signum of yearning

DOOM-BELL

The simple poem sets its seal on the day

(signum of yearning, lack

& bronze heartbreak).

It doesn’t create, but confirms, I say –

tacit equipoise of universe,

with roaring hearth

mirroring each heart

in Milky Way (our fiery nurse).

& of that translucent softest koinonia

the poem’s just a line.

Graven tattoo or riverine

El (whorled conscience of Columbia).

So when the Rabbi hums a restoration of all things

we understand what he means

& feel it in our bones –

sunlight in the kitchen supersedes all kings.

Liberty-tyranny-liberty; light-dark-light...

your Florentine chessboard

migrates its word-hoard

to Skye, & beyond (stern Ocean slate).

Your buoy rides the moiling salt

like a lucky pawn

become kingpin again;

Hamlet swings the doom-bell... halt,

who goes there? – solo Ophelia

hoovers up all Denmark

from her West Branch park,

& Evening Star glows like Astraea.

12.9.19

perhaps we are Hagia Sophia

JAPANESE NOTE

Down by Mirror Lakes, in Mendelssohn

Henry collects the silver

trading cards of a younger

self.  Still innocent (the future Hobo-man).

In that Providence springtime,

when we were setting out.

Pure Japanese note

of your own childhood (high chime

of Tokyo folksong).  Your Florentine

round pallor, papery

sheepglow (Butterfly).

Who knew I’d be the priggish Pinkerton

of Rensselaerville epithalamia?

Til that blindfolded boy

waving a Yankee flag (say,

can you see?) – sows stony drama...

Puccini’s on the turntable, at Amiata.

Her spectral Iris-wings

loft LIBERTY (to thee we sing)

unto this microcosm of liublyu stigmata.

Yet, perhaps... we are Hagia Sophia

with a million eyes.

The crucifixion of surprise

curves down, humbled with apatheia

– still time, still time, to turn

from the spent spirit

to that glad esprit

reflecting oui (edging Ravenna urn).

11.18.19

an aria of Ariel

SAFETY NETS

On the vast floor of the nave at Chartres

a golden labyrinth

circles the square.  Myth

of primal clay, where everything starts

over... springs up from the ground;

even the epic poem

circles back toward home –

Thanksgiving hearth of heaven, lost

& found.  It is an Ithaca

where Daphne-laurel molts

back to Penelope – bolts

from the yarn, like Minnehaha

laughing upstream toward Itasca –

primeval Persephone

(O veritas caput).  She

looms at warp speed, like an aria

of Ariel – zips through the Gateway

Arch, to Providence –

races around, from Florence

to the Golden Gate, where she will play

out safety nets, & save the day –

& from Pacific to New York

lift up her blazing fork

of sea-green, Lincoln-penny Liberté.

She is the almond in a nest of nests –

a hollow echo-tomb

from which Columbia will bloom

again, spring-fed by Galilean breasts.

9.20.16

Noah's yawl

DANTE SCHOOL

Long ago in Florence, Alighieri

smashed the limestone font

at the Baptistery – Don’t

Panic! – to save a little boy

from drowning.  His prophetic sign,

a riposte for his own exile –

sluiced out with bile

& blood of lawlessness (Italian

style).  The sea rides high, the rain

seems endless.  Human

callousness a given,

leaden sinker-weights anchored in pain

call for a coracle, a basket-woven

safety net (to keep

the child alive, upon

the deep).  Cross-stitch the waves then,

Raven – paint Noah’s yawl afloat

until we memorize the name

that hawsers through this game

of crosshairs (golden, black & white).

Only a shadow over the sea;

an eyelash, lancing

a tiny tear.  So bring

your harp now, Queequeg – free

that pearl-feathered quasi-gull

whose omnipresence bobs

the wavy globe.  Corncobs

& acorns in Polenta (Dante school).

8.16.16

On the shores of Gitche Gumee

Am reading a remarkable new biography of Dante Alighieri, by Marco Santagata, translated by Richard Dixon (Harvard UP, 2016).  Alongside Longfellow's remarkably reader-friendly translation of the Divina Commedia.

Where I live now is Longfellow territory : Minnesota.  In fact I live in a duplex adjacent to the Longfellow section of Minneapolis.  This is the land of Minnehaha Falls, Lake Nokomis, the Hiawatha rail line...  Henry L's Song of Hiawatha was inspired & underwritten by the Ojibwa legends recorded by his scholar-explorer friend Henry Schoolcraft (discoverer of the source of the Mississippi).  I can hear my late father even now - Minnesota Scout-camper-canoeist that he was - reciting (slightly tongue-in-cheek) tidbits of Hiawatha and Evangeline...

Santagata's Dante is a preternaturally-gifted young poeta (Einstein-like), trapped in a political combination of Inferno and South Boston.  His yearning for the authority of Empire makes (partial, recherche) sense in a parochial spacetime imprisoned by warlords, feuds, vengeance, murder, and every other circle of Hell.  These circles were closed.  Dante was like a drowning man struggling to the surface.  His appeal to Beatrice and Mary was a cry for a spiritual lifesaver - and a rescue from personal/political catastrophe.

But don't let me suggest that what we have here is a version of the mind-body problem.  Dante was more than an alienated intellectual.  He was a lot like Whitman, too.  He asserted Love at the center of reality, at the matrix of the cosmos - and found a way to synthesize all the different departments of Philosophia within the very human desire to love and be loved.  This was the gift of his mentors (Brunetti, Cavalcanti, Boethius, Augustine, Aquinas, Aristotle... Virgil) - but a gift he transfigured into blazing bardic fireworks (Whitman's descants on Emerson provide a parallel).

I find it interesting that during his agitated exilic (& hungry) wanderings around Tuscany & environs, Dante gravitated toward anywhere with a good library.  That early Renaissance hunger for knowledge chimes with what Mandelstam calls the Italians' (Dante, Ariosto) enormous appetite & gusto for speech, rhyme, poetry...  Mandelstam, out there in Voronezh & Vladivostok, carrying his frangled, tattered copy of the Divine Comedy around, always, wherever Stalin decided to send him...

The library was my refuge too.  I spent 30 years in the bowels of the Rock (Rockefeller Library, Brown University) - after Ronald Reagan brought an end to my 5-yr VISTA volunteer career (circa 1980).  I didn't want to be an organizer anymore; I needed to write.  But I didn't want to go back to school (I graduated from Brown - finally - in 1977).  For a brief ridiculous desperate time I worked as a "professional resume writer"...

I thought of poetry as something simple & direct - beyond academia, beneath academia; beyond politics, beneath politics; beyond po-biz, beneath po-biz.  I started a group called the Poetry Mission for that reason (stealing poetry off campus).  We sponsored events in an art gallery, organized some talks, published an anthology for Edwin Honig's birthday... but this was long ago (early 1990s).  Others have been down this path.

The library.  On the campus.  Yes.  I went back there, into my shell - and stayed for 30 years.

Here's what Wikipedia says about the dome of the Rhode Island State House, under which I spent much of my 5 years as a VISTA volunteer :


"The Rhode Island State House is composed of 327,000 cubic feet (9,300 m³) of white Georgia marble, 15 million bricks, and 1,309 short tons (1,188 t) of iron floor beams.^[2]

The dome of the State House is the fourth-largest self-supporting marble dome in the world, after St. Peter's Basilica, the Taj Mahal, and the Minnesota State Capitol.^[2][3] On top of the dome is a gold-covered bronze statue of the Independent Man, originally named "Hope". The statue, weighing more than 500 pounds (230 kg), is 11 feet (3.4 m) tall and stands 278 feet (85 m) above the ground. The Independent Man represents freedom and independence and alludes to the independent spirit which led Roger Williams to settle and establish Providence and later Rhode Island."

"Hope."

This post is a throwback to the HG Poetics of old - that Minnehaha of endless gab-gab... how did I manage it?  As TS Eliot says somewhere, "Humility is endless."  I worked, managed.  Now, strangely, I'm home again.  Florence was my paternal grandmother's name - the Goulds lived about 2 blocks from where I'm writing this, in another shady apt by the river.  Florence was born on the the 4th of July, 1900... granddaughter of a Mississippi riverboat captain...

California lovebeats

MELODIOUS EMBLEM

Dante paced the perimeter of Florence

with mumbling gravitas

& halting step.  He was

building a grainy microcosm, dense

as diamond, light as linden leaf;

light as this Minnesota

snowfall (speechless alpha

blanketing state fairgrounds beef

– bandstand omega).  Orientation

toward North Star becomes

entangled with kingdoms

of heaven, world – a mule’s way station

to a Gold Rush claim, staked down at last

in San Francisco (keystone

of stark orange span).

A vortex (raven-blonde, vertiginous)

immurèd round painful iconic pair;

a song of songe (statute

of liberty) no more astute

than any lovebeat California dreamer

in midsummer.  Melodious emblem

for those deeper waters

(azure heights) that course

around foundations... Jerusalem

temple under Roman beams, arch

that forms the tensile wing

of eaglet eyrie (singing

scroll)... knife-edge of Raven-church.

12.28.15