golden lanterns of Osiris

BREAD-BOAT

May Day.  The ancient wheel of the earth

lifted on a pole of flowers

by a ring of skipping circlers

wearing flower-circlets.  Distant mirth-

song, childhood in Mendelssohn.

Light primordial.

From before the murky Nile-

punts, beneath waves of Heracleion;

older than those golden lanterns

of Osiris, Ezra

beaming from the deep your

imperial star-bar patterns.

Yet the axial pivot is not a dazzling pillar

but an imperturbable muddy

river, rolled into clay

by palms of your servant, Hathor;

into a ring or a bowl of Providence,

a lowly bread-boat

for carrying each soul-mote

out of its nightmare toward deliverance.

The soul is humbled by redemption

undeserved.  Not light

of brazen copper, but of heart

that passeth understanding, O my son.

Light from before all things, who smiles

into blue depths of rosmarine;

who leaps to Galilean

shore, sings out, & hoists the sails.

5.1.19

in the whisper gallery

BROKEN SHELLS

My mater’s feet, that spun the heavy

wheel of Red Wing clay

dancing with gravity

to shape a starfish gaiety

for these galactic lunch plates, pink

& blue & white... her Ravlin

hands (out of that Iowan

earth Quaker Negus trunk)

were muddy with the garden soil

of Minneapolis-

St. Paul... O this

most plain midwestern gopher hole!

The soul stages a circus act

of spacy time, perchance –

her gyroscopic balance

tops an unknown Planet X, in fact

& dream.  Mary’s crafty fingers

rhymed those blue-&-white

starbeams with one fleet

bathtub tug... her name lingers

in flame & memory (Sophie).

Like Firebird in the Russian

symphony, my swan-

boat swallowed up Eternity

consumed by cigarette-smoke blaze

in Petersburg poet’s

birdnest (Elena Shvarts) –

pipestoned into a purple haze.

                   *

I pace your clay circumference

in sleep.  My blind alley

or whisper gallery

is domed – an acorn’s happiness

or Okie’s California – inward

mother-of-pearl, bent

parallactic as a mint

wrapper... green mirror-bird

soaring from rusty copper frame

into the theatre of sky.

Your crossroad, ply on ply

flexed on sine-wave of Ever-Same

& in the dust of the Ecclesiast

of human brokenness

inherited faiblesse

& all the suffering, from East to West

one mighty spindly tree, one pine

of cloudy poetry

swirls, fiddlehead – sea?

Transmodulation of the sign,

en face!  To pivot on the least

of these... gray wing

of Jonah, mutely lifting

from the broken shells... the Beast

stung by remorse (Guillem d’Orange)

– stick figure of the Son of Man

familiar, somehow – someone

you must have met, somewhere... étrange!

1.18.17

Reconsidering past writings... don't want to be too negative! Unless I have to be.

The long poems... in their context (with other like-minded long journey-poems or life-poems) - maybe, anyway, have their good points...

Reading more in & about Ezra Pound lately. Feel some connections between themes in later Cantos & what I'm trying to do or think about these days...

"can you enter the great acorn of light?"

Long time ago I wrote a longish poem called Spring Quartet, which actually included a kind of "ideogram"... it was a sketch of a small wooden toy bathtub boat, which my mother had made for me, christened "Sophie" - all white and light blue. In the center of the boat was an acorn. It was represented as sailing into Providence (the city)... eventually I gave the boat to Elena Shvarts (the Petersburgians have a serious historical thing about boats). It was destroyed several years later in a massive apartment fire in her building... I wish I'd taken a photo of that little toy.

I'm definitely in the Whitman endless-poem bunch. Interesting to me that Anny Ballardini is acquainted with Pound's daughter (Mary de Rachewiltz), over in Italy - and gave her a copy of our bilingual In RI.