Showing posts with label Last Supper. Show all posts
Showing posts with label Last Supper. Show all posts

6.29.2019

cloud & catalpa, Minneapolis



Cloud & Catalpa, Minneapolis (Martin Johnson Heade, 2019)

GRASS CLOVERLEAF

Everything grew simpler in that high room
overlooking Jerusalem
when he added up the sum
& gave us his Thanksgiving poem.

The apostolic laying on of hands
was just an afterthought
Mary Magdalen taught
to keep the Presence each one understands.

The knot held.  The silverweb
floresced, in centaur arrow-
shots – from Antioch to
Thebes, up to remotest Gad-Gab

(Ethiopia).  Axled on coffin
of coffins.  Buried deep
as Noah’s ark.  Sleep,
King of Kings (like everything human).

This gemstone of the Southern Cross
shines like diamond
out of emerald
almond – mossy quaternion, grass

cloverleaf (in shape of heart).
That little tree will root
where all the branches start,
where all the rivers roll (sky-girt

perpendicular – little Everytwig
leaning against current)
– unto that iron agent
sluicing the Delta to a brazen fig

                    *

shriveled, dry (as is the way with figs).
Yet Wisdom is justified
in all her children.  Hide
now, O Man – Ouragan digs

into clay.  Rotating so solemnly,
she shakes the bone-limbs
from their joints, skims
lightly over coastal property

– only to uproot, destroy.  Bideth
nor roof nor door, Tornado!
Like the Iron Age you know
twisted to shattering shadow... Lilith-

Crocodile, climbing from Delta
to muddy matrix of 
St. Louis.  Scorned Love
twisted into dust-mandala –

substantial b-flat of the galaxies
stilled, played in reverse.
The little tree of Ursus
Minor – little star, catalpa’s

iris-blooms – starts wheeling
counter-clockwise.  Clover
culminates your
integral almond-canoe.  Sing,

Muse, Oblomov-grail of prairie earth!
The great wheel turns.
Jonah’s corn-maze yearns
Restoration... (Miriam’s rebirth).

6.28.19

10.19.2017

my Bruegel panorama



AUTUMN AIR

The little gold galleys of the butternut
navigate through autumn air.
My Bruegel panorama
of proverbial bird-wit is fading out.

The motherland calls Hobo.  Every leaf
a chaste canoe... Rus, Rus.
The enemy be us,
pugnacious Pogo cries – war is grief

between brothers.  Apollinaire
drifts in gray whiffs
of wistfulness... his skiff’s
more tangled up with Minotaur

than was before, sighs Psyche-
Ariadne.  That graybeard
on Ravenna guard
surrounded by gray paint-debris –

he might be me.  Ocean is gray
as wing of turtledove today.
Way in the middle of the air
Ezekiel saw them wheels a’glory

Louis sang (on path LP
somewhere in Tuscany).
Leonardo da Vinci
drew Vitruvian Man like a Kali

on a microcosmic wheel of fire –
he was such a star!
& in the Last Supper
Judas & Jesus in sfumato-mirror

                  *

reach together across girlish Jean –
or do they reach for her?
Shocked faces of the men –
is it betrayal, or espousal sign?

Some knot of gravitational waves
whorls into matrix-vortex.
Beloved spindrift Rex
emergent from that sea of graves –

a eucharist or mystical body
encircled by a palm
inscrutable as that helm
of Jonah, breaching the cloudy

surf of Ocean River – O font
of soul-transfigurement!
So rooted in the fundament
we rise as citizens of Turtle-Tent

when the Eternal comes, & we
are summoned to a wedding-
feast.  Melodious syrinx
of Orpheus-Nazir... blithe epi-

thalamium from sparkle-profundum.
Wrath of Kali-Coatlicue-
Moloch subsides away
& Leonardo frames his simulacrum

of one vernal smile... Mona Lisa
bubbly as Virgin
on the Rocks.  Come in,
she says; God’s blessing in persona.

10.19.17


8.23.2017

Matiere de Bioluminescence


TABLE GUEST

The green orbs of the butternut tree
land with a soft clunk
in the August grass.  Monk
Hobo absorbs their summer gravity.

Like that statue of Roger stepping through
his doorway on the cliff
into a wavebent skiff
drifting west – like Jonah, into

the gate of Leviathan... an inscrutable
gray brow of cloud, swimming
like dove or seabird... everything
swallowed up into transparent fable –

Columbia, emerging from the ocean mist.
An infant newness in
the soul’s old wilderness,
new-resurrected as a table guest.

The feast was all prepared beforehand.
Lips fuse like the sun’s
corona.  That Smiling One’s
your sister-dove, wafting to land

her sea-rose air.  Wings overhead
shadow the dark gold
& the blood-red wax – old
regal seal (Day of the Dead).

Beneath twin doors of tin-cut mirror...
out of the cave, volcano,
hurricane... a deep-sea glow
of luminous grail-fish.  Draw near.

8.23.17

6.24.2003

Fluid dynamics. Courtesy of NY Times science section today, interesting article.

Leonardo da Vinci started it. he seems to be lurking everywhere these days, or is it just me. reading Leo Steinberg's wonderful book, Leonardo's Incessant Last Supper. I think he missed one thing, though (while perceptively noting a million others). Leonardo not only caught duration & "sfumato" of multiple meanings in a gesture (in his "Last Supper") - but he also "preserved the unities", saved the appearances. It is an instant of time captured, rather than only a blurred spread of implications. It's both. That is, Christ's right hand, recoiling from the dish : it's not simply both or either recoiling from the dish and reaching for the eucharistic cup. It's rendered at the exact moment after his saying "one of you will betray me - he whose hand is in the dish with mine" - from which both Christ & Judas recoil - and also after he has just said "take, eat, this is my body, this is my blood of the new covenant", etc. His hand is still recoiling from the first statement; his left hand is moving toward the bread; his right hand will soon follow toward the wine. The disciples are responding, each in his own fashion, to both statements. The simultaneiity of this moment is memorialized, in a sense, as Steinberg notes, in 1 Cor. 11:23 : "the Lord Jesus the same night he was betrayed took bread and said, 'Take, eat : this is my body'" - which perhaps was Leonardo's pivotal reference.

But look at Peter, Judas & John. Some mysteries there that Steinberg doesn't deal with, & I'm not going to talk about now anyway. Much more to this painting than "meets the eye" of cursory attention.

Fluid dynamics. There's a lot of water in Minnesota : 10,000 lakes, Lake Superior, Mississippi. I'm doing 2nd chapter of my novel, tentatively titled On River Road (that will probably change).