Showing posts with label Louis Armstrong. Show all posts
Showing posts with label Louis Armstrong. Show all posts

7.03.2019

toward the 4th of Juliette




DOUBLE WHEELS

Lone robin yodeling his evening threnody
plaintive, solitary
on June’s last day
what would he intimate to me?

That summer was immense & infinite
beyond the figuring
of our (almost) unerring
memory of planetary things.  That what

our dreaming signified was plain
(glory beyond our ken).
Tomorrow’s now & then
only a ghost might fold again

into the origami of a labyrinth
of Chartres granite, Mary
blue – like this contrary
stubborn root, trapped in cement

blooming, bleu Ming, nevertheless
along an Ariadne thread
signed (calligraphy by Ted
the Mason) in a matrix of finesse

by its ineffable Makar (aye
laddie, on a tear
shed from everywhere –
like Ocean River, or the Milky Way)

& the stone drones below human hearing
it rhythmous b-flat bass
someplace in Memphis
where Osiris met his fate, shearing

                     *

Love from its neverending source
(like Jackie K’s wing
saddled to her hat thing
flying off convertible, in Dallas).

Was it a Lincoln?  Was it a star
mobile, from galaxy?
Something moving in the clay
rotates like Ezekiel wheels – where

Louis Armstrong melted to el P
& X marked the spot
(Montale’s really not
at home – it’s Giorgio who has the key

to the garage, muttered the lovely
Michal of Ferrara dunes).
We don’t recall these tunes!
Ecclesia et Synagoga cousins be –

double-wheels within wheels, sez
Zeke, in Minneapolis.
Where Juliet was, once
before she lost face... fell from grace...

how tender floats the human form,
ephemeral!  Until
we knot yon safety spiel –
until that lightning robin find his worm

& like a Caliban, or Jordan weed
begin to mold the clay
into slow-moving roundelay
(American)... Cahokia high meed.

7.2.19

10.19.2017

my Bruegel panorama



AUTUMN AIR

The little gold galleys of the butternut
navigate through autumn air.
My Bruegel panorama
of proverbial bird-wit is fading out.

The motherland calls Hobo.  Every leaf
a chaste canoe... Rus, Rus.
The enemy be us,
pugnacious Pogo cries – war is grief

between brothers.  Apollinaire
drifts in gray whiffs
of wistfulness... his skiff’s
more tangled up with Minotaur

than was before, sighs Psyche-
Ariadne.  That graybeard
on Ravenna guard
surrounded by gray paint-debris –

he might be me.  Ocean is gray
as wing of turtledove today.
Way in the middle of the air
Ezekiel saw them wheels a’glory

Louis sang (on path LP
somewhere in Tuscany).
Leonardo da Vinci
drew Vitruvian Man like a Kali

on a microcosmic wheel of fire –
he was such a star!
& in the Last Supper
Judas & Jesus in sfumato-mirror

                  *

reach together across girlish Jean –
or do they reach for her?
Shocked faces of the men –
is it betrayal, or espousal sign?

Some knot of gravitational waves
whorls into matrix-vortex.
Beloved spindrift Rex
emergent from that sea of graves –

a eucharist or mystical body
encircled by a palm
inscrutable as that helm
of Jonah, breaching the cloudy

surf of Ocean River – O font
of soul-transfigurement!
So rooted in the fundament
we rise as citizens of Turtle-Tent

when the Eternal comes, & we
are summoned to a wedding-
feast.  Melodious syrinx
of Orpheus-Nazir... blithe epi-

thalamium from sparkle-profundum.
Wrath of Kali-Coatlicue-
Moloch subsides away
& Leonardo frames his simulacrum

of one vernal smile... Mona Lisa
bubbly as Virgin
on the Rocks.  Come in,
she says; God’s blessing in persona.

10.19.17


8.31.2015

Palmyra, Palmyra

I heard part of a BBC broadcast on the ISIS rampage in Syria.  A British scholar was asserting that the neoclassical architecture of Washington, DC was modeled in part on the ruins of Palmyra.

That's not where this poem came from, exactly.

A poem is the idiom of an idiot, full of flounders & slurry, signifying (maybe) something.  Ezekiel saw dem wheel's a'glory, way in the middle of the air (Louis Armstrong).  Eugenio Montale waxed lyric about this particular LP.

"Nummulitic" : art historian Adrian Stokes talks about the particular kind of limestone used to build the pyramids - called "Nummulitic".  After the nummulites, small protozoic creatures trapped in Egyptian limestone - from "nummus", or coin, in Latin, because of their disc-like shape.

Somehow we got from Egyptian nummulites to American dollar bills (with the pyramid & the disc) - from money to Mammon - George Washington on the other side.

Long way from the Lincoln penny.

Poetry is a work-in-progress, like the Earth (according to divine Providence).  Ursus here is a sort of image of the State as Beast (USA, RUS, USSR).  But the bears might be redeemed.  "Without vision, the people perish."

WOODEN LOGS

August departure... evening crickets
elegize on wooden
logs.  In Peto’s brownian
study, a sad decade disintegrates

like Queen Zeno’s palm-fronds, in
Palmyra.  One wing-scratched hand
pleads Washington’s jarred band
of masons (keening for Syrian

widows, orphan sons).  Important
information inside.
Your gravy train can’t hide
from Grace, her chaste Nubian portent –

always arriving never quite,
a Paradise for turtle-
dives.  So melt the mortal
Quito coin, our double-down knight

(shy U-bird cycling her parking
lot).  Concentric wheels
of Nummulitic seals...
one bears dawn for Ursus (barking

Mammon flipping tails) – the other
gyrates toward his irate
Beatrice – oceanic
ex, Czech mate (cyclonic mother

coated in cute limestone slime).
One down, one to go
up again, Horatio.
Antique Atlantis corals rime.

8.31.15

Reminiscences of 1865, by John F. Peto (Minneapolis Institute of Arts)