Showing posts with label Holy Sepulchre. Show all posts
Showing posts with label Holy Sepulchre. Show all posts

7.15.2020

Ides of July



MARBLE TOY

On this defunct St. Emperor Henry’s Day
the cavaliers of Christ broke down the walls
massacred the cityfolk, & found
the Holy Sepulchre.  & it was empty.
His midget kingdom was a bit of ground
6 ft. x 6.  Beneath Jo’s linen palls
that Body slept, 3 nights… then slipped away.

So Earth corrals the sun again (at mid-July).

Old Henry rotates his lugubrious clay
like cenotaph, or marble toy.  Through hells
of blinded crowds – mesmeric crown
for snobbish mobs, heartless autocracy –
deracinated tribes, bent for destruction.
So humankind spins round its Book of Kells
by fiddlehead bronze… on heaven’s way.

                                                          7.15.20


7.15.2019

upon St. Swithin's Day




MONARCH MILK

‘Tis hot & muggy in the octagon
upon St. Swithin’s Day.
& will it rain?  Say.
St. Emperor Henry’s (Holy Roman)

also, once upon a time.  It’s stifling.
An unreal toad usurps
the garden throne, & burps.
His orange tongue is mean, & trifling;

his fire-red refuge-chair is for a child
who hasn’t come home
in 33 years.  Christendom
conquered the Holy Sepulchre... wild

slaughter & rejoicing on this day,
1099.  But will his Ghost
lift from that gloomy host?
Joachim daubs a fingerpaint contrary

blindly, with bare feet (a cave-fresco
for San Francisco).  & Henry
plots his own obscure & minatory
figure : double wheels.  Of milky glow

& river-clay – Cahokia, North Star.
To turn the Great Year
5 29s... & spin from here
some monarch milk (a little almond to restore).

7.15.19

3.14.2019

transcendental & irrational path P




THIN BANDS


The outer circle of this diagram
is drawing to a close.
The path P we chose
here loops into its ruddy oriflamme.

An old man’s line of numbers,
transcendental &
irrational.  Thin bands,
ketched for riding heavy combers –

sea-path between good & evil.
One people’s destiny
doubled in duality;
twin circles on their parallel


                **


emerge (amid stars & stripes
& iron bars).  History
halts here : between Rimini
& Ravenna (Venice-Paris) overlaps.

The pilot at the wheel of Providence
eyes the prow of his canoe.
Her figurehead (1132)
blooms from the sepulcher – immense

Redemption, like a Stonehenge grail
from 44 B.C. to 4.14.
Melchizedek stands in between.
The plummet-eye of Joachim sets sail.

3.14.19


7.16.2018

wave-factor




ARBOR DAY

The wave-factor on a riverboat
differs downstream (or
up).  Rocking the shore
like thread of Agnes Martin’s Night

Sea.  & we are far from home.
Waves of corny grain,
of grass, of wheat... Main
Street.  Grant Wood’s metronome.

He lived four blocks from Henry Negus.
Farmer turned lawyer-
transportation czar
(bus co.) in Iowa City – is

my namesake (great grandfather).
Quaker-shlepherd genehaulogy.
American Gothic, see (flea!) –
straight from dry-humus bow-bent flower.

Arbor Day.  Planting families
of fanatics in the grass –
another word for pass
the ammunition, Grandma.  Crazies,

huh?  All-American.  Beyond
the scope of Scopes Trial,
Solomon... we’re all
afloat upon some stinkin’ frogpond

paddle-wheeler.  Gothic was light
pontoon (Jerusalem).
Grail-Sepulchre rim.
Gitchee-Pollen-Air, up & walkin’... right?

7.15.18

7.11.2018

like spinning Jenny Gyre




SAFETY LINES

The late-May lilacs are long gone
but light grey limbs
& the green leaves rim
the grass with shade yet, absent one.

The sound of an ocean softly seething
in the branches overhead.
Is she alive or dead –
my sainted, tainted Juliet?  Still breathing

somewhere?  Imago or Imogen...
merely some ghoulish Ravlin-
Gouldash revenant, then?
Some Beatrice-crystal-Poe routine,

arising ghastly from dank ditch-ravine?
But no... a memory
lifts all azury
from sparkle-spray beneath benign

leap of wide Golden Gate.  Almond-
eyed sprite, a-whirl
like spinning Jenny Gyre
balanced on catenary wire... light bond

that ravels tout le monde... infinite
undisplaceable safety net
& cloudy calumet
confirming universal concord... so be it!

Grave knot that tightens less & less
toward infinite regress
of infinitesimal kiss
(minute atomic balm of tenderness

                     *

merging without mixture or separateness).
Maximus once limned it thus,
the monk who bore witness
(with loss of limb) for concept Orthodox –

incarnate knot of human & divine,
united unlikeness – like
that tomb slab, a limestone block
marked by what seems a breaking line

but only seems; the two are one
in one Person, of three
in all; still guarantee
amid the waltz of turning sun & moon

of Love’s immoveable eternity.
Out of deep matrix
of Ocean – intergalactic
scheme of merry stars in that sea...

inconceivable conception of
all origins (harmonic
correlations, thick
with measureless & dancing life).

The Manitou all people know,
Aquinas wrote.  The God
who dreamed this serenade...
we meet you in the shady slough

beneath great knots of wild grapevines
beside the muddy Jordan –
down by where solitary John
once cast a seine for Jonah (safety lines).

7.11.18

7.02.2018

the poem is a sort of Edicule




MODEL DOME

So then, the poem is a sort of Edicule?
My allegory’s all unglued.
Runny gouache, stewed
river clay.  Some no-count school.

The building, trembling in devolution
shored up like a veteran
with iron-rivet skeleton.
Metamorphosis by desperation.

My babble-model of the cosmos –
molded on a mini-dome
within a dome (Jerusalem-
fond matryoshka doll).  The keys

to a box, where lie a bunch of keys.
Over meleki limestone
slab, one forest olive-green
icon.  Your madre of collapsing gaze

rains down (with her clay ointment jar).
He is not here, he
is not here.  She’s
muted as trumpet, or Morning Star –

an eye-in-hand, an ocean tear.
Light blazes (calmly
coruscant undying day).
He is not here, he is not here.

Wind mews in muscular oak tree.
They’re up in Galilee,
maybe Cahokia... you’ll see.
Inventing deeds of agape – live poetry.

7.2.18

7.01.2018

only Osage land




WHAT SMILE

July... all the baby flags.
Every bright young lamb
tuck to torment in Vietnam.
Lyndon moon-face – how it sags.

Hubris... alien, demonic force
unhinged from humility
(vomitgreen parrot pity).
Folds bomber-wings in remorse

after all.  Neither national
nor international;
only irrational
(November’s double coronal).

I’ll finish off this work in progress
now, Columbia –
OK?  Oklahoma’s
only Osage land (but I digress).

& poetry?  Is just a conversation
among singed beans.
You joint it, Henrythin,
to ease U-Haul into elation

(somehow).  That OK.  The heart
is made of meleki limestone
(royal).  43 lamps shine
down upon them groove.  What

now, Henry?  What hum?  What ghost
flit as yum turtledove
‘bove fry Friday pirate cove?
What smile lightum up (coruscant host)?

7.1.18

6.30.2018

ledge of regal limestone




HUMAN PLEDGE

The cool dry tesserae congeal
in Sant’ Apollinaris –
dance, coalesce
into high figures of a royal seal.

Exalted features... recognizable.
Your neighbors (Limentani).
Riding bikes to the sea
to get away from scent of stable

(Mussolini’s racehorses).
That was then; this
is placid Minneapolis.
We’re not like them, of course (off-course).

The constitution of a human pledge
blazons these images
from pencil-boxes... pages
scratched out.  Natasha’s ledge

of regal limestone – living rock,
streaked honey-colored
marble.  Moss-layered
icon, limpid under chopping block.

Our covenants of disputation
rest on implicit ground;
Rhode Island in the round,
an Ocean State of transmutation.

The bond of love is clean as salt,
as plain as day.  We are
redeemed by holy fire.
The one you seek has left the vault.

6.30.18

6.28.2018

conversation for kids




LITTLE PEARL

The Hebrews found a verbal replica
for Pharaoh’s pyramids.
Conversation for kids
(& sheep, & goats).  It was Jehovah

came to intervene, to interview.
Some saw an Oedipal
triangle – shadow wall
of mud-baked bricolage (dream stew);

some saw trois anges, craning down
from Paradise – to speak
with Abraham, Sarah, Isaac
(that lightning twin would play the clown).

The pyramids are office towers.
No one will explain
how so much pain
depends on callous fingers (ours).

The just one wears a diamond pin
stuck through the heart –
QUADRANS IN IMO ET
IN SUMMA SUBTILIS (wide-eyed dolphin).

The Middle of the World, he said
& made the sign of six
ways (willow sticks,
or cottonwood).  So truth’s inbred.

Her little pearl of rectitude
is portable – rides
water as a cheek glides
tears.  That’s all (beatitude).

6.28.18

5.20.2018

May-time




ALMOND FLING

Palmers wayfare toward Jerusalem
& Holy Sepulchre –
empty signifier
for an Easter hymn (they’ve taken him

away).  A grail of ever-floating joy –
love’s Pentecost
fire-fizz Ghost
Dance for 50 stars (Old Glory

stitched anew from burial shroud).
Rivers of Paradise
(Tigris, Euphrates,
Nile, Big Muddy) circle back to cloud

of Ocean-Stream – source of sky-waters,
like round limestone
beaded with ripple-shine
to emerald gleam (through grisaille shutters).

Hobo, fish-eyed Fisher King,
beheld this vision
through a wavy octagon
of old gazebo planks.  & sinking

down upon his quaint Vienne étable
his head (like Bran of Grain
Elevator) made moan
for Miriam, or Marian, as in the fable.

Until your May-time dawn refulgence
metamorphosed everything
into one almond fling –
Oak Restoration (eye-in-palm, perchance).

5.20.18

8.30.2017

i.m. Don Peppino Diana



SEA-SALTS

Late summer by the Mississippi
yields an agon by the Po.
Fording his Rubicon, Hobo
hunkers by crossroad (at path P).

The stubborn soul, a milky diamond
in the murk, seasons a world
of wounds with salt – hurled
Don Peppino to the ground,

who fell as lightly as a moth wing
to the concrete men of Moloch –
smiling firmly, struck
a blow with kiss of peace (like visiting

ange d’or).  Take him to heart,
Henry, the mirror said;
that mensch you left for dead
leaps like a saltimbanco to his part

bench pressed against each prison wall.
Melchizedek demurred
Don’s invitation to world
domination – orange towers fall;

that milky mutter from a cloudy center
framed Ariadne’s nets
(enmeshed with quipu knots)
into a corn-gold maze.  You enter

Notre Dame like a gray wave
of seamless limestone
turning emerald... bone
by bone, like Jonah from the grave

                 *

her naval spine arches a dolphin
gray on gray – her eye
a waterspider... golden fly
fleeced with fine thread... riverine

almond, flanked by an equal sign.
This acorn fell from heaven;
here it shall remain,
be not removed – a seed from Okean

(Kiev domain).  While the Son of Man
through the murmur of murk
will shine, & do his work –
his echo in green shade, his twin

like Thunderbird flares out her wings
& rustles in the poplar leaves
where Peppy Di conceives,
Maria Retina perceives – brings

everyone to that shade garden throne.
It is a cryptic gravity
1132 feet high
& etched with J, or eagle eye – lone

outline from a deep loom’s frame
(Martin A. might say)
or copper penny for the Day
of Jubilee – ineffable clear cipher-game;

Tommy the Woodpeck’s narrow marrow-
proof; the oakleaf’s laugh,
or Death’s own epitaph –
lifting grey sea-salts into fresh tomorrow.

8.30.17

7.16.2017

St. Henry's Day



GRACIE MANSION

Hobo (the Holey Roamin’ Umpire)
waits on a pitch from Sleepy-Eye
Hank.  It is his day.
Home plate always Big Mother Star-

Fish play (a hide-seek curve ball –
Dad’s Scrambled Hamlet).
Around 9 innings yet.
Black diamond in Elkhart... St. Paul

stole bases off that pokey Cobb
(guess – tie).  The Twins
still mirroring last year’s
lost wins.  The ball can wobble

1132 feet per sec – 33 miles
per the union (1099).
Hank Aaron was my man.
Hit the dead aim toss, all smiles –

black pay-dirt (out of Elkhart minors
graveyard).  Rod bloomed,
the whole world boomed –
from Thunder Winnebago Hen (majors,

truly) into found pro (his Red-Eye Land).
Only a game, anyway.
If somebody tries to say
who started it... sweet Joanny Hand

of Gracie Mansion, twirling down
on Monday morning
(twilight grey).  So swing
on, Homer Hank – de day’s yo own.

7.15.17

11.04.2016

the flicker of a flicker



SHADY IMAGO

Yea though I walk through the valley of the shadow
of a raven overhead
with the sun in his beak – dead
noon in Jerusalem – I will fear no

evil.  The rabid orangutan
with his orange comb
trumpets drastic doom
for milky stars – the Black Son

of Memphis & his Romany
Hobos (a gospel band)
– he doesn’t understand
the music.  Where‘s the harmony?

Under a ruin of reconstruction,
the rusty copper scaffold
of jealousy (green mold)
they glimpsed a revelation

of plain limestone floor – the sepulchre
where Jesus lies in state,
briefly (before the great
grey wings translate to their obscure

futurity).  Along a Mississippi
sedimentary ridge, I spied
the quick white-gold
Ionian flicker of a flicker (underbelly

lambsdown curvature aloft)...
Io?  from Iowa?
Some swift sky-cow
out of Abyssinian abyss?  Soft...

                    *

I hear her owl’s wing whisper
through the silence.  Nut-
brown acorn chariot,
a whorl of grey cloud-matière...

Gödel’s self-interference, weft
of Maximus bard-
beard (sun tangled
with midnight, O infinitely deft

monarch)... Apollinaire in blue
kepi (the unknown soldier
waiting out the end of war)...
twin silver doves that mirror you

upon a double door from Mexico.
O Guadalupe – heart-
encrypted grail-casket –
cedar & cypress womb-Argo

whose planet is moss-green tomorrow –
bend down to sister Psyche
now, unknot my
Tauromachia; Raven’s shady Imago

unfolds a lantern crown of light.
Out of the cthonic hills
of frightened, haunted wills
a laughing stream called Make-It-Right

(the Minnehaha of the minnow tar)
floats Moses-coracle
to Dawn (original
lodestone – morning North Star).

11.4.16

7.15.2016

casket from Samarkand


GREAT RECKONING

Crusaders racing to the Tomb,
an historical pinpoint
in 1099.  Where He went
at 33 (a little room

for some great reckoning).  Daggers
in the eye turn every way 
shark swordfish play
for nightmare realms, & beggars

follow San Francisco up a narrow
fuse (to blessedness).
Stigmata (foolish meekness,
humble mulishness).  A wheelbarrow

carries mild infant Majesty
into his palmy kingdom,
spiky Jerusalem
(sea-rose of sandy history,

Rome’s  crabapple).  The viney mind
demands firm scaffold,
grid to climb, hold
fast – casket from Samarkand,

mercurial chasm, golden
kaleidoscope... meanwhile
one half-moon wafer-smile
of blinding white sail’s sudden

eminence rides on gray wave –
the plummet of an eagle
etches his grave seal,
marking 1132 (full fathom five).

7.15.16

Dartmoor pixie cross

6.26.2016

One golden witchetty grub


Once again, I countermand my own resolution... the urge to share is hard to resist.

FINAL ACT

They’ve found a fracture in the stone
unnoticed before.
The Holy Sepulchre
is buckling beneath the weight of its own

chapel.  & the confessions have
at last made common vow –
the alpha & omega
of restorations.  Centuries of

soot from votive candles must
be wiped clean; the vault
shored with titanium bolts
& stabilizing mortar, all the dust

blown free – for a strange energy
is here.  The Holy One
has set his seal upon
Jerusalemthe seal of a kiss (hey

ey yo).  Blind King Oedipus
is pharmakon – both
curse & cure; an oath
of the Aranda limns a sacred circus

for the Origin beyond hunger
& prey.  Man is both Man
& Grub; one handspan
joins them, sacred totem-pair

distinct without division, separation
or confusion.  Would
you return to the Wood
where, riven-branching, all began?

                      *

All the world’s a stage.  The Totem
glimmers in earth-cavern
like a mémoire of perfection;
handprint of omni-profundum,

quiet & invisible as wind.
The hand carves a circle
over gray sea, pearl
of adamantine quiddity – your mind

& heart, your soul, my wounded Psyche.
What will they find then,
beneath the slab?  One
golden Witchetty Grub?  One Nike,

linen, soiled by jogging Time?
I think they might unveil
a lost fresco – pale
replica (by Piero) of the same

design that, through the Ice Age,
lifts the crocus.  Stubborn,
indomitable baton,
both crozier & calumet – rage

will not overwhelm your calm beauty.
I think of Late Romances
revolving into dances
all around the Globe... O, we

have not yet seen the final act!
Ineffable victory
of meekness... it shall be,
because it is, always.  O blooming Fact!

6.26.16