beehive hop melds drones

SCRAMBLED EGGS

October in my spindly cedar octagon.

Oblomov in a quaint gazebo

waiting for his Olga, O.

Henry had an MRI today.  Beat.  Ochin.

His mini-RI, his Ocean State,

full of scrambled eggs &

mussels, canonical sand...

some Narragansett raving (will abate).

He can’t lift Juliet (or JB, either)

out of the bitter surf

with a pompous word, a mere

sniff to the wise.  Just take a breather,

Hen.  The heart is a mystery

who can plummet?  Purple

majesty amid all people,

8-ball in the Rabbi Shabbat sea –

where be wisdom be to found, Henri?

In love again with Heidi

or whole neighborhood, ey?

In Mendelssohn, where the bee-

hive hop melds drones to symphony...

where children laugh naturally

& Sophie will skip-to-me-

Lou through the live-oak gateway

immemorial... as toward you, gentes,

Jeannie, Juliet, Jonah,

the heartbeat (Shekinah)

skims near – overshadowy Benny Voluntas.

10.9.19

serpent ocarina

RED RIVER

Dante calibrated to the nth degree

the classic perihelion

of medieval civilization

simply to retrieve the smile of Biche

out of nine coils of Cerberus

& that sulfurous pit

known to Cautantowwit

who cauterizes death with raven caws.

More things in heaven & earth, Horatio.

We’re all caught up in this

wrestling match with the abyss;

there’s no detachment of the mind from woe

nor from the body’s final strife

– breathing with agony

at the crossroads (in RI) –

where Red River meets Sargasso Gulf.

So the poem of America embodies

Juliet upon the parapet

Ophelia with hairnet

(download Vertigo for double-whammies) –

the tensile span of every suicide,

waiting for someone to reach

them (eye-in-hand) – teach

HOPE to hollowed-out children (pied

serpent, surging back to Mendelssohn).

Observe the valiant

canoe, she said.  Plant

almonds, quincunctial.  Amen, amen.

6.27.19

like Red Wing clay

Mary Ravlin Gould

SKIP-JUMPS

My mother moves toward silence now.

Short wobbly steps

like printemps stumps

of Red Wing clay remainders.  So

I follow along now, too.  Two lumps,

like those she spun once

on a wheel.  Immense

maypole of Mendelssohn skip-jumps –

the way Rembrandt became his painting

(like seaweed-coated plank

of slick driftwood, anch-

ored in sand).  Memory, fainting.

I used to topple to the ground

in school.  An epileptic

pine, almost.  A cryptic

minor character, utterly unfound –

unbound within some fictional expanse

of 19th-century steppe

sunburnt peace-pipe

smoky distances (autumnal trance).

We thread the needle in a mummer’s play.

Ariadne draws the skein –

Dante’s oriflamme ancien

Parisian labyrinth for Beatrice

Jessie Ophelia, remembering her father

Jackson Quick, the river-

pilot, sounding Mount Ever-

Rest (full fathom 5/29... 29...) – Mt. Purgatoire.

5.28.19

golden lanterns of Osiris

BREAD-BOAT

May Day.  The ancient wheel of the earth

lifted on a pole of flowers

by a ring of skipping circlers

wearing flower-circlets.  Distant mirth-

song, childhood in Mendelssohn.

Light primordial.

From before the murky Nile-

punts, beneath waves of Heracleion;

older than those golden lanterns

of Osiris, Ezra

beaming from the deep your

imperial star-bar patterns.

Yet the axial pivot is not a dazzling pillar

but an imperturbable muddy

river, rolled into clay

by palms of your servant, Hathor;

into a ring or a bowl of Providence,

a lowly bread-boat

for carrying each soul-mote

out of its nightmare toward deliverance.

The soul is humbled by redemption

undeserved.  Not light

of brazen copper, but of heart

that passeth understanding, O my son.

Light from before all things, who smiles

into blue depths of rosmarine;

who leaps to Galilean

shore, sings out, & hoists the sails.

5.1.19

to Nathan Phillips

GREEN HABITAT

                                    to Nathan Phillips

The Mirror Lakes in Mendelssohn

were smooth & clear – were

mirrors of the weather,

mirrors of each other (twins).

Your mind’s a mirror too (cloudy

today, with intimations

of its limitations).

Looming earth, a child’s infinity...

In his mandorla of Ferrara

Giorgio hooked the canoe

against a garage wall (you

remember, Micòl?).  Observe, selah

its simple elegance & rightness.

Mirror of itself –

bowstring of Guelf

& Ghibelline.  O blessed senselessness!

I surmise the one you call Jesus Nazir

arose not in hothouse of fear

but a rural atmosphere –

full of parabolic melodies, limpid, near.

The Son of Man... the Son of Man...

not him, but you – & you...

like Hagia Sophia in a crew

of galley slaves.  Their submarine plan

winks from searchlight eyes – their fleece

the gold thread of Ariadne,

knotted in Rhode Island

Black Ships (ocean’s milky matrix

                      *

poured from ineffable Promised Land).

In Siena, insouciant Pax

lounges by sober Justice

in the fresco of Good Government (hand

of Ambrogio).  That thread from beyond

exotic Trebizond

plummets, au fond

to Minotaur’s despair – demented Roy

Dumonde; yet we are gathered up

into another summa

body – solidarità

of Love’s affectionate grail-cup.

It was not price nor money could have

purchased Rhode Island;

Rhode Island was purchased

by love.  So step into the rawhide nave

of Nathan Phillips’ Wakan Tanka –

Spirit beyond each sullen

pond of identification.

Spring winds the rust of iron rancor

into another, more spacious America –

florid green habitat

of Uncle Weaver Rabbit,

Auntie Corn Gatherer (limestone Columbia).

That mud-brown mirror harbors hidden

depths.  & yet she’ll float –

Nile-Isis, river-mote –

your eye-in-hand (nearby, Cahokian).

1.19.19

part of a panorama

FLAT RIVER

You want to understand the metaphysical basis

of these innumerable poems-

après-poems.  Sherlock Holmes

might just as well (go home).  Faces

crowd the apparitions – bow

wet black petals

into wreath-portals;

Nile barge (or Venice funeral-scow).

Sometimes the dishwasher breaks down (just now).

Anton Gàg died young.

Paint fumes (bad lung) –

Bohemian lifestyle in New Ulm (& how

his seven kids survived, I dunno).

Painted Dakota braves

advance through dry sheaves

hungry for ground (1862)...

We’re part of a panorama, Melody;

some Mendelssohn concerto

swelling to tomorrow...

Nature renewed by grace (slow psalmody).

The flat river was calm today.

The bridge craned upward

in a mirror, downward.

Man & God in Maggie’s puffer, aye.

Aunt May (out of Glasgow) beset

my father (John Douglas)

with needless trials, alas;

the ship of faith already left the port.

12.2.17

flesh-tone bridge

MAZY CHARTER

The wistful twirling of a yellow leaf

falling from a book of leaves

by the big river.  Waves

of leaves, infinite beyond belief

slanting down through a universe

beyond fall’s azure,

through its perfect mirror

of ineffable air.  The woodpecker’s

not waxwing, but a twin-bird –

matching Thunderbird

like third wing, or word

thing – in Red Wing, we’ve heard.

& they’ve buffed the naked concrete

of the Franklin Bridge

to warm flesh-tone (Wedge

whistling to Jay : almost complete,

they say).  Like hands arching across

the tingling serpent below

someone signals so –

right, all right.  The frail cosmos

is built of moss & dogwood leaves;

made like a dream-song

on a thread so long

from inner lining of young Osip-sleeves.

Hid in a nightfall of Apollon-wrath.

The child-heart trembles

when the chief dissembles –

ice winking in the barrel underneath

                   *

encompassing a land in shambles,

wasted by Behemoth

& Metheboss (cloth-

of-gold twin skimlords, crashing cymbals).

El-Moloch asked for the heart of your son.

For your son the king,

the bloom of everything –

Aztec football in place of the sun.

Apotropaic sign or mirror-pharmakon,

the murmured word of love

becomes a catcher’s glove –

inside-out Osip net (for rescuing someone).

You search the scryptics, yet you

do not come to Me.

Gold almond cider, see?

Where Mendelssohn defeats Deep Blue.

She’s by your side, a kelson, smiling,

spinnaker through gray wall

of seamless cloud – whale

of light fog, swallowing Jonah – a ring

of stone, becoming breathing feathers

for a child of Ocean River,

borne downstream from Neva-

Neva-Heavenland (all-planetary weathers).

Her green eye walks through doors, through gates.

That crossroad in the mirror

overwhelms birth-terror –

seals mazy charter (Liberty checkmates).

9.28.17

what you might believe

kids climbing oaks on Arthur Street, in Mendelssohn, ca. 1958 (by Mary Gould)

PACIFIC SOMERSAULT

Childhood in Mendelssohn... my mother

helped us build an igloo.

Spiral parabola

of ice-blocks, framing up a doma

seamed so fine, snow-translucent –

its arctic arc an image

(Inuit bird-cage)

of the revolving deep blue firmament.

Complex reality’s concave enigma.

Mirror-image of

a winecup-face... dove-

Jonah diving from the ship – Mama!

– spewed out on shore by Moby Dick.

The Q in Queequeg, or

Coatlicue – the semaphore

of Joseph’s coat, turned inside-out (thick

darkness shrouding every mountain-top).

Fine rational weave

of what you might believe,

while dreaming (temple veil, torn up

from bottomlands to Memphis crown).

A knot in the cucumber twine,

Apollinaire in umber vine...

a fishnet made of golden fleece.  One

lifesaver-lead sinkers the weight

of the whole wide prairie –

like Cathedral Mary

or that flute-bone poet-fishbait

                 *

goes by name of Buried-Man’s Henry

– bright grandson of the late

star Morning Star, whose crate

floated Twin Cities to the Gulf (see,

Tommy, how the dead rise from the grave).

All 12 disciples died

by violence.  The Ghost plied

her woodcock back & forth, & wove

Ariadne’s safety-net (one grey thread

bent like accordion file

from Ocean vortex, mile

on mile).  Behold how us dead

rise from fleecy loam – your dream.

We dwell in a matrix-

creation – Beatrice

skips from Florence to the throne (beam,

Natasha, from your vault-chariot)

& Juliet will navigate

the high bar of the Gate

d’Orange (Pacific somersault).

The vertical of Dante’s Pole

balances Henry’s hobo-

equilibrium... so

the message in the oak bole

from the King of starry Heaven

sets a gyroscope

in motion – Henry’s hope

& Giuliana’s love (sweet corny leaven).

6.25.17

a little air

ALMOND MEAL

A little air, a melody

out of Mendelssohn, maybe –

like a wisp of smoke you see

afloat above Red Wing one day.

Like pipes out of Apollinaire,

trompette marine – sole

zigzag rigmarole

of an enigma (serpent’s lair).

You walk the blank maze, Oedipus.

With ghost of Ariadne

by your side.  Keen

pal, forsaken thesis – surplus

collateral, original

betrayal.  Henry Adam’s

dusky twilight madam’s

mad, quiet... a virgin owl

nested in stone Columbia.

Only her bird’s eye

as the crow flies

correlates phantasmagoria

out of the desperate heart of Cain

into clay valves

where muddy stars revolve;

through the dawn labyrinth again

from light, toward light, with light

blazing mild power –

like some firefly bower

mowers glimpse of a summer night

                  *

beneath remote aurora-shower

bearing fathomless delight

miraculous & right

to chastened human hearts in flower.

So I behold Dante & Job,

David the King,

hedged by ironic ring

of instinctual violence – the mob

of envious, avaricious rivals

circling their prey

to make King for a Day

once more.  Florentine hovels

I see transposed to Catlin prairie,

vertiginous Beatrice

mingled with Platte clay.

To the horizon’s elegant Bluejay

molts saturnine Cawtantowwit

with amorous Jenny-

Jonah; they buried be

only to soar in monarch-flight

O harbingers of Milky Way

whose kingdom is an Ocean

Stream – salty communion,

sea-green flock of Liberté!

Out from the massive turning of the wheel,

where Miriam churns the cream

of every starfish dream

into her almond meal (Messiah-seal).

5.16.17

cradle of rain

RUDE EYE

Grey cradle of April rain.

Your riverine Nazir

or holy fool was here,

rounding his moat with a vision

of metaphysical hope.  Song

like Mendelssohn mandala.

Smallest coign (voilà!)

of the realm – just one among

many, Penny, to kingdom come.

Copper wrung with fire,

like Cassini in pyre

of saturnine canons – Love’s hum

somehow redeeming them, each little

statuette of soul 

freedom (the cosmic equal

sign).  A dab of mud & spittle

might reveal the night garden –

snowflake octavo

revolving over Buffalo

(holm oak to acorn, evergreen);

the whole note of the Nazarene

squared & shaved round

like some lost-&-found

locked-room problem – Tom the Twin

tying twine into a knot-cradle

of human & divine,

of Jew & Syrian

(or Greco-Roman republican).  Ladle

                  *

of Milky Way – the Twin Bear Cube

softly circling,

a tiny light unmoving

(port for Magi-King & rube).

The light strengthens as you climb.

Climb toward the broken

seal, the torn silken

veil, the split seed of our primal crime...

ecclesia & synagogue divided

in the keystone arch

as airy lark from larch

(twin siblings from earth-shaded

sky).  The seed is the salty word.

Out of the undivided

Ocean-Jonah glided

magnanimous eagle-wings – soared

into Benedictine Aesop-cells

from Africa to Memphis,

Iowa to Mississip –

aerie of equality, wells

of everlasting life.  That vermhurl

knot, spliced by an outcast –

Pushkin-slips so fast

the prophet scatters into whorl

of matrix-hurricane.  Rude eye

on Zion, Washington...

Heartbroken Hart (one

eggshell mason’s crooning sigh).

4.27.17