the distinct end of poetry

V-WAKE

The distinct end of poetry is beauty.

& beauty is wholeness, radiance

& harmony, per Stephen Dedalus

– out of Aquinas (Aristotle too, maybe).

Beauty, rounding on itself… dimensional

& resonant.  Unlike the trodden

thoroughfare of explanation,

abstraction (utilitarian, impersonal)

& then Truth stands there, facing you –

smiling, breathing! – the mimesis

resolves at its moral crisis – the

peripeteia of heroine & hero flow through

& it’s all too real, this thunderstorm

in your heart – when Lear

& Cordelia meet again (in fear

& trembling) at the obliteration of all form

all kindly grace, all courtesy & charity

beneath tromping beast-breath

& mincing m’carnal serpent-teeth

– until you hear the tingle of the mercy-

bell (so slight, so bright, so still).  So

I would defend the poets’ cause;

manifest those subtle laws

(human & divine) by which they fulfill

their milky icons, walking through stone

as in an Easter season

at the Great Sabbath Even

when Mary goes to the tomb (afraid, alone)

                         *

& meets the shy gardener (Ever-Living One).

So I would elicit my own

testimony (prodigal son) – &

body forth a pregnant Henry maze, spun

from that seedy Emperor in mid-July

who loved Our American Cousin –

swan-diving into Frisco basin,

branding his heart with fiery Never-Die.

& under the aegis of that orthodox St. Maximus

I would retrace the delicate brushwork

Marsden Hartley (in his Moby Dick

memorial) marked 33 – sea-terminus

or Ocean-birth, Jonah or sepulcher…

black hole or vanishing point,

centering thin, small (paint-

brush) horsehair… your Jerusalem Chamber.

Everything resolving now, in the master play

when Prince Hal meets his father

– O recreant & fickle feather!

Arrogant betrayer!  This your day, boy –

clasp your virulent & blood-soaked crown!

For the rêve-songe in the river-

valley of our May-King quivers

in a V-wake – groans with a birth – your own!

When the Eagle of mute Joachim molts into Dove

& Mammon-prone America restores

Columbia – & when the sun soars

in the oak-bole, & Cordelia mimes… LOVE.

4.17.20

Cordelia in the wasps' nest

AUTUMN RITE

In the car coming back from the memory unit

I catch the tail end of Mahler’s 9th

the slow slow strings’ fading strength

bent like snarly willow limbs into some resonant

sweet culmination (ancient Mendelssohn

elegy in mind).  Autumn’s

rust-blood golden sun’s

quintessence now, O silent one?

Cordelia in the wasps’ nest, at the axis

of the earth... Lear, trembling

like an oak gall wasp – bleeding,

stung by the crypt-keeper (Euderus

Set).  The wasp within the wasp, Osip –

Shakespeare’s quaint acorn-

crown of happiness (shorn

pharmakon).  & shalt thou drink my cup?

The box-within-a-box, the matryoshka

toy?  Like bloody JFK

in Dallas, on a Friday –

Jackie’s pink tiara (autumn leaf regalia)...

The river of violin sound measures time

to its serene delta, my friend.

& the tree (Hagia Sophia with a million

eyes) harbors the wind like a nursery dome –

you hear the sound of it (that waterfall

through twin cities, Berryman)

but you know not whence (my son)

it comes (oak’s Galla rite, imperial).

10.15.19

a merry caw-caw for Thanksgiving

GIVE THANKS

We give thanks for life’s poetry

which arrives (unexpected)

through gates of neglected

farmyards.  For the spare mystery

of solitary lighthouses, beaming

steady wheel-spokes

(Rhode Island folks

know what we say, dreaming

sea-woven Narragansett night).

A merry caw-caw

semaphores her law

by roof-smoke... Raven’s last rite;

like Roy Van Doublegram – cross-eyed

matryoshka doll

(owl in a well) –

Hagia Sophia’s multiocular Argo-hide

(serpentine tesserae’s bronze

glint, like Quetzalcoatl

drifting up from Mexico).

For being lifted up to heaven’s

dome, by way of Providence

(O supernatural Grace).

Who is that Falcon-Ace

on Ibis-wing, speeding to silence?

Emily, Cordelia... be

with me now.  Will

must climb volcano-hill...

Love’s Istanbul (Turkey).

11.20.18

down by the River Road

Mpls. Star-Tribune, spring 1957

ALTER EGO

Hobo, out there in the wind & the rain

like a shattered King Lear.

An old-fashioned father.

Harmonica squeals – like brakes on a train.

Looks up toward the ridge, where Henry

mimes King of the Oak.

The Knot-King (royal joke).

Spidery threads cross buffoonery

with tacky mute muttering...

clay Eye-in-Hand

from Coatlicue-land.

Anne Boleyn territory (stuttering

terror).  He’s your 8th alter ego

this month, moony Earth –

been angry since birth.

Tsk, tsk.  Some boor’s addled Eddie, yo.

Divided-dividing, fibrillated

fibber... earthquake

salaud in pancake

make-up.  Henry?  Must be related.

Brothers, battling in his head

since Cain was able to kill –

equilibrium still

left out of the equation, love.  Sad!

There’s a buried man on the other side,

sire (near Pig’s Eye).  Emerald

green, her leaves unfold.

Big Muddy catfish will abide.

11.17.18

like a dream

BLIND EYE

Like a dream in the womb, in the mind of a maid

before all things were made.

Came naturally, she said

when the foundations of reality were laid.

Providence, burnished by smoky November.

Like a canoe on the edge

of the cataract of knowledge...

at Prospect Terrace.  You remember.

Roger Williams, sturdy son of man.

Dark grayish blue

Hope Diamond, you

whisper (below junk jewelry scams) your plan

for Providence.  Triangulated eye

over the Mammon-pyramid.

Re’s Eye, long hid

in our blind eye – to crucify,

Henry (in RI).  That woman in the wilderness

of last things (Chinese vase

still circuiting her stillness).

French, blue, Jeanne.  Fiery duress...

Only a child’s distress.  Cordelia.

Le coeur de Lear, de l’ear...

Coeur de Lion, here.

Skinny crane-bag (of ocean spray)...

St. Paul’s most blazing eloquence

out of heart’s Pig’s Eye.

South of the city –

Mississippi limestone (fossil evidence).

11.16.18

digging in the dirty green

AYE-AYE

The dirty green of the dollar bill.

Gardener George, earwigged

on one side (with a big

little Mona Lisa smile).

The eye over the pyramid (annuit

coeptis) on the other.

Levitating, mother!

Mammon, touching his limit –

a gilded pharaoh, forced to step

sideways (into the river-

sand).  Busy beaver

out of Illinois might be princeps

round here (nobody knows

til all the votes are counted).

We are all the Lord’s anointed

Preacher-Judge (siege perilous)

leers in the face of b-flat storm –

Cordelia, ascend

your throne, bend

everyone to teeming agape (love’s form).

The government shall be upon

his shoulder (right to left)

until the desolate bereft

& greedy soul relents – a human

Imogen emerges, lowly

& victorious.

Dancing the periplus

of Arg-Noah (144, aye-aye).

12.12.17

O splendiferous butternut

SALT-CUBE

September butternuts bombard the ground,

soft lime-green globes a-burst

with rich black compost-

muck.  By genealogy of sound

they must descend from Milky Way

on high; from some black hole

of fiery Moloch-El

shifting the gravitational display

plummeting like an otfe-stone

out of St. Peter’s burg

to vertiginous epilogue

(Akhmatova-agate, or Pushkin-

bone).  Sealed with a raven-knife

tattoo, absinthe still-life –

l’Affaire Dove-Sister-Wife,

mired in a faro-game of civil strife.

Her smile’s invisible as air.

Now Phoenix is on fire

& flooded Lone Star Empire

waits for Milly the Kid to appear;

up here in Minneapolis, Frank Gehry’s

fishtail art museum

harbors Hartley’s muse.  Glum

Crane surfacing as white shark – hairy

situation! & out the window, there’s

Berryman’s burnt span –

marooned sad son of Man

abridged to riveted soul-tears.

                   *

Some autumn in King Lear, mayhap

(John’s doggèd copy?)

may Heav’n shed mild mercy-

milk through these blind spokes, old Pap.

It’s waiting for you, Cain, McCain –

open your magnanimity

to gratitude!  See

to the superflux...  She comes again

light-feathered through your heart –

Cordelia, Columbia;

unscrolls the epigraphia

footnote on warped LP (dappled 8-part

harmony) – spectrum of a weedy

Jonah-flag.  Within gray

scales, smoke-signals (hey

ey yo) her hand waves complimentary

colors – black earth, jungle green

& orange flaring yellow-

gold (passage to indigo);

red, white & cinder (ultramarine)

complete the ashen diamond

salt-cube of Manitou

(that Hiawatha 1-3-2) –

whose handspin sets a table ronde

for Pilgrim as for Wampanoag

& etches mene mene tekel

onto Minotaur’s tough Jekyll-

hide (only a promise, Nadia-Mag).

9.7.17

meet & join

personal compass of Roger Williams

FAMILIAR ALMOND

My snarling yarn snowballs thistle-

clumps of confusion into

the midmost of the Slough.

Incomprehensible green missile,

towing kisses from that acrid swamp

in Mendelssohn (whence

we dragged a canoe by bare

feat, Heidi, home – only to dump

it in the permafrost garage).

There are many jinxed

men buried in there, minx.

Path P was a chi-rho camouflage –

X murks the spit (twin cousins

rustling for windy blessings).

Oaky, salty Invernessings

hone your eye into a baker’s dozen –

thirstings between gold floor-leavened

loafers & a 14

April funeral (foreseen

but not seen-for).  The scene’s unheavened.

Then for heaven’s sakes, let’s have it,

Lucky.  Twelve’s the number

of twin seraphim (Mary

& John) & Jenny’s lost mint (Juliet)

– the mother rising in the leery

graviton – the hamlet

feeling mighty chary yet

(Blackstone on hold, with Roger steering

                     *

spins his compass toward the iron clearing).

West, Virginia, west

to Vermilion... yon felix

nest.  Gone dragnet spearing.

& yet the guyline mumbling

of poetry retrieves

a sense of limpid leaves;

the universal shuttling

of loom with lambent seraphim

conceives an agate diamond-

crystalloid familiar almond –

6 paths of Dakota Slim

remind the mind of Eagle-Heart

(who reigns by thundercloud

of humble Jonah-bird

O sages in the Super Mart)

that everything says meet & join

in lattices of give

& take   Seek ye   & Live,

that honey-dome   of stubborn pain

intones   my cousin Juliet

great-grandmother Jessie

Ophelia   madre de Jenny

listen   a gentleness, O jet

of Mississippi water   sip & see

the ghosts come back to me

in Paradise   a little tree

of Jesse   blue   (a juniper, maybe)

4.12.17

the family woodpecker

STEEP RAVINE

Quiet today along the river.

In the steep ravine, only

the Morse drum-talky

of the family Woodpecker

interrogates the oaks with hollow

query.  Where are you,

worm?  Job’s blue.

Ice-packed for the long, Nile-slow

Egyptian winter, thick with Pharaoh-

dolour, pyramidical –

ridiculous cyclical

suffering, encased in snow.

It’s not his fault, & he will tell you so.

O, if these canyons were

only in a book!  We’re

leaving – desiccated, delicate.  Don’t go.

The poet has her humors – she’s

devoted to them, wholly.

Lear’s wise Fool, she’ll

follow Boaz carrying the heaves

out loud, in sheaves.  The polis, too,

be uncobbled knowledge.  What

vaguely familial knot

of rivals, bickering horseshoe

favors for grubs, is this?

Not Man-Eat-Too-Much

or Minotaur – no, such

rapacity’s reserved for the abyss

                *

of Pole Star Netherworld (Étoile

du Nord).  Little Crow

stood there, y’know –

with the Red Wing clan, in a potted bowl

of leers.  Stood with the scapegoat

as a prophet should – charisma

whirling in the twister-eye

(magenta bronze, the serpent-calumet).

Who sees him sky-hole in this mess?

Light imperturbable

as Mississippi burble

through a transparent lamb-lattice –

the holeness of that holy garment

parti-colored Joseph wore,

shellacquered semaphore

way under limestone sediment

of painful jealousies & wounded hate.

Her singular vocation,

musing on desolation

til scarred earth-pangs abate –

bored by a dream of early days.

Canoe of Camelot,

Lake-Lady’s thunder-knot...

the old bare dance, woodpecker maze

of placid Oak-Gal Day – a writ of spring

(St. Vitus 1913

Paris Corn Maiden)

that joins Creation to Thanksgiving.

3.9.17

like Lear in rags

FRESH WELL

Hobo hides out among his cottonwoods,

a shade in camouflage

of cotton shade.  Mirage

of dreaming limbs.  She’s Robin Hood’s

Maid Marion, mayhap, he wheezes

in his sleep.  Across the road

(under the Shriners’ bold

benevolent scimitar) three turkeys

elegant & dainty as Enlightenment

grande dames mime

their quadrille parallelogram

athwart a sump pump drainage vent.

America drowses in Sargasso Sea.

The frigate Rachel picks

up Ishmael, sticks

him in her hold for an Eternity –

Queequeg’s confessions will be written

on his skin, with milky raven-

ink.  Temple of heaven

& earth, your living image (spit-on)...

Every inch a king.  Take physic,

pomp.  O, I have taken

too little care!  Reason

is gone, Regan is Goneril – my wick

sputters waxy blood, not gentleness!

Old man Pound rages

like Lear in striped rags –

Who shall succeed this rookie wilderness?

                     *

My cottonwood sap is like a floating mote

in Ezra’s crochet eye.

Lend him humility

for Lent – he’ll shrive his peacock boat

like Provençal Guillem d’Orange –

warlord who gave it all

away – the pride, the gall –

for fasting, prayer... passing strange

peace.  She is our peace – Star

of the Sea, the Evening Star;

ange of Apollinaire,

pirhouetting fée to end all war –

green child in her basilica

outlasting Stravinsky’s

thundering infamies

against her limping bull’s-eye

crane-dance labyrinth –

Natasha’s temple

limpid, humble, simple

climbing a ridge in Voronezh.

The temple of her body (yours,

mine).  A little salt

savors that azure vault –

elfin leap across the years

into the pond where Hobo swims

& Ishmael paddles... Jonah

surfs... Rachel’s Magdala-

spring (where the fresh well brims).

3.8.17

you cannot buy free soul

FLAT VODKA

The weather is alchemical,

the mix is changeable

& lethal – Lear will fumble

through the hailstorm, inconsolable.

The air is saturate with salt.

Even the snow is bitter

as flat vodka.  Better

to butter up the mayor, Walt –

don’t you think?  I don’t.

His orange head is swollen

full of bloody poll-pollen –

he likely toss you to the Don.

Phosphoric Osip fingers his Commedia

for signs of figlio

della figlia... down Rio

del Espiritu wend lilac, willow, etc...

Dumb Cordelia keeps her counsel.

Won’t corrode the word

filial with a coarse reward.

You cannot buy free soul,

dear heart – & salt is cheap.

Cotton bolls is de termite,

but woe unto de spite-

docta, who sow to weep.

I see a Solominka mincing

on the edge of a knife,

a precipice – fine

Ravel for violin (pining).

11.18.16

radical carrot

PACIFIC GATES

All the dry seeds go back

into the clay, like these

on their wand of wheatgrass

(like a gold cattail against a black

park bench).  A nut curves over the sky

for this brown recluse (Hobo

on his own West Branch).  So

a midnight Isis took her milky way –

a stone skipped into Petersburg to say

all things are equally beloved

in the chaste eye (earth-

shaked adamant Columbiad of Liberté).

The hungry crowd rages for opportune

justice – the pumpkin man

bugling Promised Land –

& like the ravenous orange trumpet-vine

we cling to dreams of Mendelssohn

& good old days...  So let

the radical carrot

root deep in Galilee – a love so alien

& corny, only Beats & donkeys

out on Frisco Bay can see;

for you just as for me –

as for Akhmed, Aunt Bea & Weldon Kees,

each everyone – this equity applies.

Let go the superflux!

yawps Lear, & let the buck

stop here – behold Pacific Gates arise.

11.10.16

he was no Big Fish

SWEET CORDELIA

Like a Showy Ladyslipper in the woods

unseen by all except

chipmunks (scrabbling adept

through silent clerestories of dead

cedars) Hobo strayed, from Ursus

Major to St. Apollinaire;

he was no Big Fish, barely

a minnow Star du Nord (Jesus

his seine-maître, toiling away

upstream).  America

steamed on, formica-

sleek, pregnant with Labor Day

& White-Tailed Rabbit & Polar Bear

looked on, from cell blocks

melting in the superflux.

The Man of Concrete was no longer there

(he’d cried himself to sleep).  Henry

by a berried Berryman

stood by, his Resurrection

Plot cartooned in St. Paul snow (flaky);

apathetic Oblomov, at the gazebo

spied Olga in the distance –

wading through native plants

like sweet Cordelia coming to rescue

jet-bagged Lear.  Earth dangled

from one silver hair,

suspended over the bear-

cave (striped with blood, star-bangled).

9.7.16

"Pinecone", by Marcia McEachron

Mais ou sont les neiges d'antan?

BOAT-MAID

Primeval spring, at the center of the forest

at the source of headwaters

where mothers find daughters

& fathers, sons... your robin’s nest

I sleepwalk toward, beneath half-notes

of chickadee, shrill keening

wail of cardinal, seeking

Persephone (between ice-flotes).

Psyche, Ophelia, Juliet...

your muttered hobo-names

for fishing lures.  These games

of avocation... drowsing yet

below Cahokia, the Kore fields

of poppies (Orleansville

or Alexandria)... Île-

de-France... Ariadne’s golden wheels...

Old Guillaume with his mummy-crown

smokes goldenrod & wine

beside the snoring Rhine.

Hobo might catch a Jonah-fish, or one

might swallow him (it’s all the same)

pining beside the brook

of Lethe... – say there, look

anew, McDuff!  Her ancient name

is Cora – she’s a round boat-maid

of cedar (juniper);

her berries are pure

blue, honey – she’s evergreen (almond).

2.26.16