that hexed hexagon

PRICKLY ROOFTOP

Only a light whisper of April snow

feathers the riverbank today.

The wind-serpent will flay

with rippling wings its own mud-brown

flow.  The cottonwoods lean overhead

like ribs on a canoe.  Gray veins

of some cast-off snakeskin.

Glass fane of Great Worm (empty, shed).

Where are the springs of yesteryear?

This April curls from cold

& back to cold.  From cold

to cold – inhuman, viral (some Shakespeare

Villon).  So the chill indifference

of animal aggression marks

its seal on each snowflake.

Each one unlike (unique monstrance).

So who invented this immaculate snow?

A mind of winter?  Or

a dreaming Melchior – his

clouds on high, his Bethlehem below?

We sleep, we wake… like soft snowflakes.

We drift, we float… we land

& melt upon a child’s hand.

The soul is like that dark green pine, makes

rough & prickly rooftop – root foundation

for each spindrift, wayfaring

Romany light-traveling

human earth-heart time-migration

*

– so hear the art then, O spiraling 

hearth!  Martian enfoldment

like arms of Odin, bent

around himself – whole tree corralling!

For Snowflake is that hexèd hexagon

of heaven & earth, joined

in your heart, coined

Abraham – red copper of the gun;

that regal object-dart of adoration

– tangled boomerang, returned

upon itself – urned

at the apex of our celebration;

the bread & wine of every sacrifice

offered by universal Everyman

each time she lifts the can

for mite or gold doubloon… our price.

The light snow sweeps across Ireland

& Minneapolis-St. Paul.

A sweet lamb looks from wall

of van Eyck emerald, almost human (sand

or salt will reveal her, underneath

Mississippi varnish).  Flowers

are eternal, soul-power

is substantial… MELEK shall bequeath

his welcome-gift of bread & wine

on his way to Memphis

for the garbage men.  This

my body… this my blood.  Lamp, shine.

4.3.20

a minuscule Mt. Everest

DEEP BREATH

Woke up this mornin’ with m’mind

set on freedom…

– & why Cahokia, hm?

Why this iron spring, set to unwind

primeval intuition of first peoples?

Perhaps it’s simple logic –

some high One, past magic;

Wakan Tanka, speeding on wind (eagles

& lightning, shattering the oak).

Faint scent of acacia

anchored in Ogygia.

Sophie Lightfoot, before anyone spoke.

So, in Australian wilderness

& Abrahamic villages –

among Socratic sages

in desert Siberian fastnesses –

with recent atheists, even

– who contradict themselves

if they refuse to delve

into this question… (re the unbroken

unity of truth itself).  The wind

goes rushing thru the room

in a gust of life… boom!

While over on Monk’s Mound

one handful of cruddy clay whorls

into centripetal J

beneath the Milky Way.

A mundus sprinkled with corals

                   *

or small hill – minuscule Mt. Everest

tattooed with a J

for Jonah, Juliet, or Ariadne…

signum of Persephone-thesis – quest

to rectify kerygma-proclamation

past this wind of madness

overwhelming Loch Ness

with malicious Minotaur (declares U.N.).

So take a deep breath, cries Roger,

stepping forward, forehead

like a hatchet, hand

held outstretched (some blind codger).

The tyranny of the Man of Sin,

the Man of Lawlessness

seems universal – nonetheless...

like an acorn made of lead, woven

into the ruddy branches of the human-

strung quartet (Beethoven)...

132… 1132… – how Magdalen

comes running from the limestone

sepulcher!  & how Natasha limped

up to the poet’s temple…

felt knees crumple…

when the continuum of limpid

violins prepared a shroud for Love

& Guillaume wept, also

under the droning falsetto

of Villon’s smoky crossword (O vvv)…

2.5.20

disenchantment of the sacred wood

 SECOND CHILDHOOD

This is that ancient harvest night.

Hobo curls deep into his nest

of old leaves, with his ghost

of a motherland... everything all right.

The Middle Ages were a second childhood

for homesick gentlemen, broken

by the gears of modern men –

the disenchantment of the sacred wood.

That light-filled limestone in the towns

offered to Mary Theotokos...

or the tart fervor of François

Villon!  Guild banners, pennants, clergy gowns

blazed with a commonality belied

by profiles of sad Synagoga,

goad for theological amnesia.

Her crown askew, her flock must hide.

Mum Quaker Hobo snores now

in a pile of aspen leaves.

Canada poplar sheaves,

he mumbles, to a sunflower (somehow).

She’s Pando in Italian, he dreams.

Largest clone colony

below the surface... maybe

the universe.  A raven-glance beams

at prow of her canoe, slips by.

Your motherland is endless,

someone whispers.  So this mass

of dead leaves limns one breathing aye.

                                                            10.31.19

Mussolini shoals

MARBLE FACT

Long way from stones of Notre Dame.

We haven’t that feudal allegiance

to a field beyond France.

Bright poppies blister over Belgium

where conundrum of Isis in Iowa

came from.  She is, and was

mysterium of Osiris

on the Mississip – Ezra’s mirror-delta;

hard marble fact planted at West Branch

in Herbert Hoover’s memory

(who would not have taken kindly

to any meat-locker Muss avalanche).

Ezra yodeling the alpine Swiss serene

of his muse Circe Clementine

Vichy (& all the swine

she mesmerized, so spotless clean)

erasing all that history of filthy usury

& black boys handing Bibles

through the bars... Abel’s

your bro, Ez – cain’t you see?

Ah... the shudder of absurdity.

Knife-stab in Marlowe’s eye

– over the Jew of Malta,

of all things!  It cannot be.

It is.  Villon grins in your face,

King Flibberty-Gibbet.

Grimace may be safety net

for every reprobate.  O prodigal race...

5.4.19

 

sumac muse

AUTUMN SUMAC

The new Solomon will show

a spirit of discernment.

No more time spent

on wastes of shame, Sheba – no.

He might see the Parousia

if he takes care.

His friend Hobo (where’d

he go?) will likely not carouse

far, yah.  He’s by the river,

as per.  Autumn sumac

beads along railroad track.

Dry cotton bones, monsieur.

François might join him there,

under gibbous moon,

Paris monsoon...

cornered at the bridge of the stair.

Amigo Frank – piano soul of Frisco,

tempering tomorrow.

Palming witness so

to stigma of twinship, boy-o.

Thunderbird collects herself

over Red Wing swamps.

Imperial affliction stamps

[available in lobby]. Guelf

to Ghibelline, Dante wit Beatrice...

Moses and Elijah frame

their thorny throne (slim

acmé of suave pillars).  Touché.

9.24.18

plastic leaves & bottlecaps

SALTY DEW

This autumn wind-chime Sophie made

like El Anatsui (African

weaver spider-man)

from plastic leaves & bottlecaps, tied

with bright ribbons – a key, a table knife,

a silver keychain ring,

a crystal ball... everything

needful for the voyage into afterlife

(October & November, winter

ice).  I hear it now,

an echo from the prow

of gray stone mothership.  Your

Notre Dame of infinite mercy,

villain François.  Or Chartres,

Hen – where light chartreuse

rhymes with sky-blues, calm sea

of sunset rose.  On the scarred floor

a labyrinthine feedback

loop speeds Argo-carrack

by umbilical thesis to Ari’s door.

Arachne, Ariadne...in Rhode Island?

One subterranean Ocean

Stream, Atlantean

where every son of J sails home again

across Medea’s Méditerranée – &

where Medusa’s stone frown

melts, to gleaming crown

of salty dew... grail of compassion.

9.11.18

the axis of the earth

ACORN-DHOU

The river moving through the cottonwoods

inspires Hobo-composer

to exceed his Oeuvre

Clumpy-Cloddy in the key of C.  Buds

trace their roots down limestone crevices

to seek that cave-lake

where dark streams make

ripples in a mirror-image (Beatrice’s

triune goddess?) in a palimpsest

of light reflections.  Mother,

lover, friend... your sister-

dove.  Affectionate witness –

Akhmatova’s golub-golubyanka

(an undertone beneath

the granite banks).  The wreath

Natasha flung into Fontanka –

today an angel, tomorrow only a worm

in the grave... only a promise.

Mary, in her distress,

beholds the gardener beside the tomb.

Hobo digs deeper, down his own

dream-channel.  Almond

eyes... the veil of Isis

in West Branch... curtains for Henry’s own

Clover, in Washington (where Adam delved

while Eve spun vortex-grief).

Vertigo in high relief

on Henry’s charcoal Chartres – shelved

Synagogue laid low, below Ecclesia –

belies a Nazarene concord

older than Byzantine crossword

shaded by almond-Hebrew Bona Dea.

Keep digging then, my clod.  You’ll find

the key, within a boxwood box

where lies a bunch of keys.

A black Egyptian Queequeg pine-

box, layered with tattoos

of hero-griffins – figures

of hexagonal stars

that shine like golden bees... Who’s

                    *

there?  Out of the mirror-wars

of courtly kangaroos,

through shady fig trees

shines her diamond Southern Cross –

the double trinity of Black Elk’s

six-way sign.  An acorn

emerald, lightly borne

as crown of Restoration Day : melek’s

JFK : Zion’s Nazir out of Galilee;

spume-signal from an Ocean

State – whale-oil ensign,

anointed Son... clé-figured Charity.

That old medieval Paris of Villon.

Pigments of blood, limestone

& sky.  Stained-glass zone

of intellectual Aquinas-light – reason

& faith cross-braided, interwoven

in the jewel-box of Suger,

in the emerald sepulcher

of Wolfram’s wayfaring communion-

wafer.  Omnipresent grail

of equal daughters, equal

sons... Love’s universal

sea-supremacy – each heart’s high sail.

So the rod of Aaron blossomed

over Nile sandbanks,

& a bronze serpent yanks

all eyes to Hobo’s Bottomland

Jonah.  Out of that Okie Okean,

out of that Osage eagle’s

den, your clay-born angels

rise to foot their river-span –

a bridge of International Orange

pillared like Jachin, Boaz

in wisdom’s corny maze

of adamantine joy.  So rich & strange!

Whispered by the Sybil through

these gold oak leaves,

for everyone who grieves.

A comfortable acorn-dhou

                   *

down Nile, or Mississippi, weaves

her zigzag victor-wake;

from Jordan to Lake

Galilee, her circle rings the sheaves.

7.20.18

Where are the snows of yesteryear?

Ballade des Dames du Temps Jadis
par François Villon (for info & translation, see Wikipedia entry )

Dictes-moy où, n'en quel pays,
Est Flora, la belle Romaine;
Archipiada, ne Thaïs,
Qui fut sa cousine germaine;
Echo, parlant quand bruyt on maine
Dessus rivière ou sus estan,
Qui beauté eut trop plus qu'humaine?
Mais où sont les neiges d'antan!

 Où est la très sage Heloïs,
Pour qui fut chastré et puis moyne
Pierre Esbaillart a Sainct-Denys?
Pour son amour eut cest essoyne.
Semblablement, où est la royne
Qui commanda que Buridan
Fust gecté en ung sac en Seine?
Mais où sont les neiges d'antan!

 La royne Blanche comme ung lys,
Qui chantoit à voix de sereine,
Berthe au grand pied, Bietris, Allys;
Harembourgis, qui tint le Mayne,
Et Jehanne, la bonne Lorraine,
Qu'Anglois bruslèrent à Rouen;
Où sont-ils, Vierge souveraine?...
Mais où sont les neiges d'antan!

 Prince, n'enquerez de sepmaine
Où elles sont, ne de cest an,
Que ce refrain ne vous remaine:
Mais où sont les neiges d'antan!