on the North Shore of the North Star state

SOFT KISS

Not far from Berryman’s Witch’s Hat

in Prospect Park, off Arthur Ave

Henry beholds spring showers lave

his plague-burnt Vale of Josaphat

(in Minneapolis).  It is a hard Lent

& shrunken plain to see –

April trundling mournfully

to graveyards.  Brash head bent,

hobo Henry Hal recounts his crimes

(near Purgatory Chasm,

in Newport).  Hopes a chrism

helps redeem his own end times

along Humility Way – the icy treason

of a lodestone heart.

His mother’s art

pierces also, beyond reason –

those 4 unsoldered quarters of clay tile

where Henry & Francesca swim

below a swirling rim

of Gooseberry Falls (old Ravlin file)

in the blithe innocence of marriage

unbetrayed… unmade,

not yet.  Like Longfellow glade,

or negative of Dante’s personal stage

(Circle of Lust) the two of us

will splash, forever smiling

in that riverine, beguiling

clay lost Paradise of faithfulness

                   *

& O the hubris of Superior Prince Hal!

To think he’d play the alpha male

to Berryman, beyond the pale –

snow-bent J. Beerust, in his dream-corral!

My clay ticks slowly on its glitter-wheel

toward kiln of Judgement Day.

But you might take another way,

Kidron – follow the foamy V of keel

into that Ocean River of the galaxies;

gaze up into the Royal Arch

where smile-canoe arcs

over candescent happiness... frees

hearts & souls into the wholeness

they were meant to seize!

That Charity of charities,

that source of every brimming goodness...

the grace of Miriam-consent (to give)...

true North Star of the Sea!

Friend Berryman would be

beside me here, in this infinitive

to live – an evergreen, emerald

eternity of growth –

an exponential for a moth

(or butterfly) to find – New World

born from the Old, as wings from chrysalis

when Spirit strokes like Thunder

through clay rings… & under

your rose aye of Providence (soft kiss).

3.25.20

like Red Wing clay

Mary Ravlin Gould

SKIP-JUMPS

My mother moves toward silence now.

Short wobbly steps

like printemps stumps

of Red Wing clay remainders.  So

I follow along now, too.  Two lumps,

like those she spun once

on a wheel.  Immense

maypole of Mendelssohn skip-jumps –

the way Rembrandt became his painting

(like seaweed-coated plank

of slick driftwood, anch-

ored in sand).  Memory, fainting.

I used to topple to the ground

in school.  An epileptic

pine, almost.  A cryptic

minor character, utterly unfound –

unbound within some fictional expanse

of 19th-century steppe

sunburnt peace-pipe

smoky distances (autumnal trance).

We thread the needle in a mummer’s play.

Ariadne draws the skein –

Dante’s oriflamme ancien

Parisian labyrinth for Beatrice

Jessie Ophelia, remembering her father

Jackson Quick, the river-

pilot, sounding Mount Ever-

Rest (full fathom 5/29... 29...) – Mt. Purgatoire.

5.28.19

Willow River twilight

ANOTHER YULE

Civilization is a natural good.

Valleys are honeycombed

with anthills – tombed

with moral titans (Lincoln would

live up to his Memorial).

Government’s innate,

then – our pleasant fate

to be so compagnevole,

says Alighieri (after Harry

Woodpecker).  D.C.

marbled with majesty

will have a double Jubilee

this year – May 29th (the K

of Camelot’s birthday);

crowds cry hurray

up to the pint of vanishing

& glory glory hallelujah.

I love my country too.

But pride, you know,

leads oft to suicide – King Saul,

alas, fell on his sword, & Henry’s

Clover (sad antithesis

of photosynthesis) was

mortised into concave penury

(her veil of Isis hoovered out

of Iowa).  Her star

twirls like Ishtar

above a Willow River twilight

               *

where gold prairie meets the far

horizon (at the green

mountain, where shriven

penitents climb to the door).

Pride be the world’s blockade.

Banners of orange black

& green (by Jasper Jack)

are complementary, not made

for nought.  Pete? Smoky Pete’s

still lively, though John’s

jotting paper crayons

with encaustic slivers now.  Wheat’s

blonde for Brother Jim’s Great

Purple Hairstreak – what

a butterfly!  Yet

there’s no sketchy moral shortcut

to self-centered celebrations

for a nation, in this world

of woolly worms curled

into cottonwood canyon-

cocoons.  No idle soul-solace

– an oxymoron in

the China cookie tin.

True penitence proceeds apace,

slowly, like Frank’s old shaky mule

inching to San Francisco.

Sorrow made your child go

sailing.  Grief tacks up another Yule.

3.16.17

the Ids of March

LITTLE ISLAND

                                the fallow air grows milky

The Rio shines in quietness,

mottled by fading ice.

Cato the Woodpecker is

prince of cottonwoods – his highness

tock-tocks like Railsplitter toward

the taproot of Twin Cities’

canker sores.  He’s

whittling his wooden law – a word

scrimshawn against all takers,

all Caesars of commonweal,

in the court of last appeal –

galactic axle of the makers.

Is this a holiday?  The soothsayer’s

a dreamer (pass, tense).

Cinna lost his innocence

mangled among conspirators –

murdering for liberty (the mob

took it another way).

Is this a holiday?

The Ids are on the march – to Nob

Hill, where nabobs are on fire

amid their books.  Moses

threw tomes into a rose-

bush (ruby thorn in rabid empire)

& King David warped his harp

with smooth rushes & grass –

his humble plant shall pass

anthills of Tyre, the minnow tarp

                   *

of Lucifer – the arrogant hare

shall slip behind the turtle

& the dove shall hurtle

like a hummingbird (plum everywhere).

The sea wind washes the shoreline;

she lifts my face toward

her calm sunlight.  The sword

shall pierce your own heart, Minute Man,

little island seeker after Liberty –

her candle glimmers, copper-

green, where grasshopper

& ant both anchor.  Charity

of Chartres, Maid of Orleans,

Spirit of St. Louis

circling toward Paris,

read us what soul freedom means –

infinite mercy & joy

lifting the universe

from snowy ovoidness

into a Shakespeare play –

late Mississippian romance

only the first people

have beheld.  Quadruple

diamond, sapphire expanse,

arc of a Southern Cross above

refulgent rose island –

we expiate... to understand

your ever-brimming streams of Love.

3.15.17

pileated woodpecker

Tu dunque, che levato hai il coperchio
che m'ascondeva quanto bene io dico,
mentre che del salire avem soverchio,

dimmi dov' è Terrenzio nostro antico,
Cecilio e Plauto e Varro, se lo sai:
dimmi se son dannati, e in qual vico».

«Costoro e Persio e io e altri assai»,
rispuose il duca mio, «siam con quel Greco
che le Muse lattar più ch'altri mai,

nel primo cinghio del carcere cieco;
spesse fïate ragioniam del monte
che sempre ha le nutrice nostre seco.

Euripide v'è nosco e Antifonte,
Simonide, Agatone e altri piùe
Greci che già di lauro ornar la fronte.

Quivi si veggion de le genti tue
Antigone, Deïfile e Argia,
e Ismene sì trista come fue.

Védeisi quella che mostrò Langia;
èvvi la figlia di Tiresia, e Teti,
e con le suore sue Deïdamia».

Tacevansi ambedue già li poeti,
di novo attenti a riguardar dintorno,
liberi da saliri e da pareti;

e già le quattro ancelle eran del giorno
rimase a dietro, e la quinta era al temo,
drizzando pur in sù l'ardente corno,

quando il mio duca: «Io credo ch'a lo stremo
le destre spalle volger ne convegna,
girando il monte come far solemo».

(from Purgatorio XXII)

(translation, by James F. Cotter:)

"You, then, who lifted up the covering
That hid from me the great good I described,
While we have time remaining yet to climb,

"Tell me where our ancient Terence is,
Caecilius, Plautus, Varro, if you know;
Tell me if they are damned, and in what region?"

"They, and Persius and I, and many others,"
My guide replied, "are with that Greek to whom
The Muses gave more milk than to the rest,

"In the first circling of the darkened prison.
Often we converse about the mountain
On which our nurses always have their dwelling.

"Euripides is with us, Antiphon,
Simonides, Agathon, and many more
Greeks who once wore laurel on their brows.

"We see there of the people whom you noted
Antigone, Deiphyle, and Argia,
And Ismene, as sad as she once was.

"Hypsipyle, who showed men Langia’s spring,
We see there; Thetis and Tiresias’ daughter,
And there Deidamia with her sisters."

Both the poets had by now grown silent,
Intent once more on looking all around,
Free of the climbing stairs and of the walls;

And by now the four handmaids of the day
Were left behind, and at the chariot-pole
The fifth still steered its fiery tip upward,

When my guide said, "I think that we three should
Turn our right shoulders to the outer edge,
Circling the mountain in the usual way."