’re no longer apart –

little acorn coracle sea-charts

mark the almond center of the diagram.

Here the luminous shadow

smiles out of clay wheelbarrow,

& love never ends (warbling I AM).

2.11.20

quirky rustic poet battles orange Goliath

MEMPHIS FLOOD

It was the winter of our ill-advised

& misconsent.  Embouldered

Julius the Quartered,

housed within his wanton witness,

raged (a savage orange walrus

full of fetid fire) against

that bad news feminist

in flight from Rus (hilarious!) –

while he, with his false staff, embarked

upon a cross rubes’ con

(some matryoshka manikin!)

against Old Ironsides... which worked!

– for temporizing (time... & two times

at a time).  The war was on.

“Where is the server, then?”

barked Julius again, again.  Crimes

filtered down like snow from Kremlin

gremlins.  Stark treason,

trickling out its own raison

d’état, took aim at Mississippian

Columbia.  One fiery wheat grain

in her heart – one star-

quintessence of her

pyramid – opened its eye again;

the child she harbored in her arms

across the Memphis flood

cried – “Human brotherhood!”

– & smiled.  Light pierced the storms.

1.25.20

like an 8-ball in a canyon

HELIUM BALLOONS

Thus the poem is a free agent,

loosed from its cannon

like an 8-ball in a canyon.

We could go on – what they meant

you know.  Dante was getting on

when he stopped by Sant’

Apollinare.  The slant

of loneliness caresses its panopticon

of painterly rainbow eyes & forms,

afloat overhead

like a Macy’s parade

on Thanksgiving Day (enormous

helium balloons of adoration

under an umbrella

of matryoshka nesting-

dolls, like an infinite function

in rose granite aegis, arcs-

over-arcs).  In her eyes,

the grace of God buys

time with molten agape-caritas.

Jesus emerges from the cave.

Mary faints in the garden,

dream bent back again

to Gödel (his suspended-7th grave).

Her incompleteness theorem

is like Easter in 2020,

always there already

(gleaming ring, undying diadem).

12.29.19

Cordelia in the wasps' nest

AUTUMN RITE

In the car coming back from the memory unit

I catch the tail end of Mahler’s 9th

the slow slow strings’ fading strength

bent like snarly willow limbs into some resonant

sweet culmination (ancient Mendelssohn

elegy in mind).  Autumn’s

rust-blood golden sun’s

quintessence now, O silent one?

Cordelia in the wasps’ nest, at the axis

of the earth... Lear, trembling

like an oak gall wasp – bleeding,

stung by the crypt-keeper (Euderus

Set).  The wasp within the wasp, Osip –

Shakespeare’s quaint acorn-

crown of happiness (shorn

pharmakon).  & shalt thou drink my cup?

The box-within-a-box, the matryoshka

toy?  Like bloody JFK

in Dallas, on a Friday –

Jackie’s pink tiara (autumn leaf regalia)...

The river of violin sound measures time

to its serene delta, my friend.

& the tree (Hagia Sophia with a million

eyes) harbors the wind like a nursery dome –

you hear the sound of it (that waterfall

through twin cities, Berryman)

but you know not whence (my son)

it comes (oak’s Galla rite, imperial).

10.15.19

beamed into a barn corner

LEVEL PLAIN

When all the structures are dismantled,

the fabulous bright makings

woven by spider-kings

undone, what remains untold?

In Mendelssohn, I handed a dandelion

through the wooden fence

to golden Heidi, once –

old flame of infancy, first Valentine.

Her mop of hair colored like wheat

framing chaste happiness –

Gumilev’s compass,

calm charity for all (transparent,

sweet).  The shadow of the martyrs

like myrtle in the graveyard

darkens, green.  The bard

of America recalls through tears

the gentle captains taken from us

like matryoshka dolls –

god-like mortals

molting in dilapidated silos

like shimmering snowfields of wheat-

crystals.  So their presence

in aromatic silence

weights like ballast of a sea-casket

each holiday – all history

compacted in the oval

trace of one primeval

prophet’s kiss.  O mystery

                *

of your mandorla – crumbling wall!

Like Jonah from the sea

come whispering to me –

dark almond, ministering honey-gall!

Your tiny grain of wheat must die

in the heart of Everywoman,

Everyman... becoming stone;

stone reddened in Rhode Island eye

not purchased by price nor money

but only by love.

So that Liberty-dove

became Columbia, for buried Henry –

Astraea beamed into a barn corner

& Virgo spread her sheaf

of compassionate relief

in a sparkling surf of harvest air.

So your soaring icon in a mandala

hovers over Ravenna;

so Dante’s antenna

transmits in spectral panorama

the rainbow’s interlocking rings

framing that child-king

set upon humbling

all earthly dominion – til everything’s

remolded to a level plain

or playing-field; clay

children romp all day

within your carpentry’s domain.

2.14.19

a merry caw-caw for Thanksgiving

GIVE THANKS

We give thanks for life’s poetry

which arrives (unexpected)

through gates of neglected

farmyards.  For the spare mystery

of solitary lighthouses, beaming

steady wheel-spokes

(Rhode Island folks

know what we say, dreaming

sea-woven Narragansett night).

A merry caw-caw

semaphores her law

by roof-smoke... Raven’s last rite;

like Roy Van Doublegram – cross-eyed

matryoshka doll

(owl in a well) –

Hagia Sophia’s multiocular Argo-hide

(serpentine tesserae’s bronze

glint, like Quetzalcoatl

drifting up from Mexico).

For being lifted up to heaven’s

dome, by way of Providence

(O supernatural Grace).

Who is that Falcon-Ace

on Ibis-wing, speeding to silence?

Emily, Cordelia... be

with me now.  Will

must climb volcano-hill...

Love’s Istanbul (Turkey).

11.20.18

ballet russe

SANS SEINE

Along a cinder pathway

through November woods

Hobo, in one of his moods

murmurs a Mississippi lay.

Under his arm, his matryoshka

maiden – his mater within

mater, painted, wooden;

on his head, folded like Chippewa

canoe, an old felt hat

crimson as pileated

woodpecker.  Belated

prophet from Yehoshephat,

brown Mississippi of decision!

He mutters a woman’s name

under his breath (same

as under his arm) : Marion,

Miriam, Magdalen... Jessie,

Juliet... Beatrice, Jeanne...

Natasha... each one

enclosing the other (ballet

russe).  Sacre du Printemps.

1913, at end of May.

Pirouette, grand jeté...

Juliet, sans seine.  Lamps

are going out all over Europe.

Hobo yet knots his woolly

safety net – the glory

of the Lord, letter & envelope.

11.2.18

the poem is a sort of Edicule

MODEL DOME

So then, the poem is a sort of Edicule?

My allegory’s all unglued.

Runny gouache, stewed

river clay.  Some no-count school.

The building, trembling in devolution

shored up like a veteran

with iron-rivet skeleton.

Metamorphosis by desperation.

My babble-model of the cosmos –

molded on a mini-dome

within a dome (Jerusalem-

fond matryoshka doll).  The keys

to a box, where lie a bunch of keys.

Over meleki limestone

slab, one forest olive-green

icon.  Your madre of collapsing gaze

rains down (with her clay ointment jar).

He is not here, he

is not here.  She’s

muted as trumpet, or Morning Star –

an eye-in-hand, an ocean tear.

Light blazes (calmly

coruscant undying day).

He is not here, he is not here.

Wind mews in muscular oak tree.

They’re up in Galilee,

maybe Cahokia... you’ll see.

Inventing deeds of agape – live poetry.

7.2.18

cottonwood sky

BIG DIVE

In the steep ravine shading the river

Hobo’s eyes follow

smooth limbs upward, so –

into a cloud of silver-green shimmer,

Columbian sky-nest

of cottonwoods.  His squint

moseys like scattered flint –

mishmash out of Ocean states

into some kind of Land o’ Lakes

matryoshka doll, or Land 

o’ Goshen Big Rock Candy

Mountain.  The poet is a sacred

fool (or cataleptic converter)

& every shepherd’s an

effete abomination,

just a bump under a bumpkin tower.

Hobo keeps an eye on Henry,

ambling up there

on River Road.  Air-

head royale, full of acorn honey,

soldering his Goshen stone

into a manic-hollered

coat of caustic red

Rhode Island rooster-throne –

a sharpened archaic Goshen point

left at Minnehaha

Falls by some Ojibwa

dream-boat.  The time is out of joint

                *

he cries, with a Norwegian accent –

O Jessie, O Ophelia,

my little tree, Columbia!

Come tripping back unto the oak tent

once again, out of the Ocean foam!

Flip your big dive, big Dove,

into reverse – for love

of Yahweh, & of Manitou, & home

sweet home!  An infinite Intelligence

invisible as air,

kind as mon cher

Francesco, wise as Providence,

clear as the sky vaulting these gray

heart-leaves – our octave,

Henry, Hobo... wave

on wave, on wave (lithe sun-ray).

From the standpoint of ineffable Person –

an infinite free Spirit

(older than Cautantowwit,

with all his Raven-wit) – a Someone

omnipresent, serving restoration

to a hurt creation – mercy

exudes like oak-tree honey-

gall.  Some smiling heart-shaped cotton-

wooden crossroad Livingstone –

green-gowned Sophia

traipsing Milky Way-a

Sarabande (one, two, three... one).

6.12.17