etched in vernacular

BEEHIVE WITNESS

Dante’s rambles round the tamarack swamps

outside Ravenna.  Beached

hulks of Byzantium reach

toward the sea.  Inside, smoke-lamps

phosphoresce hieratic grandeur

(kind bovine gaze of Empress,

Emperor).  Alighieri’s

impressed – ecco l’ora serale

in those green sheepfold meadows

where Time does not run.

He pursues his martyrion –

Crusader grandfather, circle of Mars.

He etches in vernacular his answer

out of deep parish history

to the welded Roman panoply

(Arcadian melody, Virgilian whisper).

I am a scribe who when Love speaks

hastens after, hearkening

noting everything down.

I haven’t heard from Bea in weeks.

I remember lips set with a grim reproof.

Down at the borderland

(Texas to Samarkand) –

Coatlicue, Tezcalipoca... beetling roof

of squalling Raven years.  Esta

su iglesia, Henrique?

She’ll be coming like Elijah,

not Europa, now (beehive witness).

6.24.19

woodcut by Mary Ravlin Gould

like a Balinese cock-fight

FRISCO CROSSROAD

Poets’ business, like a ring

round a Bali cock-fight –

goodbye to all that.

Shake your kaleidoscope thing,

ping your kalimba – your bricolage

a grubby grab-bag

(seven pounds of brag

& rage, mixed up with garbage).

Meanwhile that flesh-tone bridge

(crossing my Mississippi

song-&-dance) will be

morphing some spider’s double-edge

Venn diagram – a stick figure

at hobo train junction

where sunny Everyman

remembers split Coatlicue.

Rumors of an impasse, whispered

through a chain-link fence.

Barbed lozenge of insistence

scarring Rome, Jerusalem... the word

made fishy (west of Galilee,

east of Athens, Georgia)

as a picnic smorgasbord

laid out beneath barren oak tree.

That smell gets into everything.

Like something baked

a week in a canal – like

messy string theories, untangling

                  *

a knotty plot of pots & pans, banging

the human family

to kingdom come (really?)

from seedy tribes to Nero’s hanging

gardens.  Shady Rome, where every

cosmic veil is torn –

& a black rock is borne

upon recalcitrant shoulders of slavery

into the center of a black hole’s

starry honeycomb.

What ass bears the whole

sum?  What shoe of prophet’s mule?

Maybe an offshoot of Coatlicue

wearing a flimsy linen

Joseph-coat.  A woman,

patient Pietà... La Pia, Psyche...

Ariadne or Arachne, raveling

path P... that rugged,

ragged Francine – plugged

at Frisco crossroad – traveling

freight.  Sometimes you meet a person

heavier than time & space.

Rough wind carves well-faces

lined with laughter, hope... pain...

She steps forth from black stone –

stirring bears in her arms,

palming clay amid storms

of adamant love (makar-maid, shown).

10.4.17

vive la France

CALM RONDURE

This rustic humble tablecloth

from Vienne street fair

(crowding her amphitheatre

hewn by Rome) poses a math

problem : how can I square this

table ronde within

the weathered octagon

of an American gazebo?  Ms.

Emily might know, or maybe Marianne...

some mounded clay pitcher

of accurate grace.  Her

toss across a potter’s wheel (nine

innings for a feline Muse)

spins stars like comets

through snarled sailor knots –

Mary & Rachel, bearing news

of natural law so blazing sharp

as to make arrowhead

speed from seabed

(trompette marine like Jonah’s harp

reshuffling my raven coil

into the Argo figure

of a prow’s green furl).

Honey from spun goldfinch foil

will pour like waxen flame – the living

sœur de Jeanne d’Arc,

sourire of each undying spark –

calm rondure of a square (Thanksgiving).

5.8.17

your fluent kingdom

NEW LESSON

Old river the color of rusted iron

you beckon me back before

shell-shocked histoire

humaine (long nightmare drill).  When

we were as flint people in limestone

hideaways, under

the glare of Viper-Vulture

in his ice-eyrie.  The repetition

of trauma exudes a pearl-shell

palimpsest (le Roi

est mort, vive le Roi) –

one slight Gennesaret wave-swell

is laved to Pietà massif, circled by Rome,

lapped by typhoons (of bursting

tears).  We are thirsting,

River, for that fluent kingdom

where Ebionite & Nazarene,

snake-handler & Sioux

shaman – every blue

highway mutt, sadsack has-been –

every humiliated woman, each

weakling sissy-boy

undone by bully

chants of dominance – might teach

a new lesson.  How once that marble

lifted into cloud...

one dove-grey noeud

vitale (breathing AMOR into dead fable).

7.19.16 

casket from Samarkand

GREAT RECKONING

Crusaders racing to the Tomb,

an historical pinpoint

in 1099.  Where He went

at 33 (a little room

for some great reckoning).  Daggers

in the eye turn every way –

shark swordfish play

for nightmare realms, & beggars

follow San Francisco up a narrow

fuse (to blessedness).

Stigmata (foolish meekness,

humble mulishness).  A wheelbarrow

carries mild infant Majesty

into his palmy kingdom,

spiky Jerusalem

(sea-rose of sandy history,

Rome’s  crabapple).  The viney mind

demands firm scaffold,

grid to climb, hold

fast – casket from Samarkand,

mercurial chasm, golden

kaleidoscope... meanwhile

one half-moon wafer-smile

of blinding white sail’s sudden

eminence rides on gray wave –

the plummet of an eagle

etches his grave seal,

marking 1132 (full fathom five).

7.15.16

Dartmoor pixie cross

Ides of October

LIPS MONASTERY

This bright transparency of mid-

October Providence –

sweet-sad remembrance

of the princely sun (Caesar’s eyelid,

drooping into Ides).  Boethius,

last of the Romans, slips

away into Sophia-deeps,

drowses beneath dogwood leaves;

little feathery flesh-tone coins

of wild oats dangle, sway

on pale green stalks today.

She’ll plant them with Galla’s remains,

he mutters to himself.  The monarch’s

just a social butterfly;

none need any longer die

in her doctrine.  Light-waves, arcs

of arches, radiating from

a central hearth... archaic

woodland (near Itasca)

where the springing pendulum

of springs is born.  Moss-green Alph

to mauve Omega, vibrant

strings (O most ancient

of lays!) knot Ocarina Everysylph

into her vale of Inca-tiers –

a tinder Lips Monastery,

quicksilver Philosophy

lifts Rome to Mexican cedars.

10.15.15

tame wild oats

If you read Gibbon or any of the later historians on the Roman Empire and the Dark Ages, and set them beside Dante's recapitulation of ancient and medieval culture, you realize very clearly that Dante is an upstart. His Divine Empire rooted in Rome is a dream, a fantasy, an excess, a surplus. That's perhaps why Blake, another excessive surplus dreamer, illustrated Dante. In fact all the great poets throw themselves into this liminal region of dream, imagination, irreality. Poetry itself is unreal, surplus : consider the pop-culture image of "poet" in America.

The Bible is surplus. The prophets were surplus. God Himself/Herself is surplus, excess, unreal.

Only, when you begin to think about the underlying, basic actuality of time and mortality, then what is real and what is unreal, what is surplus and what is necessity, tend to get switched around... a "transvaluation of values" (so to speak). The scandal of Resurrection implies the funhouse mirror of reality as a whole, in general...

One of the Church Fathers wrote, "I believe because it is absurd"... or something like that...