Showing posts with label boomerang. Show all posts
Showing posts with label boomerang. Show all posts

4.04.2020

that hexed hexagon



PRICKLY ROOFTOP

Only a light whisper of April snow
feathers the riverbank today.
The wind-serpent will flay
with rippling wings its own mud-brown

flow.  The cottonwoods lean overhead
like ribs on a canoe.  Gray veins
of some cast-off snakeskin.
Glass fane of Great Worm (empty, shed).

Where are the springs of yesteryear?
This April curls from cold
& back to cold.  From cold
to cold – inhuman, viral (some Shakespeare

Villon).  So the chill indifference
of animal aggression marks
its seal on each snowflake.
Each one unlike (unique monstrance).

So who invented this immaculate snow?
A mind of winter?  Or
a dreaming Melchior – his
clouds on high, his Bethlehem below?

We sleep, we wake… like soft snowflakes.
We drift, we float… we land
& melt upon a child’s hand.
The soul is like that dark green pine, makes

rough & prickly rooftop – root foundation
for each spindrift, wayfaring
Romany light-traveling
human earth-heart time-migration

*

– so hear the art then, O spiraling 
hearth!  Martian enfoldment
like arms of Odin, bent
around himself – whole tree corralling!

For Snowflake is that hexèd hexagon
of heaven & earth, joined
in your heart, coined
Abraham – red copper of the gun;

that regal object-dart of adoration
– tangled boomerang, returned
upon itself – urned
at the apex of our celebration;

the bread & wine of every sacrifice
offered by universal Everyman
each time she lifts the can
for mite or gold doubloon… our price.

The light snow sweeps across Ireland
& Minneapolis-St. Paul.
A sweet lamb looks from wall
of van Eyck emerald, almost human (sand

or salt will reveal her, underneath
Mississippi varnish).  Flowers
are eternal, soul-power
is substantial… MELEK shall bequeath

his welcome-gift of bread & wine
on his way to Memphis
for the garbage men.  This
my bodythis my blood.  Lamp, shine.

4.3.20

10.18.2019

ineffable seraph of the boomerang




BOOMERANG-SPUN

Love is the curving frame of things,
the flexible woven logos
of the safety net – bamboo’s
swerving embrace the sculptor brings

to public squares in São Paulo
(Alison Grace Martin).
Thus, in Pushkin & Scriabin
Mandelstam spoke of an eternal ritorno

fresco’d in the alcove of Redemption –
earth already redeemed
& art set free, beamed
through spirit-webs (boomerang-spun)

                       *

until the world becomes a nest or den
prefigured in those icons
limned for all seasons (our
pre-existent & imaginary friend

who nevertheless walks upright, smiles
& calls us by our name).
The rays through the cranium,
holes in the hands... Earth’s exiles

sense the time-scent of eternal ends.
& so the sign of humble dignity’s
grandfathered to eternity –
the nest feathered with wings, my friends.

10.17.19