Showing posts with label Inuit. Show all posts
Showing posts with label Inuit. Show all posts

6.25.2017

what you might believe


kids climbing oaks on Arthur Street, in Mendelssohn, ca. 1958 (by Mary Gould)

PACIFIC SOMERSAULT

Childhood in Mendelssohn... my mother
helped us build an igloo.
Spiral parabola
of ice-blocks, framing up a doma

seamed so fine, snow-translucent –
its arctic arc an image
(Inuit bird-cage)
of the revolving deep blue firmament.

Complex reality’s concave enigma.
Mirror-image of
a winecup-face... dove-
Jonah diving from the ship – Mama!

– spewed out on shore by Moby Dick.
The Q in Queequeg, or
Coatlicue – the semaphore
of Joseph’s coat, turned inside-out (thick

darkness shrouding every mountain-top).
Fine rational weave
of what you might believe,
while dreaming (temple veil, torn up

from bottomlands to Memphis crown).
A knot in the cucumber twine,
Apollinaire in umber vine...
a fishnet made of golden fleece.  One

lifesaver-lead sinkers the weight
of the whole wide prairie –
like Cathedral Mary
or that flute-bone poet-fishbait

                 *

goes by name of Buried-Man’s Henry
– bright grandson of the late
star Morning Star, whose crate
floated Twin Cities to the Gulf (see,

Tommy, how the dead rise from the grave).
All 12 disciples died
by violence.  The Ghost plied
her woodcock back & forth, & wove

Ariadne’s safety-net (one grey thread
bent like accordion file
from Ocean vortex, mile
on mile).  Behold how us dead

rise from fleecy loam – your dream.
We dwell in a matrix-
creation – Beatrice
skips from Florence to the throne (beam,

Natasha, from your vault-chariot)
& Juliet will navigate
the high bar of the Gate
d’Orange (Pacific somersault).

The vertical of Dante’s Pole
balances Henry’s hobo-
equilibrium... so
the message in the oak bole

from the King of starry Heaven
sets a gyroscope
in motion – Henry’s hope
& Giuliana’s love (sweet corny leaven).

6.25.17

9.02.2015

The occasional ark

Sometimes the macrocosm & the microcosm bump into each other, I guess.  I was reading some old Ravenna Diagrams, about a painting of St. Augustine by Piero della Francesca (I saw it at the Frick), in which Augustine's cloak is a crazy quilt of leather Gospel stories.  This got me thinking about Melville's Queequeg & his tattoos.  & then there was a story today on the BBC about the divided Bering Straits islands, Big and Little Diomede (divided for decades between USA & USSR).

In some sense the earth is a human body... in some nonsense, anyway....

WOLSEY RED

On a sultry 16th, in the month of Caesar
I was ambling down by the Blind
King, on Wickenden –
betwixt the Golden Sheaf (or Fleece) &

her Sheep’s Clothing – like a raven
in wolf gear, or some Pierre
o’Cesca – like That Man there,
following his own tattoos into an Inchon

Dept. of the Interior.
Aboard the good ship Keep-U
(between Racquel & Rue – 
achh...) skirting an ice curtain

somewhere... in a Wolsey red, mate.
Weaving around blind
cataracts, muzzled
shoals – paring bears in the Strait

below White Narrows (it was 1728).
I don’t know why ‘twas done.
The Inuit intuit none
of our designs.  Split Diomede? Great.

They look you in your eye as though
you were in RI!  Weird.
I only see weed (black widow’s
weed).  A coffin exchange came through

the aerial, Mira – maybe
amygdaloid inside?
Keep the white slide
for video, Queequeg. That’s my knee.

9.2.15
Little Diomede Island (Ignaluk)