on long feet

LIGHT RABBI

Calm evening at the end of April.

Wisdom of the ancients –

unity of changing constants.

A continuum… a synthesis… a will

to find a meaning in the whole;

a portion of instinctive

gratitude – the urge to live

unfolding origami in the soul.

We dwell beneath an aegis of benevolent ideas

like clouds (reflecting sunlight,

bringing rain).  & everything

will be all right, my father said – his palm

over my flooding eyes.  This the providence

of sparrows & tall kings –

of all those feathered things

that soar so bravely into turbulence.

So then… who’s your imaginary friend,

Henry?  That loony Hobo

drifting from his local slough

down to the Gulf of Mexico?  Just a bend

in the river?  See thou, Hart says

– touches a key, perhaps.

After the world-collapse

he’ll still be burbling his sabbath-sense;

planting a tender middle C

between Ocean & me

where clay & sea

are cleft at last, to rescue Thee 

                *

– the clé to my ecclesia, Julie – 

a soft glissando pour l’église

from San Francisco to Louise

(grey Dolphy surfacing beside me).

& if reality is simply a supremely poetic idea

then the Imago of images

is like a seed of peacefulness –

a still point (painted on a bowl in Cahokia)

or that eye-in-hand Hobo held out to me

the wad of river-mud

Rabbi patterns for the blind

saying, Ephphatha… (gently, gently).

Everything has already been redeemed

& an orb rests in Hobo’s eye

with dewfall of memory

& earth-pangs for the not-yet-dreamed.

Everything rising with the soeur-coulombe

the sister-dove, the Jonah-Joan

the twin, O my beloved one

light Rabbi hopping through the gloom

on long feet   heading for the nest

on crest of wave

that vertical canoe-nave

pronged   at heart of Southern Cross

6 tracks of Black Elk diamond

ghost dance of Rio del

Espiritu   sprung up

for you & me   out of dis April pond

4.30.20

the distinct end of poetry

V-WAKE

The distinct end of poetry is beauty.

& beauty is wholeness, radiance

& harmony, per Stephen Dedalus

– out of Aquinas (Aristotle too, maybe).

Beauty, rounding on itself… dimensional

& resonant.  Unlike the trodden

thoroughfare of explanation,

abstraction (utilitarian, impersonal)

& then Truth stands there, facing you –

smiling, breathing! – the mimesis

resolves at its moral crisis – the

peripeteia of heroine & hero flow through

& it’s all too real, this thunderstorm

in your heart – when Lear

& Cordelia meet again (in fear

& trembling) at the obliteration of all form

all kindly grace, all courtesy & charity

beneath tromping beast-breath

& mincing m’carnal serpent-teeth

– until you hear the tingle of the mercy-

bell (so slight, so bright, so still).  So

I would defend the poets’ cause;

manifest those subtle laws

(human & divine) by which they fulfill

their milky icons, walking through stone

as in an Easter season

at the Great Sabbath Even

when Mary goes to the tomb (afraid, alone)

                         *

& meets the shy gardener (Ever-Living One).

So I would elicit my own

testimony (prodigal son) – &

body forth a pregnant Henry maze, spun

from that seedy Emperor in mid-July

who loved Our American Cousin –

swan-diving into Frisco basin,

branding his heart with fiery Never-Die.

& under the aegis of that orthodox St. Maximus

I would retrace the delicate brushwork

Marsden Hartley (in his Moby Dick

memorial) marked 33 – sea-terminus

or Ocean-birth, Jonah or sepulcher…

black hole or vanishing point,

centering thin, small (paint-

brush) horsehair… your Jerusalem Chamber.

Everything resolving now, in the master play

when Prince Hal meets his father

– O recreant & fickle feather!

Arrogant betrayer!  This your day, boy –

clasp your virulent & blood-soaked crown!

For the rêve-songe in the river-

valley of our May-King quivers

in a V-wake – groans with a birth – your own!

When the Eagle of mute Joachim molts into Dove

& Mammon-prone America restores

Columbia – & when the sun soars

in the oak-bole, & Cordelia mimes… LOVE.

4.17.20

the legend of Guillem d'Orange

CALM EQUILIBRIUM

The frail forsythia across the drive

is leafing now, sweet

milky gold.  Is life complete,

somewhere – some honeysuckle beehive?

The legend of Guillem d’Orange

seeped into the chansons.

Found its way to Stalin’s

cantons – Osip took an interest (étrange

poète – tel joie de vivre!).  Guillem’s

a distant relative, by way

of Negus ancestry –

West Branch an Ethiopia of idioms

& Quaker scattergood.  Small world

of planetary matrices…

– a world Guillem renounces

(adieu, Charlemagne) for cloistered

Provençal sea-cave.  Knight becomes

monk.  & shall Earth rest,

also? – quaint Jubilee bequest

someone foresaw, 3000 years ago?  Sums

multiply… an exponential calculus

bending toward vertigo.  Yet

Osip & Oscar Cullmann know

an elegant solution to the cul-de-sac (us

vs. Rus… general apocalypse).

The restoration in his Name

returns the Other to the Same –

after a darkened Holy Week’s eclipse

                     *

the Wolf shall lie down with the Lamb

& whom Jerusalem encrypts

shall meet Sophie – who skips

from sepulcher to Ghent (near Amsterdam)

to gaze from candid sheepish eyes

into the crippled stadium

(where waves of human tedium

crash against hate-riddled walls)… & rise!

I see that other monk, Franciscan-

Neapolitan Joachim – his spare

horsehair, daubing seraphim

& golden Thunderbird (tall plummet-plan).

Third Aeon of the Holy Ghost,

gyring… with restoration

in her wings.  A gravitation

from the grave – gift become host;

33 years of absolute devotion

(1099-1132)

framed by crane-bone flute

& Marsden’s Melville-crucifixion.

You wonder at my curious forgotten lore.

It isn’t hard to find.

Her golden fleece, refined

by fire, still shines from everywhere;

sheep in witch hazel, murmur-dove,

pearl beyond price… she is

forsythia of everlastingness –

calm equilibrium of Pax (justice & love).

4.8.20

like an unremarkable cup nest

SLOW CHANT

Brown river, in a transept of browns.

In a gully of mid-March.

She slides by Arch

to Gulf, to be engulfed (drowns).

A scrawny bird scrapes overhead.

Plain sea-gull?  Or

some magpie pio-pio –

newsy jailbird finch (last heard

in 1938)?  What about Mudpie Robbins,

the St. Louis Cardinal?

Pitches his meta-material

nested steady state hysteresis (spins

on clumps of slag – chaotic shmush

of paired radii

with reversible pi

slippage).  Camouflage whoosh

like an unremarkable cup nest, filled

with grass & rootlets…

one a them twig safety nets!

Jams into stadium – an emerald,

mobile stable of staple u-particles

crowded along a spectrum

between sand, cotton… some

aleatory compass… (see Hunter King articles).

Over the chained bay waters –

rhumb line of pilot-bird.

Oscillating upward

into a faery 4-leaf clover’s

             *

earliest, minuscule sward…

as a Newport plover’s

nimble track veers

o’er sand waves (Ocean bard).

So from the lifeless mineral heart

of Minotaur, a green

sprig, emerald gemstone

springs.  With Nestorian art

(Eugenio’s grin) all the birds of the air

assemble in the palm tree;

a mustard seed (tiny,

fiery) molts to canoe (in her Ferrara lair)

& branches crossways, into quatrefoil; 

the remote & royal midnight

blue of Southern Cross (right

up there) hovers over river-soil,

& the Firebird (that sole Pentecostal

scorching glossolalia

slammed into orb-regalia)

skims from our Mater Dolorosa

biomimetic widow Rose… bent

beneath rose window

(Apollinaire’s slow

chant out of humbuggery, resilient).

So the nesting instinct of the Nazir,

the mother Hen of Rabbi

Rooster-Crow, will sigh

& spring an Easter egg (O Chanticleer).

3.18.20

so Pocahontas might emerge again

PONTOON BRIDGE

The timid sun blanches behind these clouds

of January dim.  The miniature

ice-floes speckle the river

as they move south.  Chilled Hobo nods.

Yes, Henrah, there’s sleep-work to do

in this hibernation.  Dream-

boats a-building.  My trireme’s

a ship-in-a-bottle (of Irish brew).

See through the glass?  A beauty she is.

A bloom of almond petals

like a round of Grumman metal

canoes (nickel-dime aluminum Kris-

Kraft, maybe).  Like a micro-tuned

pontoon bridge, bent

from Iron Range to Ghent –

gildered from Gravensteen to Gravesend.

Henry slumped on a frigid cottonwood

stump, stumped.  The lantern-

bark in Hobo’s paw turned

green... little nef of oaken holly wood.

Cathedral Mary mine... he intoned.

Turn back the puny gangsters

of the bleak – these drugstore

Minotaurs – high Fraudulence enthroned.

So Pocahontas might emerge again

& roll Rebecca out of Gravesend

lifting her golden wave of corn

enchanted, vertical... toward Washington.

1.13.20