through Narragansett smokehole

AGATE LAMP

A peaceful evening in late April

the trees barely budding

in mild light   while brooding

darkness rings   the besieged people

& this dissonance of visible   invisible

an indivisible fire   smoldering

criminals & saints   revealing

callous inhumanity    with humble

solidarity   courageous   all-compassionate

& in my flimsy gazebo

octagonal coracle or   Argo

with Sophie’s wind-chime   over the gate

delicate oak-leaf butter-knife design

tingling in the calm air   O

here in my Ariadne-lair   where

a Chartres J coils  toward her Eschaton

& my whisper follows Cautantowwit

through Narragansett smokehole 

southwest, southwest   while a soul-

hart sails back   to her monarch nest –

that circling square dance of Ocean beams

where the spirit of Jessie Ophelia

& Juliet Ravlin   abide in Thee   &

Eternity, O Eternity! cries Roger Williams

& you lift your agate lamp, Psyche

like a fiddlehead   in Holy-Land

& the soeur-coulombe of the Son

of Man   swerves   with a shining eye

4.27.20

searching the pipeline

GREEN FLEURETTE

With a guttering cigarette-stub candelabra

planted on his tin pan rim

old Hobo H., yea verily him,

sets off, vagrant pilgrim, on his last hurrah.

& recalls that fond octagonal gazebo

where many a summer

found him (quizzical plumber)

searching the pipeline for Cy Manitou.

High & low, & up & down the river

led by that whistling flit

of Ray Caw-somuchwit (tight

Gansett smokehole, domed in Ravenna)

Hobo went on, a-glide like some water-bat

round that chartless labyrinth

amazed with gold, & crème

de menthe – a little green fleurette

upsprung ‘mid scattered fallen leaves

& spinning like a gyroscope

cross-threaded by Hope

so’s to balance what him heart conceives.

For that whisper-caw of Wakan Tanka

cries – all the temples of Solomon

& all the domes of Justinian

are but the models of a living Anchor,

planted ‘twixt the temples of your mind

beside the hearth-fire in your heart.

O speaking brook, where rivers start!

Handy RI aerie (in your eye to find).

3.26.20

toward the 4th of Juliette

DOUBLE WHEELS

Lone robin yodeling his evening threnody

plaintive, solitary

on June’s last day

what would he intimate to me?

That summer was immense & infinite

beyond the figuring

of our (almost) unerring

memory of planetary things.  That what

our dreaming signified was plain

(glory beyond our ken).

Tomorrow’s now & then

only a ghost might fold again

into the origami of a labyrinth

of Chartres granite, Mary

blue – like this contrary

stubborn root, trapped in cement

blooming, bleu Ming, nevertheless

along an Ariadne thread

signed (calligraphy by Ted

the Mason) in a matrix of finesse

by its ineffable Makar (aye

laddie, on a tear

shed from everywhere –

like Ocean River, or the Milky Way)

& the stone drones below human hearing

it rhythmous b-flat bass

someplace in Memphis

where Osiris met his fate, shearing

                     *

Love from its neverending source

(like Jackie K’s wing

saddled to her hat thing

flying off convertible, in Dallas).

Was it a Lincoln?  Was it a star

mobile, from galaxy?

Something moving in the clay

rotates like Ezekiel wheels – where

Louis Armstrong melted to el P

& X marked the spot

(Montale’s really not

at home – it’s Giorgio who has the key

to the garage, muttered the lovely

Michal of Ferrara dunes).

We don’t recall these tunes!

Ecclesia et Synagoga cousins be –

double-wheels within wheels, sez

Zeke, in Minneapolis.

Where Juliet was, once

before she lost face... fell from grace...

– how tender floats the human form,

ephemeral!  Until

we knot yon safety spiel –

until that lightning robin find his worm

& like a Caliban, or Jordan weed

begin to mold the clay

into slow-moving roundelay

(American)... Cahokia high meed.

7.2.19

Hong Kong dragonfly

FRIDAY AFTERNOON

A Friday afternoon of breeze & clouds.

In Hong Kong, crowds awake

the legacy of Edw. Coke

& Roger Williams’ Providence – shrouds

brace the pinnace, steady keel

to sweep of choppy surf.

Aft the canoe’s curve

a foaming V for victory... for real?

A tiny splinter in the eye, or

Chartres-blue dragonfly

camouflaged by sky.

A Thunderbird (outpacing Minotaur).

Apollinaire, in his bright air-machine

waits on the universal sign

for Joie – like blue-green

pine... like jubilant Mary Magdalen

finding the gardener in cemetery...

like nothing else in Oklahoma.

The principle of hallelujah

is always a little ahead of you, chérie –

the way Love leads always, pilgrim, toward

more life (the Way, the Truth).

Out of that cornfield, Ruth;

out of Beforetime plummeted the word –

& so we’re circling around this cave

like a bunch of prehistoric

Australians.  Your biopic

features an almond coracle, O dreaming knave.

6.20.19

in the gold realm

ASCENSION DAY

My friend Chris in New Zealand

emailed (on Ascension Day)

about that homely display

of bare feet, trampolining to cloud

in the Lorenzetti fresco (or

was it Philip Guston?)

under the superscription

of a proscenium arch.  Flower

of early Renaissance mind

echoing (if necessary)

your mirror-quality

of reality.  Who will so bend

the boarhound from the boar,

Raven from Nevermore?

Is this your last cigar?

Plein air puffs from a planet’s core.

Limestone shreds of the labyrinth

at Chartres were sort of a letdown.

Rough work.  All the gold gone.

The mower set out to mow... absinthe

green, moss green clasping the scent.

The emerald pentagram

shadowed in the sheep’s I AM

quickens the dead husks in a fundament

of everlasting life; & when the Eternal comes

it will be as we remembered

in the gold realm of childhood –

when time swells (the drone lingers, hums).

6.14.19

12th Night fol-de-rol

ROYAL BEAN

This airy painted Christmas ball

with its river of snowflakes,

twin gondola remakes

wobbling between the RISD Market Hall

& Industrial National Bank –

old Providence downtown.

Little lonesome microcosm

some winter night.  World on the brink.

In New Orleans, in the French Quarter

they’re rifling a king cake

for the royal bean.  What make

& manner of lass or laddie shall be heir?

Assail the wassail; mayhap we’ll see.

Everything is topsy-turvy.

Plastic Jesus is a curvy

smiley-doll – wee replica of you & me.

Let’s party.  Okean River flows

down from Milky Way

to Ocean State... happy

birthday!  Queen Flower-Child knows

all about Path P; X mark ze spot

where little Charlie’s acorn

sprung into a tall greenhorn.

Watching over still – almond knot-

maze in flutestones of Chartres

(her name is Jessie)

wavering out of Galilee.

Canoes bear her palladium (& ours).

1.5.19

winter river

MOTTLED BEND

Driving through wintry Iowa

in the rain (at the end

of autumn).  Mottled bend

of browns & grays... the tall silo

lost in a sea of plowed soil;

Theophilus, with his lonesome

boat (Grandpa’s handsome

grain elevator).  Fruits of toil –

pyramid for wheat-rain

in a grain-ear (last

trump, sounding).  Blast

of train-horn... all over again?

The hearth-stone flares like a bald eagle

lost on the road (between

La Porte City &

Davenport).  Feathered angle

set upon shoulders.  Nobody.

Just a Memphis priest,

Melchizedek... last

shall be first (least greatest, boy).

They laid the foundation stone

like Chartres rock.

Under the most black

dirt they could find (the Masons, son) –

on 15th April, 1791

(two generation

before Abe Lincoln).

Hearth-blaze in corner (soldered one).

12.20.18

the Winter King (a mummer's play)

BLUE LIGHTNING

Hobo, sprawled among November reeds,

cattails.  His scattered bones

ache on jagged edges.

A chill is in the sky.  Light feeds

the icing-over swamp, the acid-

green vomit (absinthe

effigy of spring).  A plinth

of plastic raft supports his dream-kid,

Henry Hawkeye – duffed.  In mummer’s rags

of scruffy black, to match

his sullen rage (a match

is all it takes).  Here comes Antigone’s

antagonist... here comes Creon, Jason...

Here comes Le Grand K

himself, all brassy

mass and armored mirror – one

half bull, the other carny barker

in a cream straw hat.

Just look at that!

He laughs, he sneers, he boasts, he barks

surrounded by his bulky thugs,

stiletto-dames –

No Shame in Crimes

his badge declares (pinned with slugs

to his forehead).  The plastic raft

quivers to his stomp.

This is gonna be a romp,

he crows, & circles Henry, fore

                   *

& aft.  Wispy, cloudy, quiet Henry’s

cornered.  By the water.

No weapon (though an otter

peeks up near the scrim).  He’s

holding only a tiny pocket mirror,

which he flecks upward

toward the pale sun.  Hard

to say what will come next.  Your

ghost dance, Hobo, flickers photons

like Planck’s constant

from an old field tent –

where photos of Kennedy, Abe Lincoln,

Martin Luther King hang, haunted (black

& white).  The King

is dead, long live the King,

Ave Maria, Henry whispers back.

& suddenly a mass of flame pours out

like pale blue lightning

from a Chartres ceiling

down upon a maze, blazing partout

across the center of the raft.  Truth

is our Law, O shallow

prince – our commonweal.

She rules, & will spring forth

again – like that torch-bearing Liberty

all clothed in copper green

welcoming everyone...

So Hobo saw.  The raft was empty.

11.27.18

gash of a calm current

CALM CURRENT

The daggers of the sumac (plum-

red, maroon) accent

the gash of a calm current

between these knotted forks of autumn

cottonwood.  The knot itself

an ellipse, like bole

of oak (hollow hole...

screech owl?) – for an emerald elf.

The Green Man in the green glade.

Prehistoric American?

Or an Irish cousin.

Gardener in the garden (maid

Magdalen’s Gesthemane).

The river is a strong

brown Gould.  Unstrung

out of New Hampshire (Alleghany?

Ohio?).  Or maybe Negus, Ravlin...

leading the flock mesmerized

to Iowa (West Branch, 

shepherd).  Buzzing a Quaker violin.

We have dawdled long enough

in Babylon, children.

The labyrinth (Parisian)

folds Theseus into a trough

much like a Mississippi mirror

dreamscape, umbilical

(& smoothly paradoxical).

We mumble into the interior.

10.29.18

plastic leaves & bottlecaps

SALTY DEW

This autumn wind-chime Sophie made

like El Anatsui (African

weaver spider-man)

from plastic leaves & bottlecaps, tied

with bright ribbons – a key, a table knife,

a silver keychain ring,

a crystal ball... everything

needful for the voyage into afterlife

(October & November, winter

ice).  I hear it now,

an echo from the prow

of gray stone mothership.  Your

Notre Dame of infinite mercy,

villain François.  Or Chartres,

Hen – where light chartreuse

rhymes with sky-blues, calm sea

of sunset rose.  On the scarred floor

a labyrinthine feedback

loop speeds Argo-carrack

by umbilical thesis to Ari’s door.

Arachne, Ariadne...in Rhode Island?

One subterranean Ocean

Stream, Atlantean

where every son of J sails home again

across Medea’s Méditerranée – &

where Medusa’s stone frown

melts, to gleaming crown

of salty dew... grail of compassion.

9.11.18

American Gothic

SPRING CLOVER

This light foam of wild spring clover

on a green hummock, like

a burial mound, back

to the river... O my Irish rover.

& only the plain brown smock

on a Quaker wife

(with the quincunx life-

crux) remains – to lead the flock

in a morris dance (slim track

to paradise).  American

Gothic.  Meridian

through cornland, by the clapboard shack

which was Birthplace of Herbert Hoover –

where a Belgian oasis

for inscrutable Isis

echoes the cenotaph to Henry’s Clover

(the other Henry, in another city).

Wind wafts through green

montage like a has-been

Hobo, wheezing dew (for pity).

Hard to make a go of it, under

them glum St. Louee flying

spirit-flings!  Crying’s

no help – you have to be Apollinaire.

The spray, the veil, the rosy foam.

The train, the backward boots.

Minotaur, with his galoots.

Ariadne with her pigeon, humming home.

6.11.18

for Martin Luther King

DEEP SPRING

          for Martin Luther King

Late April snow.  A blinding white

50 years after Lorraine

Motel.  Memphis, again.

River-Land, seeking an Ocean State.

Rich port-of-call – the 51st, maybe?

Lost Black Sea pebble,

gray whale in trouble

(silent in the silence).  Who is she?

Grace filters into Providence

through stubborn darkness.

Rose Island light – less

diamond than dawn translucence –

only a signal for a wayward eye.

A Chartres chart, or maze

from Notre Dame (haze

mollifies her frozen sky).

The sleepwalkers smolder through smoke-

machines.  Father & son,

their colder war passed on –

unfriendly history (life’s but a joke).

Still roses bloom, in Galilee –

galactic Okean

become a local pond;

folksinging Nazir calling me

to dance, & calling you as well.

Deep spring’s Unknowability

leaps into charity –

a little Noah-boat skims out of hell.

4.4.18

evening of the year

TIRED HAND

November is the evening of the year.

Peasants in Bruegel scenes,

old Hobo has-beens

cluster by each barnyard bonfire.

Smells of farm & mill & stream,

the salt of drying fish.

Legends of Gilgamesh,

Leviathan.  Earth’s drowsy dream

wherein these van der Weyden faces

peer, like wildflowers

(like elemental creatures).

Matrix of sky & sea places,

of perishable limestone prints

from whence a soul emerges

smiling... Demiurge’s

horsehair, flickering (Francesca’s hints).

Medieval bread & wine of things.

Cascade of bridges over

other bridges – river

washing under massive rings.

The solidarity of timebound

beasts, breathing together

under whip, rein, tether.

Muddy, between Arch & Mound

looms... pregnant with Spiritu.

What Piero knew,

Bruegel & Jasper too –

shade-palm, surrounding you

                    *

& me – stretching toward Pacific blue.

I layer watercolors so,

over crepuscular canoe

hid in Italian garage (one almond clue).

The limestone waterfalls in Rimini

like tears across a scallop-

sign.  The curtains drop,

the veil gives way... a human unity

of suffering is all our play.

Da Vinci, with tired hand

limns one command –

love one another, every day.

For we are one.  A multitude,

personified.  Benevolent

Ancient of Days bent

each into the mirror’s flood,

together – riverflow of heart-

veins from the earth

welling to fiery hearth –

lenticular sunset, plangent cloud-art.

So spinning from primordial rose

the golden maize of Chartres

guides you to its Artist...

Daedalus, not Minotaur; Grace

Ravlin, not some puppet-master

in the Kremlin.  Shadow

of Mona Lisa grin... you

rise before the fall (Easter).

11.10.17

pavane pour une enfante

LIMESTONE FRIEZE

The river’s running high.  A tattered

linen cottonwood leaf

would lief be drifting

down the bronze serpent, toward

New Orleans.  January ice

will buckle on the iron

bridge – kids’ tongues on

frozen playground bars (cruel vise).

Hobo’s pal, Billy Apollinaire,

will mime an Orphic flute.

Satie, Ravel... sweet

astringent melody (pure air,

unseeable).  Pavane pour une

enfante défunte.  Meanwhile

male bondage is in style.

Our Master fabricates jejune

disgust for all things feminine;

his orange bonfires meld

fright into towering shelled

walnut eyries... flight from Someone

unaccountable (strange, uncontrollable).

Within a bomber’s O-range

now (I will arrange

accommodations for my sable

granite safety crypt) some Bluejay

whistles like a soloist

through sea-pine mist

sparse knotty blue-green (sotto voce)

                 *

memory.  The threads are fractal,

earth-quick.  Escapees.

Some limestone frieze

of Aphrodite, out of Rimini (or Hell)

feinting assaults above Sault Ste. Marie

(Lawrentian divides

shift icebreaks, tides...)

until the copper icon of green Liberty

lifts torchlight like Hagia Sophie –

her living harmony

of agape, for you

& me, enthroned (Okean-sea).

So like the sun lifting from azure salt

the fellowship of wisdom

born of mute charism

(Love’s lightning catenary vault

of steadfast blooming adoration)

lifts healing rescue-signs

for desolate young queens

& kings of darkened mind, O Solomon;

the little princess Shining Star

pirouettes all morning

in her stone-circling

agate labyrinth (somewhere

near Chartres, Oklahoma) – Ariadne

slips the woolen thread

around your wrist – dead

spring to life (Magdala, Galilee).

10.11.17

spoke of a water-wheel

SALT WAVE

Along the riverbank, these rich

dark green moss-terraces;

a miniature forest

spreading wide along each niche

of Pliocene sea-limestone.

Archive of mollusc-whorl

& sea-worm spiral

layers of plastered ivory linen.

An infinitely tiny bronze

french horn accompanies

trompette marine – Willie’s

gauzy smoke-signal de Paris;

petrified remains of carven

calumet from Red Wing,

maybe.  This is nothing

like a Pipestone atlatl, Raven

croaks.  Spoke of a water-wheel,

more likely.  Jessie O’s

clay potter swells

with gentle pats & frills – feel

how her spine of Fish-Man surfaces

profound supremacy of whale!

A wheel that will not fail

springs to its trickle-task, washes

the wilderness from every face

until its light-green glory

meshes Ezekiel’s story –

wheel wends with wheel (a carapace

                *

of pearl enfolds that golden bough)

until a plangent joy

beams from unfurling J

in spokes of rose aye-aye lands now –

one Great Red Spot, so thundery

& jovial – one Yahweh-

Manitou, in one streamway –

the Rio del Espiritu, at play

across prairies & meadowlands

in centrifugal fugue –

day-lily orange bugle-

calls, mauvelets a monarch understands –

until at last the torch of Liberty

lifts from her copper shroud

to chant moss-green out loud

& set the Mississippi free...

As when the labyrinth of St. Louis

glimmers wheat-gold amid

deep shade (Monk’s Mound)

– & signs the tidal drone (commence!)

to shift the Earth from fraudulence –

fallacious Midas-usura

whose Minotaur is US-

R-US – whose glow of carbon flatulence

burns orange rage (from White House

into every gilded cage)

& all the world’s a stage

for strutting tyros in malevolence...

                *

Peace is another way.  Humility.

How Eeyore-mule (San Fran)

transmutes to Eero Saarinen.

With the power  of soul   any-

thing is possible   the tacit poverty

of yearning love  bent

by Br’er Francesco’s Lent

into a welcoming   equality

chaste eye of akme equity

out of an almond branch

in Petersburg   will launch

once more   peals of humanity

from the great Rose of Providence

wheeling & swinging wide

with Chartres sunlight   O glide

with me   downstream, Hobo   immense

Pacific beckons   from the galaxies

where kind Melchizedek

pours milk of live-oak

acorn mead   shares bread   from nursing

YHWH’s heart   sweet Manitou’s   delight.

Enfolded in the subtle veil

of golden fleece   & gray whale-

oil   that infinite fine safety-net

swings like a hammock in the breeze

beneath twin flaming pillars

where a starfish falls

& lifts her   from salt wave   to Paradise

7.19.17