Showing posts with label Rockefeller Library. Show all posts
Showing posts with label Rockefeller Library. Show all posts

8.01.2016

On the shores of Gitche Gumee


Am reading a remarkable new biography of Dante Alighieri, by Marco Santagata, translated by Richard Dixon (Harvard UP, 2016).  Alongside Longfellow's remarkably reader-friendly translation of the Divina Commedia.

Where I live now is Longfellow territory : Minnesota.  In fact I live in a duplex adjacent to the Longfellow section of Minneapolis.  This is the land of Minnehaha Falls, Lake Nokomis, the Hiawatha rail line...  Henry L's Song of Hiawatha was inspired & underwritten by the Ojibwa legends recorded by his scholar-explorer friend Henry Schoolcraft (discoverer of the source of the Mississippi).  I can hear my late father even now - Minnesota Scout-camper-canoeist that he was - reciting (slightly tongue-in-cheek) tidbits of Hiawatha and Evangeline...


Santagata's Dante is a preternaturally-gifted young poeta (Einstein-like), trapped in a political combination of Inferno and South Boston.  His yearning for the authority of Empire makes (partial, recherche) sense in a parochial spacetime imprisoned by warlords, feuds, vengeance, murder, and every other circle of Hell.  These circles were closed.  Dante was like a drowning man struggling to the surface.  His appeal to Beatrice and Mary was a cry for a spiritual lifesaver - and a rescue from personal/political catastrophe.


But don't let me suggest that what we have here is a version of the mind-body problem.  Dante was more than an alienated intellectual.  He was a lot like Whitman, too.  He asserted Love at the center of reality, at the matrix of the cosmos - and found a way to synthesize all the different departments of Philosophia within the very human desire to love and be loved.  This was the gift of his mentors (Brunetti, Cavalcanti, Boethius, Augustine, Aquinas, Aristotle... Virgil) - but a gift he transfigured into blazing bardic fireworks (Whitman's descants on Emerson provide a parallel).


I find it interesting that during his agitated exilic (& hungry) wanderings around Tuscany & environs, Dante gravitated toward anywhere with a good library.  That early Renaissance hunger for knowledge chimes with what Mandelstam calls the Italians' (Dante, Ariosto) enormous appetite & gusto for speech, rhyme, poetry...  Mandelstam, out there in Voronezh & Vladivostok, carrying his frangled, tattered copy of the Divine Comedy around, always, wherever Stalin decided to send him...


The library was my refuge too.  I spent 30 years in the bowels of the Rock (Rockefeller Library, Brown University) - after Ronald Reagan brought an end to my 5-yr VISTA volunteer career (circa 1980).  I didn't want to be an organizer anymore; I needed to write.  But I didn't want to go back to school (I graduated from Brown - finally - in 1977).  For a brief ridiculous desperate time I worked as a "professional resume writer"...


I thought of poetry as something simple & direct - beyond academia, beneath academia; beyond politics, beneath politics; beyond po-biz, beneath po-biz.  I started a group called the Poetry Mission for that reason (stealing poetry off campus).  We sponsored events in an art gallery, organized some talks, published an anthology for Edwin Honig's birthday... but this was long ago (early 1990s).  Others have been down this path.


The library.  On the campus.  Yes.  I went back there, into my shell - and stayed for 30 years.


Here's what Wikipedia says about the dome of the Rhode Island State House, under which I spent much of my 5 years as a VISTA volunteer :



"The Rhode Island State House is composed of 327,000 cubic feet (9,300 m3) of white Georgia marble, 15 million bricks, and 1,309 short tons (1,188 t) of iron floor beams.[2]


The dome of the State House is the fourth-largest self-supporting marble dome in the world, after St. Peter's Basilica, the Taj Mahal, and the Minnesota State Capitol.[2][3] On top of the dome is a gold-covered bronze statue of the Independent Man, originally named "Hope". The statue, weighing more than 500 pounds (230 kg), is 11 feet (3.4 m) tall and stands 278 feet (85 m) above the ground. The Independent Man represents freedom and independence and alludes to the independent spirit which led Roger Williams to settle and establish Providence and later Rhode Island."

"Hope."

This post is a throwback to the HG Poetics of old - that Minnehaha of endless gab-gab... how did I manage it?  As TS Eliot says somewhere, "Humility is endless."  I worked, managed.  Now, strangely, I'm home again.  Florence was my paternal grandmother's name - the Goulds lived about 2 blocks from where I'm writing this, in another shady apt by the river.  Florence was born on the the 4th of July, 1900... granddaughter of a Mississippi riverboat captain...

4.12.2016

Yellow-gold forsythia


TWO CIRCLES

Down by the spring river, tossing sticks
in prehistoric Mizz,
my Jordan – little Isis-
canoes, or Ferrarese six-

wheelers; in my mind’s darkroom
recalling you – Love’s raven-
haired sybil (guardian
at the Rock’s entrance).  Your gloom

when my father’s birthday wheeled around
each April.  The yellow-gold
forsythia enfold
your mother’s grave, who died... O sound

those flowery depths, Ophelia
and rise again!  He was
a good man – rays
of intellectual Amor blessed his day;

he might have walked her from that grave.
A little light only,
through camera oscura...
you know.  You showed me her cave

in San Francisco’s spare kitchen –
where a thin light-blade
infiltrates the Maid
so Piero’s hypno-sarabande might spin

anew (red cedar, blue spruce, evergreen).
Rembrandt’s Self-Portrait with
Two Circles... one light-heavy scythe
defines this wheel’s circumference (unseen).

4.12.16

1.19.2016

Celestial canoe

Today, most curiously, is the birthday both of Edgar Allan Poe, and of his literary soulmate & would-be bride, Helen Whitman.  I've written a lot of local-historical poetry about them, & other local Providence things, which you can find here (best to start at the beginning).  

Edgar Poe was fading fast in the late 1840s.  Yet he had hopeful & grandiose dreams - of marrying Helen, of starting a new literary journal, of instigating an American cultural Renaissance.  It all came to nought... or not.  Poe, in characteristic ghoulish (Baudelairean) fashion, achieved his aims - after a century or so.  His Providential ghost-bride (Whitman) came at it from another angle... yet they reached the same goal.  (Walt was the only literary figure of note to attend Poe's lonely funeral.)

Early tomorrow morning, a rare alignment of planets will be visible on the North American east coast.  (Search below for confirmation.)

LILAC BARGE

In the Rock, the library, in Providence.
Snow’s hexagon glissando
falls on Whitman-Poe
birthday.  Athenaeum lens

(blind flash of mercury & lead)
poses twin agate lamps –
of seahorse hippocamps
& dread.  Envisioning (not-dead).

Dust-labyrinth of pupa-pharaoh.
Curious mummy-volumes
Oedipus exhumes...
– Eureka!  I have found you,

Madeleine!  In mold of lichen
Venn diagram (Raven) –
Martian crossroad, Jovian
Juliet-canoe... (shade of Ferrara sun).

Saturnine Henry disappears
under the alignment
of these stars’ bent
light palladium coheres

& spheres revolve (toward Galilee).
Into Newport Holy-Land
sail Jack & Jackie... Helen
Whitman... Eddie Poe.  One shy

brown bird, conducting lilac barge
beneath cedar boughs;
bearing between twin prows
her dewy double-ewed grail-charge.

1.19.16

Providence Athenaeum