magnolia blooms

MAY-MONTH

Again, the quiet of a cloudy day

in Minneapolis.  May Day

in quarantine.  This is the day

maidens in flowery garlands would ply

their threads around the blossoming May-

pole.  Hobo is not Falstaff, I say –

he is the King of May;

a blooming almond be his rod of sway.

*

Meanwhile, archaic Hen the Rain King

by circuitous path hath circled

back to River Road.

His early neighborhood – passing

his mother’s house, her father built

– that Master of Grain Elevators

(Ravlin, J.H.).  His crop rotator’s

resting now.  River-tongues will gather silt.

An old man hoists his memories

upon his back.  Their weight,

grown heavy, will grow light…

Grace is a salty providential breeze.

I hear the whisper of her crane-

bone flute – the drone

of one trompette marine…

Guillaume’s grande dame will rise again.

*

& I sense Osip’s revolving sisters,

melding gradually their

sarabande.  Rose flowers

share circumference (O lento tenderness).

*

I never want to leave this house.

Orioles sing in the forest

under their shade palimpsest…

(oaks’ rattling snare-susurrus).

*

A fresh breeze brings the May-month in.

The sisters ring their double wreath.

The young hawthorn on Fisher St.

is blooming pink.  The almond

in her dark eyes glows, her smile

of Sheba-Shekinah… the lady

of the Song of Songs (spry

tree of Galilee, in Rhody Isle).

*

The gawky prehistoric gingko

Granddad planted is

still there (at 1615).  Its

golden Memphis fans billow

in breezes off the Mississippi.

The asphodel, acacia…

the acorns greening, high

over the house… & now I see

her – cartwheeling across a field

like some sapling tornado!

Sophie or Pocahontas?  O

that Gravesend kid – her diamond shield

my royal seal!  Her acorn coracle

my Isis barge – her eye

my Argo’s midnight sky!

Across the Black Sea of a world-debacle

shining (congruent) one American ray –

my Henry-church, our 

Churnagogue… one flour-

cattedrale – out of spiritual clay!

*

Like simple San Fran in Frisco

he crost himself, at height

of orange Golden Gate –

where Juliet booked… O

her last, self-cancelled flight.  & Henry

built a rude crossroad

in old Rhode Eye.  Sold

on Roger’s fine distinction – worldly

profiting & holy soul-seeking be not

the same.  Yet they are wed

by law-abiding God

into a single providential knot –

that normative & innocent new world

as old as children underneath a tree

chanting together of a chaste reality

where Love is as the Ocean – pearled

in tides of light (beneath the moon,

beyond the moon).  This charity

stands like a tall pine tree,

from earthy root up to invisibility… one

Union of pure dream-substantiality;

good will, reflected in the hearts

of humankind – with all our arts

in-woven there (O graceful tapestry).

*

The little magnolia on River Road

by Granddad’s elegant abode

unleashed her winter load

of fluttery wings (Primavera mode).

Persephone, Eurydice go underground

& Beatrice to the sky…

a grain of wheat must die

so spring’s magnolia blooms abound.

May Day… the worker bees unite.

The earth itself is in labor

fired in the kiln of Evermore.

Communion loaves of clay ignite.

Everything spins in the green matrix.

Liberty & justice, equity

& equilibrium… an origami

fold of love & intellect – deep Genetrix

a whirl of fiery faery feet – Elohim

twirling on galactic rim

with ocarina Jonah-hum,

to glaze the grail-stone with her hymn.

Sophie was making rivers on the patio,

& found a black-brown woolly bear –

small furry embryonic caterpillar

searching for a leaf to call ground zero.

Henry was looking for an oak-bole too.

At end of May, at Pentecost,

on Dante’s birthday, JFK’s… lost

Restoration RI zone?  Hagia Sophia? – YOU.

5.1.20

grain in the hold in the Boundary Waters

Mary (Elvira) Ravlin Gould, Jan. 2020

BRIGHT ANCHOR

I was wheeling my mother Mary around

the old people’s home yesterday.

We came upon the Ash Wednesday

service, by chance, & rolled on in.

The genial priest lifted up the Book

& prayed for us all

& traced a cross of charcoal

on our brows (despite my mother’s look

of wary puzzlement).  & we rolled on.

Her father was an engineer.

Master of grain elevator

& sewage plant, he built his own

brick house along the Mississippi

back in 1929, or so –

Barnett & Record Co.

John H. Ravlin (everlastingly).

Granddad, your fathers came from Dublin

whirled by coracle & shamrock

to Vermont.  By hard knock

grace & cornucopia, they ventured in

to the interior.  You heard violins

of Verdi… Elvira

(some serene Barber adagio)

& in great lofty mountainous grain bins

of full, deep faith, one mustard seed

of your stern secret mother

glints – compassionate anchor

for Milky Way (ark’s cornerstone, indeed).

2.27.20

John H. Ravlin in the Boundary Waters Canoe Area (1940s)

sketchy star-map

GREEN PYRAMID

The idea of Janus.  Osip is born;

war saw.  The tiny hexagons,

whose bite is bitterness

& valediction, zigzag down

here, in our Cerealian Capital

(Pillsbury, General Mills).

Grandpa, in Saskatchewan

wills grain elevators toward the pole.

Above these winter clouds, invisible

Venus the flower-star

describes tobacco-petal arcs –

Gravesend’s Dark Lady – indelible

cartwheeling Corn Maiden – springing

& sovereign rite of way;

dewy washerwoman, our MVP

lifting the horizon over D.C. (washing

everything).  Verily... except a corn of wheat

fall into the ground & die...

Over the green pyramid, an eye;

red rose for Memorial Day (complete

now, finished).  Elvira, out of Ravlin

opera, spins toward blue clay

herself.  We go that way

with snowflakes, with January’s frozen

squeaky violin... we go together.

At our reed-muddy center

she alights on the perimeter –

Adonai cornucopia, our milky tether.

1.15.20

from David Ovason, The Secret Architecture of the Nation's Capital, p.190

winter river

MOTTLED BEND

Driving through wintry Iowa

in the rain (at the end

of autumn).  Mottled bend

of browns & grays... the tall silo

lost in a sea of plowed soil;

Theophilus, with his lonesome

boat (Grandpa’s handsome

grain elevator).  Fruits of toil –

pyramid for wheat-rain

in a grain-ear (last

trump, sounding).  Blast

of train-horn... all over again?

The hearth-stone flares like a bald eagle

lost on the road (between

La Porte City &

Davenport).  Feathered angle

set upon shoulders.  Nobody.

Just a Memphis priest,

Melchizedek... last

shall be first (least greatest, boy).

They laid the foundation stone

like Chartres rock.

Under the most black

dirt they could find (the Masons, son) –

on 15th April, 1791

(two generation

before Abe Lincoln).

Hearth-blaze in corner (soldered one).

12.20.18

just beyond my window

John Gould (U.S. Navy) with root beer, Minneapolis, ca. 1946

DEEP BREATH

September crickets in the darkness

just beyond my window

harping seasonal sorrow

elegize their summer quickness.

Cassini in her pure remoteness

plunges through the rings

of Saturn.  Airy things

(that fiery opera house in Venice,

flammatory lance of Beatrice)

coalesce toward autumn,

build a nest of flame

for rangy Thunderbird (eagle-Bice).

& is it only Ouroboros?

Boreas, recycling?

The ancient iron swing

Granddad assembled (90 years

ago) still creaks its aching 2-

note plaint (see-saw,

curse-us)... as though

the Iron Age were never through.

Someone must bear it all (above

rusty Titanic murk).

My father squared his cirque

on his last day.  His eye on Love,

one grip in mine, his other hand

traced a clear circle

over that whirl-debacle

with one thin finger... with one bound

                  *

beating the bounds of that vast realm

where Jesus & Black Elk

go roamin’ (with Melchizedek).

& if a 6 turn out to be 9... at the helm

6-wingèd seraphim feather the font

of Holy Wisdom.  Little well

of do-well... purling from hell

of trompe-desire, of chaine-ressentiment;

Alighieri’s checkmated yearning

tree-hum-yuled to heart’s

lightness... O sullen art’s

deep-harrowed aim – O desperate learning!

When men fall into Minotaur’s embrace

& Ariadne’s thread

snaps at the nail-head

one slight Rabbi-hair, O Falcon-Ace

might lift you from the corral waste

into fellowship

of Primavera soul-skip;

where lovely Manto-lips taste

intelligible everlasting bliss –

a porpoise laughs at death

& with one deep breath

huffs cobwebs off God’s gold telos :

that gardener of souls at dawn

lifting a toiling Job-

of-all-work by his nob...

Rachel out-sailing Ahab... Queequeg’s fin.

9.14.17

among four pines

ABSOLUTE ZERO

The grey coal cars thunder slowly

over the rust-orange bridge

again.  & I pledge

allegiance to their gravity,

to the stern trumpet of the train horn

as they go.  Down the street

Grandpa’s brick Paraclete

among four pines awaits the morn

(birthday, today).  That carpenter’s

clear eye – a level’s bubble –

gazes out (chaste, equable)

into the turbulence of Zoroaster’s

Peacock Star (Yezidi refugee).

& ours.  A world of tears.

Absolute zero sears

the riverbanks.  The Mississippi

plunges under ice.  The dead of winter

sleep in Resurrection

Cemetery – Berryman,

Henry... each petrified splinter.

Massed in the clouds, a stone mizzen.

From profound Black Sea

she strains so steadily

toward me... a limpid sail, a friend.

Is she life, or death?  Her vault

is mourning.  Yet her smile

is joy – raven diagonal

coursing toward dawn (where Magi halt).

1.6.17 

Natasha Stempel, Voronezh(?) ca. 1936

music of ordinary things

AERIE-FEAST

Music of ordinary things...

happiness at work,

when things go OK –

when the work is good, & skill brings

flowers to fruition; then at dusk

heading home, to family

& friends, where kids play

beneath a sturdy roof (hard task

fulfilled with courteous precision)...

plain telos of humanity,

pleroma of reality,

continuum of beauty’s diapason.

Grandfather’s house of rusty brick

along the River Road –

an engineer’s abode,

who loved an opera (Elvira’s cheek)...

One high lone raven corkscrews toward

the Pole.  This pillager

is Eli’s forager –

his black-hole fleece ties ragged

knots, makes nest for bread & wine.

Look how the prophet-priest

exalts his aerie-feast

where Time peals to a finish line,

B-flat – è FIAT... è finit.

Apollinaire smiles

in the wings – miles

overhead his plane lifts (azure, infinite).

9.28.16

Complex of the six directions

MANGER-HAVEN

Everywhere a vector-vortex,

a 3-dimensional crane-

liftoff.  A diagonal plane

of tracer-tracks – trains, trucks,

jet-like chariots surround this

Shriners’ hideaway, where

limping children play.

Mute manger-haven, beneath curious

folksy lunar scimitar 

insignia. Granddad’s

old Buick neighborhood.

Born on Epiphany, you are

a kindly prehistoric whisper-

star, remote but bright.

Hum beneath black-white

acrid mercury bath – Big Dipper

trench-canoe.  Grave air-casket

you portage over your head,

smiling beyond dread

fumes of one Martian marble planet...

So every local khipu-knot’s

a complex of the six

directions – Shakespeare’s

skullcap, Pushkin’s troika-stop –

your eschatology through tundra,

mangy Everyman.

Lambent beatitude, then –

shaggy speech, shepherd apocrypha.

1.6.16 

John Ravlin, Boundary Waters Canoe Area, MN  (1940s)

Woods behind Shriner's Hospital, Minneapolis

Bathsheba takes a bath

HOBO SPAN

Nocturnal nadir of the year.

Gray oaks along the river

nestle in a manger

of their own dry leaves.  Cold here

for the wanderer, the no-count

strangeling (shiver-er).

Bring them in, Pierre.

We have room.  Starlight will haunt

the here & now (parochial).

Already the axe is laid

to the waste land, cried

Granddad (civil engineer).  O

Tannenbaum... (his favorite carol).

Would save the sacrificial

pine (last year’s Noël)

for this year’s fire.  King Cole

in Mississippi wood (sacred) –

The Bear, a Memphis barge

in Iowa (suspect

at large).  Uriah (Scapegoat Snared).

Bathsheba Takes a Bath (sit tight,

Hittite).  In poetry

Hamlet will flip & fry –

like Salem for bluff Endicott,

Sweet William in the vacant pine

(a free perennial).

Romany iron, after all.

This hobo span beams red & green.

12.17.15 

RR bridge, Minneapolis (red & green navigation lights barely visible)

Thanksgiving at 509

Tomorrow some of the local Gould gang will be gathering at "509", my mother's apt in St. Paul (with the same street number as their old house back in Mendelssohn - 509 Arthur).  It will be the first Thanksgiving in 65 years that she'll be on her own, without my father.  Mary Ravlin Gould, the very talented not-famous painter, potter & general craft master, will be 88 next month.

About 25 yrs ago I wrote a long poem called "Grain Elevator", sort of a take-off on the "dream-vision" (this one featuring Ronald Reagan, Walt Whitman, my grandfather Ravlin - the grain elevator builder - & various infernal images including trains, pyramids and golden nuggets of dust).  Anyway, the poem ends with this rather stylized Norman-Rockwell Americana coda, an old-fashioned Thanksgiving thanksgiving poem dedicated to MRG.

III

Your two clay whistle-birds
Are on the windowsill,
Ready for children's lips to share
Their flute-sounds with the real birds
At the feeder, on the other side of the glass;

You've always been the better maker,
Turning the years and years around
With muscular feet and fingers,
Clay speech rising from the wheel
To last this generation, and to serve
The next Thanksgiving – plates, bowls,
Pitchers waiting to ornament
Some simpler, lasting celebration,
Open house for the upright heirs
Of tender hills and anxious clay.

And where's that modest watercolor,
Lit with the cold and clear Minnesota light,
Of Granddad's granary downtown? Standing
Behind the rusted parallel of the tracks
And a row of poplars, crowded out
By warehouses and condominiums,
Its curving columns burgeoning now
Only with air and memory – and hidden
Wafers of petrified wheat, noon
Sunlight answering a lifetime's work
Just over the treeline and the crooked streets.

On a sultry day in late July
In 1961 – when I was nine – we stopped
In a little pasture beside the road,
Under the shade of clustered oaks,
With a herd of cows nearby,
For a picnic and a rest on our way
To visit Grandma's farm, and cousins
In Iowa City. And after the sandwiches
And sleepy talk, while the grown-ups
Snoozed among rocks and baskets,
I wandered off a little way
And found a squared-off family graveyard,
The gray slate leaning in the uncut grass,
Deep summer whispering from unfamiliar soil.

Maybe it was your voice I heard,
So long ago there in the aching depths;
Your voice, challenging me to find
That earthy crossroads – whistling word –
And lay Grandfather's brooding ghost to rest.