I'm only thinking of you

SIMPLE MUTTER

Snow-canyons decorate the streets

of staid Minneapolis;

sparkling crystals

coagulate in mountains, glacier sheets.

Ripe grain of whole, deep faith,

murmured epileptic

Osip – stamping his shtick

of shaman-Pushkinite (limpid wraith).

Tiny hexagons of Siberian ice.

The glowing eyes of thief-

wolves, killing for life.

Vast evanescent Paradise

in an infinite complexity

of human innocence

destroyed by violence –

Patmos St.-Vitus peripety

of mangled lambs.  I’m only

thinking of you, dear

spark (unknown Shakespeare

pebble-soldier... yearning mystery).

Gemstones of civilization glitter

through the drab darkness.

You are only weakness

squeezed into clay – a simple mutter,

oscillating like a reddish agate

in a muddy kid’s palm

(copper reunion-psalm).

Jamie discovered it – I won’t forget.

2.24.19

to restore a soul

SECRET WORLD

To restore a soul, to mend a broken heart

out of the wells of memory

for relief of misery

for your grace we pray.  A crane bone flute

keening her lonely call might still redeem

the wind that carries it

on the storm-clouds.  Fiat

lux – though the darkness loom.

This primitive wooden Vierge Ouvrante

unveils her secret world

with a copper hinge.  Old

masters of le Verbe significant

carved, flickered into form

a buoyant microcosm

within her oaken beam –

a human shelter from the storm.

Cicadas buzz amid burnt branches

of a poem framing history.

It is a mystery.

Isis on her throne, Ariadne’s hunches,

spider-Minotaur in his plangent web...

the sacrifice of innocence

behind a screen (some dense

thicket of Pig’s Eye Social Club).

The wind is clear & clean tonight.

Whole homesteads rise

toward ordinary Paradise,

warm lips forging a female Paraclete.

1.16.19

guarding the garden

painting by Phoebe Gould (ca. 1992?)

GREEN CORN

Half-moon tonight, like a silver flask

of molten lava.  On this date

George Washington was translate

(1799).  Here’s his life-mask :

fine profile.  Merging in white clay,

like a peaceful moon.

Landlord, when all’s said & done.

Valley Forger, sensing Californ-i-ay

in the green corn of his plantation

garden.  Grace Ravlin

etched that evening scene –

sweet Virgo in Virginia (dawning nation).

The myth rides with the Indian.

Scars limbs of slaves.

Everyone behaves.

A raven-crumb plummets into ocean.

Something’s lugged back, out of clay...

the lunar wilderness.

Innocence, blessedness –

Sophia twirling in the calm of day.

Like young Hal emerging from a golden egg

(his father’s legacy).

Attainted crown, see –

buried bones in Resurrection (Pig’s

Eye) Cemetery.  Across the river,

on Lakota Bluff.

Two swords – it is enough.

Gesthemane is haunted, Indian-giver.

12.14.18

quiet end of the year

LOVE’S CAVERN

At the quiet end of the year,

among the barn smells

a chilly infant wails –

a refugee.  Shepherds draw near.

He is king.  His mother is

queen.  His father is

a mule-driver (was,

anyway) – Vietnamese,

I think?  They live in Egypt now.

They’ve never seen Ghiberti’s

Gates of Paradise –

that brazen lava overflow

to metamorphoses of fiery dream

and rock – sedimentary,

igneous, flickery...

roiling sun to spring, upstream;

they’ve never been to Providence

or heard the Rose Ensemble

whose violas tremble

with harmonious transience...

they live the poverty of innocence.

Light flickers in a manger.

Someone senses danger –

cows murmur, chickens grow tense...

enormous shadows of the monster-men

leer over flesh & blood.

It is the shadow of the rude

star burning in the last heaven

                  *

– the red star, bringing rectitude

out of the mild mien

of that child-man –

incarnate stony magnitude

heavy past sullen measurements

of every swollen tinpot

despot in his chariot.

Matrix of cosmic elements –

the figure of a man emerges,

burning in brazen tongs

and glossolalia of tongues

from every tribe.  Sea surges

multitudinous, incarnadine...

Ocean called universe

forging one verse

with arches (catenary, almondine).

So combers crested in a tower –

moonbright Witch’s Hat

tenting her desolate

oak-limbs (snowy owl’s bower).

Quetzalcoatl, brazen serpent,

lift each refugee of time

into your feathered rhyme

of flame.  Your flicker-tongue, sent

dancing into each soul’s paradigm –

the sparkling river, bent

back to its fundament;

Love’s cavern, salting every lime.

12.23.17