love is a subtle mode of gravity

PEACEABLE REPLY

Love?  Love is a subtle mode

of gravity, persuading

everything into its ring

via reverse-magnetic motherlode.

Implicit ground of adoration –

centered in that other

sprouting up like heather,

unaccountable (& yet akin).

The Petersburg raznochinets

who wrote, maybe

we are Hagia Sophia

with a million eyes… completes

that Galilean one, who said

you are light of the world

& so like sheep into fold

he goes, smiling into Ya-Neku.

So like that sonorous Adagio

building gradually upward

on frail threads, the sad

clown walks into her thundercloud

shadow.  Like Mary Magdalen

she follows the mild voice

of one who mediates

all force with dove-modulation –

her cooing sing-song tilt of wing-

span balancing the red

& blue with a rusty rod

of iron – his wand out of Sing-

                   *

Sing, his foot-pedal, bruised purple

as small Rhode Island

violet (one grain in hand

touching the resonant key of small people).

She bears the crux of all martyrdom

across the political spectrum

like Mater Dolorosa on some

Syrian plateau of desolate Rom;

yet every child’s candle flickers yet

on the anniversary of statehood

& Providence, in the law-code

charted for Restoration Day (kismet).

When Rome fell, & sheep scattered

into milky constellations,

whirling light-grains

penetrating countless catastrophic

neighborhoods of pitch-black space.

In the darkest of Dark Ages

the ratio on parched pages

scratched by severed stump of Maximus

shone like Einstein intuition –

Man is imago of your Divine

infinite plenitude… sign

lofted into deepest void-perdition;

there is no sovereignty like this.

To be the peaceable reply

to every trumped-up tyranny –

we all God’s children, sang the Empress.

2.20.20

like San Francisco vertigo

PAINFUL CORNS

Henry’s inching toward the center

of his poem – bright high gyre

like William Golding’s Spire

(splintered, keening, full of ire).

In the Cathedral at Rodez, we saw

its balsa-wood replica

(like seedling, or amoeba-

virus) – Jocelyn’s vanishing awe

lifted to depths of infinite regress

like San Francisco vertigo.

Yet it shall not be so

with you.  Your realm is humbleness.

Your solar crown, a crown of thorns

your aureole a poor halo

picked up (after the show)

by crotchety vets (painful corns).

Somebody tell me where we’re going

with all this, Henry!

The acorn in an almond tree

makes not much sense; canoeing

(not a major sport in Italy) is

unlikely to resolve the fight

between the mining money’s might

& piping pioneers of wilderness

(attainted Oz).  Henry dozes

in his miniature oak tree –

a mythological Charlie...

& will he wake?  Check JB’s glozes.

6.29.19

surfing Delta gumbo

sketch by Benjamin Latrobe, architect

LIGHT DOWRY

On this day, 200 years ago

Benjamin Latrobe won

the municipal commission

for the bell tower in New O. –

St. Louis Cathedral, surfing delta

gumbo (French-Indian-

Spanish-Anglo-American)

on canoe-back of turtle-flotilla.

Oak Apple Day, Restoration Day,

Rhode Island Statehood Day

& many another day

no doubt (not far from Whitsunday).

In the well of the king, of the king who must die

(before time began?) shone

a shade of green pine

grieving... like an old Irish eye.

Luminous melancholy, just a shade

from joy – from the well

of well-being, when all

shall be well (amid all things well-made).

When frost of fright-scorn, the old

icehouse of sacred king

slides into melt... & everything

shines in right splendor of childhood;

when young ones in Rhode Island

or New Orleans lift themselves

to the light dowry of El

Shaddai – her pact of love and understand.

5.29.19

May Goulding at her Negus launch

UNFOLDING SHEEP

So the double wheels of the Venn diagram

(a kind of astigmatism from

from Ravenna to home)

mesh in a translated spacetime –

East to West become Rome-Byzantium

Greek to Italian Catholic

Orthodox – majestic

Chartres to homespun NOLA Notre Dame.

I’m working on a bridge, sez Hobo.

Under that nature morte

(Peto, Brown Decades) – what

the flower of liberty became... oh no.

The lilies on the funeral train

(Gould was an engineer).

Abe Lincoln’s here –

great Julius Caesar’s ghastly coin

(one lethal copper penny).

The wheel slowly revolves.

Agony gradually resolves.

The quiet sepulcher (Gesthemane)

became a bargaining chip at the Crusades.

What molts the World-Ruler

from Ides of March to your

sweat-April soul-showers (the blade’s

Excalibur) is some indomitable eagle-

heart – bald as the snowfields

north of International Falls,

wide as the river south of Angola.

                    *

You mark the justice of the refugee,

the accurate perception

of the slave.  Moses-pontoon

or old Italian canoe... it’s simply

the humble carpenter’s sharp eye

encapsulated in a bead

of honey (life’s high meed) –

gold oval of air, its quiddity.

Like throne of Isis in West Branch,

or Grant Wood making space

for Herbie Hoover’s birthplace –

like May Goulding at her Negus launch

(a cup of ceremony from deep

Ethiopia) for Henry Flower –

blooming nom-de-plume, your

lambent, flammable, unfolding sheep.

Rhode Island waits for you,

Son of the Evening Star;

little acorn-czar,

your birthday rhymes with Manitou –

palladium of shimmering mosaic

merging with river-clay

to meet Oak-Apple Day

for restoration (JFK).  A wake, awake!

It’s Rooster Henry, dusting off

the grave.  It’s everyone

thinking the train’s long gone –

finding an acorn in a hollow trough.

3.3.19

my circus is circumference

AGATE PATH

A camouflaged Eye of Providence

hovers over the pyramid

like an acorn emerald

planted in oak-leaf munificence.

The Geneva Drive is in Ravenna.

Its clock ticks in a circle...

twin circles... minuscule

mosaic tesserae resolve into Divina

Paradiso.  So Jesus-Orpheus the shepherd

pipes Eurydice

free of that ceremony –

Flee, Morning Star, into thy molten Word!

So Raven-Cautantowwit mounts up

like chunk of cave-shade

out of Narragansett glade.

History will halt here (full-stop).

The wheels... the wheels... from Sepulcher

to Joachim’s Eagle...

a 33, at harpoon angle

spins gravitation for a falling star

into reverse, Hartley.  Your 9th-month

manger – energy

transformer – tyranny

to liberty – Caesar to pigweed (amaranth)...

in our eye, blind soothsayer.

Dreamer.  Beware the Ides

of March, jewel!  The tides

wind up your record player

                 *

wrapping American wolf-hides

against endless winter,

before pale blue Easter

cracks the shell’s snowline... abides.

Two boats in Gloucester rock against the pier.

Twin meditations on a feast –

Thanksgiving yeast

to lift this clay into a Gaiasphere.

Light leaning down from high Polaris

filters into Catholic Oak;

Blackstone’s wheel-spoke,

planted in Pawtucket – ferrous

axle, trimmed by Roger Williams –

fortified by Edward Coke

to be King Charlie’s nook

when he eludes Roundheads (skipping exams

for exile’s exile – double-cross).

I’m whorling a rusty-russet

agate path, Juliet –

for you (muttered George Henry Loess).

Out of circuiting clay, no less...

out of the mid-month

warbling of Bluejay (29th

of May, no doubt).  Camelot is

something else.  The Lady in the Lake

of the Isles raises

Excalibur aloft... says

Hiawatha is a sacrifice (oak-thirst to slake).

3.1.19

the axis of the earth

ACORN-DHOU

The river moving through the cottonwoods

inspires Hobo-composer

to exceed his Oeuvre

Clumpy-Cloddy in the key of C.  Buds

trace their roots down limestone crevices

to seek that cave-lake

where dark streams make

ripples in a mirror-image (Beatrice’s

triune goddess?) in a palimpsest

of light reflections.  Mother,

lover, friend... your sister-

dove.  Affectionate witness –

Akhmatova’s golub-golubyanka

(an undertone beneath

the granite banks).  The wreath

Natasha flung into Fontanka –

today an angel, tomorrow only a worm

in the grave... only a promise.

Mary, in her distress,

beholds the gardener beside the tomb.

Hobo digs deeper, down his own

dream-channel.  Almond

eyes... the veil of Isis

in West Branch... curtains for Henry’s own

Clover, in Washington (where Adam delved

while Eve spun vortex-grief).

Vertigo in high relief

on Henry’s charcoal Chartres – shelved

Synagogue laid low, below Ecclesia –

belies a Nazarene concord

older than Byzantine crossword

shaded by almond-Hebrew Bona Dea.

Keep digging then, my clod.  You’ll find

the key, within a boxwood box

where lies a bunch of keys.

A black Egyptian Queequeg pine-

box, layered with tattoos

of hero-griffins – figures

of hexagonal stars

that shine like golden bees... Who’s

                    *

there?  Out of the mirror-wars

of courtly kangaroos,

through shady fig trees

shines her diamond Southern Cross –

the double trinity of Black Elk’s

six-way sign.  An acorn

emerald, lightly borne

as crown of Restoration Day : melek’s

JFK : Zion’s Nazir out of Galilee;

spume-signal from an Ocean

State – whale-oil ensign,

anointed Son... clé-figured Charity.

That old medieval Paris of Villon.

Pigments of blood, limestone

& sky.  Stained-glass zone

of intellectual Aquinas-light – reason

& faith cross-braided, interwoven

in the jewel-box of Suger,

in the emerald sepulcher

of Wolfram’s wayfaring communion-

wafer.  Omnipresent grail

of equal daughters, equal

sons... Love’s universal

sea-supremacy – each heart’s high sail.

So the rod of Aaron blossomed

over Nile sandbanks,

& a bronze serpent yanks

all eyes to Hobo’s Bottomland

Jonah.  Out of that Okie Okean,

out of that Osage eagle’s

den, your clay-born angels

rise to foot their river-span –

a bridge of International Orange

pillared like Jachin, Boaz

in wisdom’s corny maze

of adamantine joy.  So rich & strange!

Whispered by the Sybil through

these gold oak leaves,

for everyone who grieves.

A comfortable acorn-dhou

                   *

down Nile, or Mississippi, weaves

her zigzag victor-wake;

from Jordan to Lake

Galilee, her circle rings the sheaves.

7.20.18

serene enchantment

ROYAL SEAL

Springtime earth bears a secret promise

for that unknown child

somewhere, today – mild

summons of the midnight stars

foretell the coming of her Magi, too.

May burgeons toward her

flowery grand fanfare

beneath its vault (red, lilac, blue) –

a royal seal of lilac coronation;

within that dome’s one

multiocular panopticon

prophetic voices merge in exaltation –

serene enchantment of perennial life

blooming toward light itself

(O fragrant almond staff

sprouting sweetness – beyond all strife).

The infant nested in a great oak’s shade

smiles in soft seaborne air.

Ocean will prepare

her Restoration Day – as you were made

in the beginning, so shall you be again.

Shining in Paradise,

where all the rivers rise;

gemstones of blazing men & women

awakening from mind’s blindness.

Under an azure-orange arch

they sail... grail-search

fulfilled – Love’s everflowing happiness.

5.24.18

May-time

ALMOND FLING

Palmers wayfare toward Jerusalem

& Holy Sepulchre –

empty signifier

for an Easter hymn (they’ve taken him

away).  A grail of ever-floating joy –

love’s Pentecost

fire-fizz Ghost

Dance for 50 stars (Old Glory

stitched anew from burial shroud).

Rivers of Paradise

(Tigris, Euphrates,

Nile, Big Muddy) circle back to cloud

of Ocean-Stream – source of sky-waters,

like round limestone

beaded with ripple-shine

to emerald gleam (through grisaille shutters).

Hobo, fish-eyed Fisher King,

beheld this vision

through a wavy octagon

of old gazebo planks.  & sinking

down upon his quaint Vienne étable

his head (like Bran of Grain

Elevator) made moan

for Miriam, or Marian, as in the fable.

Until your May-time dawn refulgence

metamorphosed everything

into one almond fling –

Oak Restoration (eye-in-palm, perchance).

5.20.18

in my style of raven-squawk

OVER AMERICA

America, replete with stories,

bursting with tales – I’ll

tell you another, in my style

of raven-squawk (Cautantowwit’s

oblique rescue-directions, south-

southwest).  Narragansett

wraith of Afterlife – what

zigzags from the smokehole (mouth

full of shade).  Ink-echo of an Incan

Thunderbird, or bald eagle,

or maybe owl.  Feel

the light gray prickling your human

scalp, Columbia.  That Mexican

tin double-dove mirror

frames Aztec cult of fear

& violence (Dia de Muertos, Halloween).

The Consul, slobbering mescal,

muttering William Blackstone...

Went to live with Indians...

With Narragansetts.  Harboring all

refugees – all troubled, exiled souls

(Rog Williams testified).

& so we double back to Rhode

Island, to Providence.  My school’s

a bit of Brownian motion, drawn in

toward indomitable diamond

by Love’s invisible almond.

As magnet gathers scattered iron

                * 

into a Magna Chartres wheel

her beautiful dove-wings

breathed into lungs

inured to painvine (coal dust, steel)

& lifted Life up wholly from the ground.

That green palm held by Alighieri

circuited grey orrery

spun from high Ocean River State – profound

light fiery water vessel made of clay

wrested from death-cave

to quintessential grave

transfiguration – your soul’s dancing ray.

It is Love’s interlacing hands

figuring a catamaran

or Manitou two-woman

womb-canoe – crossweaving islands

in a cat’s-cradle (a fleecy safety-

net).  You may not

recognize the US yet

in such pre-Cambrian confetti –

Ezra Caw-Caw Ezekiel, on his harsh

bark, wandered, insane

with hatred.  All began

in 1913, he would cuss – poison marsh-

land of the War to End All Wars...

Yet Henry’s hobo mule

mutters an older Yule

under his breath.  Open the doors...

                *

those silver mirror-doors of monarch-land.

Roger’s canoe banks in Ferrara

shade-garage... Alleluiah.

A little almond planted on good ground

blooms to Eternity.  Thanksgiving

magnanimity, sweet William

sings; the grey I AM

flickers in flocks of overshadowing

lightness.  The one who made himself

perfect transparent acorn

octahedron – he was born

at end of May (ancient festival

of restoration).  Like evergreen

King Arthur... JFK

or MLK... Melchizedek

emerges from his tent of welcoming.

The doom that Jesus faced on Golgotha

he had prepared for, long

before.  Green prow or prong

of spiritual Power, he bent like Uther

Pendragon into the beggar-skins of men;

he smiled, & shared the bread

& wine; made his last bed

a sepulcher of victory, beyond our ken.

Over America, the clouds roll by.

The curling fiddlehead,

the milkweed pod... float

on your way, Monarch.  Souls never die.

7.18.17

broody engraving

HIGH WATERSHED

As when a song transposes suddenly

into more stringent chords

the charismatic words

Dante-Apollinaire relay

from salty mud-flats of Ravenna

hungry Parisian streets

emerge with copper rivulets

of Mississippi calumet – that gateway

mound out of the bottomland

that mundus in a grove

or Okie Argo alcove

up from rustling bronze riverbend.

A pileated woodpecker

with fiery crest drives

toward dread beehives

of Annie Oakley – checkmates her

bull’s-eye – knocks at the door

of sharpshooter & target

as she drills toward

his dragon-beak of pain & blood, for

leafy harvest-time of bread & wine 

(ripe honey-gold high meed

poured out of night   freed

goldfinch   slipped from nest of twine).

So Thunderbird laced the perimeter

like one ghost dancer over

one ghost kingdom.  Power

flickered from its lightning center

                *

& with spark of recognition

the Life-whirr dove across

an abyss of non-existence

wakening green acorn nation

to restoration of all things

as it was in the beginning

ever shall   beginning

with your soul & mine.  The king’s

a monarch like Melchizedek

alighting on a milkweed

whose electric feed

mauve candelabra Shaker-speak

& lift the everlasting seed

to drift on orange wings

& ange d’or strings

to azure Gates   high watershed

for humble mule-servant   that beggar’s

beggar   slave’s life-saver

huffy Hen’s   broody engraver

Elijah’s raven   bearing messages

like crumbs of hope   for dying prophets

thirsting by the stream

to hear the pure Dream-

Songe   of limpid safety-nets

where rivers stream toward glory

in the salt infinity

one sarabande soul-tree

of beaming suns   their wake of Victory

7.11.17

experimental Restoration Play

RAVEN-SPELT

Cedar shade of Galilee,

Aesculapian shepherd

staff of serpent-

skin, shed (leafing royalty

in vernal memory).  Magdala

Stone of good deeds done

O spouse of rustic sun

& witness won... lowly Messiah

come & gone (& come again).

Time flowers on the lips

& salty fate slips

into diamond lantern (homespun

dream of overflowing glee) – a shout

of joy from a windblown seed

of newness sown (whorled

Jubilee) – canoe-galleon, afloat

round Milky Road (unquenchable

Eternity) – that lights

gold Magna Carta rights

welded in smiling crucible

of Manitou.  So on this day

Canonicus & Charles II

framed (raven-spelt) new

Charter, for primordial Way –

experimental Restoration Play

within green cedar

fane – firm oaken chair

of planetary cheer (our Ripening Day).

7.8.16

Roger Williams Memorial, Prospect Terrace, Providence

* Note : on this day in 1663, King Charles II of England signed the charter creating the new colony of Rhode Island.  Written, and sponsored (in London) by Roger Williams and Thomas Clarke, the charter pioneered a new form of government, founded on principles of religious toleration and popular sovereignty.

Royal Oak

A few years ago I began digging into various writings on anthropology, from The Golden Bough forward & back.  One of many things which fascinated me was the resemblance between archaic kingship rituals, from around the world, and the rites of Christianity.  It's a strange way of putting it, I know - but in some ways it seems as though the early Christians had struck a taproot leading back into human prehistory.  The story of Christ's "kingdom" (or anti-kingdom) and sacrifice - his giving of his "body & blood" in the Eucharist - was like a reflection of prehistoric human social rituals.  The King always "stood for" the God, or the Source of all goodness : he was the channel of the life-force (anthropologist A.M. Hocart expressed this quasi-governmental role of archaic kingship in his classic study Kings and Councillors).

It's as if the Biblical testimony - itself stretching back into earliest Judaism, offering a cosmological picture of the source of life - was reflected in a kind of "royal seal" or template : a gold coin with two sides, showing Past and Future...

MOSES-KAYAK

The soul’s a kind of mirror, they

used to say – the old

mystical sheepfold;

you’ll find it on baptism day

refracted in an oval, seen

through water.  Incidental

angels rim the cave-wall

(all elongate, string-bean

apparitions, seraphim)

till harvest ripens

& a scythe descends

dividing wheat from empty flim-

flam... everlasting Judgement

Day.  That Galilean

gospeller, Samoan

wrestler, flipped oval Testament

into tight spring – a seventh wave

reversed the Jordan-flow,

the eye of Moses-kayak now

recursive back to Adam’s grave

(SW of Lake Victoria,

no doubt).  My Mirror Lakes

were Mendelssohn out-takes,

rehearsals for a Globe-historia –

the young king, hidden in an oak tree

still, waits for his mother’s

signal – climbs from a mummer’s

moth-shroud – floats to the Sea...

9.18.15

Descendant of the Royal oak at Boscobel House (courtesy of Wikipedia)