& Miriam will dance

DRIED SAP

You can sense the salient resistance

of this old Norway pine

like a mast from Lebanon

in each crust of dried sap.  Straightness

of its upright stance.  Simplicity

of sea-green yearning

toward such bright-swelling

moon… half-dollar of Apollo mission (JFK

smile).  Our SUPERMOON, shedding a silver

reminiscence of sunshine

across crepuscular decline.

Rippling resistance.  What we were

reversing what we are (black sun

of trumped-up emperors

gnawing like rodent-raptors

at the heartwood of the law – treason).

The Song of Miriam, the hymn of exodus

out of the red waters

red white & blue tatters

your sister-dove murmured… passed over us.

My penny in the well, my dark reverberant

exile – the king of Israel

Melchizedek his trial

in Memphis, by the muddy Nile (our

hierophant).  Somehow the 4th of Set

rainbows a seventh 4th

& Juliet comes forth

& Miriam will dance (a Jubilee grande fête).

4.7.20

that hexed hexagon

PRICKLY ROOFTOP

Only a light whisper of April snow

feathers the riverbank today.

The wind-serpent will flay

with rippling wings its own mud-brown

flow.  The cottonwoods lean overhead

like ribs on a canoe.  Gray veins

of some cast-off snakeskin.

Glass fane of Great Worm (empty, shed).

Where are the springs of yesteryear?

This April curls from cold

& back to cold.  From cold

to cold – inhuman, viral (some Shakespeare

Villon).  So the chill indifference

of animal aggression marks

its seal on each snowflake.

Each one unlike (unique monstrance).

So who invented this immaculate snow?

A mind of winter?  Or

a dreaming Melchior – his

clouds on high, his Bethlehem below?

We sleep, we wake… like soft snowflakes.

We drift, we float… we land

& melt upon a child’s hand.

The soul is like that dark green pine, makes

rough & prickly rooftop – root foundation

for each spindrift, wayfaring

Romany light-traveling

human earth-heart time-migration

*

– so hear the art then, O spiraling 

hearth!  Martian enfoldment

like arms of Odin, bent

around himself – whole tree corralling!

For Snowflake is that hexèd hexagon

of heaven & earth, joined

in your heart, coined

Abraham – red copper of the gun;

that regal object-dart of adoration

– tangled boomerang, returned

upon itself – urned

at the apex of our celebration;

the bread & wine of every sacrifice

offered by universal Everyman

each time she lifts the can

for mite or gold doubloon… our price.

The light snow sweeps across Ireland

& Minneapolis-St. Paul.

A sweet lamb looks from wall

of van Eyck emerald, almost human (sand

or salt will reveal her, underneath

Mississippi varnish).  Flowers

are eternal, soul-power

is substantial… MELEK shall bequeath

his welcome-gift of bread & wine

on his way to Memphis

for the garbage men.  This

my body… this my blood.  Lamp, shine.

4.3.20

only piano in town

CLAY BARN

6-yr-old Sophie curls up in the lap

of grumpy old Grandpa

to listen to Grandma 

read us the story of Jingle Bells.  Slap-

happy Mr. Pierpont, of Medford Mass.

watching 12 skating sliders

skim frozen circles (laughter’s

elves) runs next door to Mrs. Waterman’s

– only piano in town, to test his melody

& the rest is history

she’s ready for bed, isn’t she

Sophie’s growing up fast, Henry

The tall Norway pine at the prow

of the duplex, like a mast

climbing up toward one vast

frosty galaxy, with its Xmas lights in tow

(Grandpa’s dad’s project once, long ago)

they don’t glow anymore

but the duplex lies at anchor

like every ark, Egyptian barge, Ferrara canoe

like every nave, like every churnagogue,

like every Celtic coracle –

round as a 4-leaf miracle

of Columba, or Mayflower Compact (ship’s log

of covenanted sheep’s union);

round as lightswept dome

of Hagia Sophia, or home

sweet home (clay barn, Mississippian)

12.16.19

small icon, a gift of Elena Shvarts, poet of St. Petersburg

inside the coracle

UNBENDING PINE

You hear the rustle of a spring

in the moss forest;

in the immaculate nest

inside the coracle.  Outside, nothing.

Milton tutored Williams in Italian;

Roger taught John a mite

of basic Narragansett

collecting firewood around London

to banish winter at the poorhouse.

Here in January ice

beside the river, ICE

is on my mind.  The Emperor’s

in league with Herod, every infant

trembles for her life;

Virgo is mummified by strife;

grieving, she murmurs her dissent

from frozen exile on external heights.

Meanwhile sweet Providence

searches for evidence

& Lincoln coins... irrevocable rights.

Your imago, moss copper-serpentine

(between Son of Man

& some unbending pine

of immeasurable heaven) is Washington

redeemed, again; your Virgo (hovering

ethereal triangle

o’er Spotsylvania) might mingle

with Virginia clay... Jonah, recovering.

1.18.19

Observatory Hill

TAPROOT

Observatory Hill, atop the crest

of Sydney Harbor – guarded

by phalanx of great-aged,

magnanimous fig trees – like a nest

for visionary eagles – keeps a lens

trained on stars down

under (twinkling diamond

octahedron, Southern Cross).

Yet here, in a nearby yard, one pine

soars higher than those figs,

flings moth-wide wings –

lime branches drooping like a pinecone

honeycomb – leans into evening

at acute angle (a golden

mean).  Jack’s cheekbones

were so sharp – as that pining

Rail-splitter’s, in the cracked-plate

portrait – like the pyx

flung aloft by priest

or angler’s scale-scorèd blade –

the vertical taproot must plunge deep.

Against sandstorm &

flood, the blistering worm,

a maze of chains... rusted keep

of treason’s rigor mortis – fatal

spire of PX’ed Magdalen.

Where buffalo pern

to droughtland hollow (fetal, natal).

9.20.15

The "cracked-plate portrait", by Alexander Gardner